Laughing Boy

I found Laughing Boy to be spectacular. The character interaction and dialog is believable to the point of appearing like a humorous biography. It restored my belief that an independent film can be more then an artistic disassociation. Laughing Boy is something I can relate to. I could go into the little details of how I could associate with the movie, and because of that I loved it, however, the more I watched, the more I wanted to know what Cody would do next.

I have, and will continue to recommend this to any person who honestly loves a good comedy.

I expected only a joke-filled, silly, thin plot, because of the first sketch. However, the opening is the least successful part of this film, and the film's true, deeper meaning sneaks in slowly.

The true purpose of the film lies in the use of familiar characters that are confronted by issues of social and personal conformity. By use of a good story line, the film is engaging, as well as both funny AND thoughtful.

Cody and Judy are a modern couple. They love and tolerate each other but definitely have their aspirations as far as the future is concerned. Judy wants Cody to advance at his company while Cody has his eye on an attractive female co-worker, Elizabeth. As luck would have it, Elizabeth and her husband are giving a high-profile party. Judy is delighted, as she wants to be seen and heard in a place that counts. Cody is also happy because he may get his opportunity with Elizabeth. The trouble with Cody is, however, he says and does almost anything he wants to do, and not always with good manners or tact. As the party goes on, Cody finds a way to insult the almost-fiancé of a beautiful but husband-desperate girl, a television evangelist, and other party goers. How could this possible advance his career or win him points with Elizabeth? The plot here is almost non-existent, as most of the film is Cody talking to the party attendees or into the camera itself. A good deal of the humor is, as one can guess, sexual in nature or candid put-downs of modern existence. Some of it is funny and some of it is offensive. However, there is a certain originality expressed, as Cody truly offers opinions that fly in the face of modern decorum. Then, too, the film's running commentary format and scene slicing has an offbeat quality that is fresh and fun. This film will have its fans, no doubt, as any interesting indie film would. But, for those who want to play it safe, especially where offensive material is concerned, this is not the film for you. Instead, fans who want to see a sample of independent film making, without serious objections, might want to try My Big Fat Greek Wedding, My House in Umbria, or Greenfingers.

Enjoyable movie. Satirical and true in some scenes. In the end you wonder if you yourself wear a MASK. Characters and actors and actresses did a pretty good job. Lines were hilarious. It was a very good indie movie. I rated it at Six but I am a harsh critique it could and should have been rated a notch higher at 7.5 two thumbs up for Director.

Ahhh, good movie. Funnier than I was led to believe. The main character reminded me of a guy I grew up with. Tiffany Grant was GREAT as a new mommy who was WAY too excited about her very ugly child. Don't miss the stereotypical TV Evangelist either! Fun-Ny!!!!