NOTE IMDb
7,4/10
21 k
MA NOTE
Ajouter une intrigue dans votre langueNandini has to choose between Sameer, the man who taught her to fall in love; and Vanraj, the man from whom she learnt how to abide and fulfill promises of love.Nandini has to choose between Sameer, the man who taught her to fall in love; and Vanraj, the man from whom she learnt how to abide and fulfill promises of love.Nandini has to choose between Sameer, the man who taught her to fall in love; and Vanraj, the man from whom she learnt how to abide and fulfill promises of love.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 34 victoires et 9 nominations au total
Aishwarya Rai Bachchan
- Nandini
- (as Aishwarya Rai)
Kannu Gill
- Vanraj's mother
- (as Kanu Gill)
Ehsan Khan
- Nilesh
- (as Ahsan Khan)
Avis à la une
Yes. Simply Outstanding. This is truly one of the best Bollywood movies to come out in a long, long time. A great commercial hit back in our India, it also swept all the major awards. Though I'm from India where Bollywood movies are compulsory watching, I dislike them for their absurdity but this film has me raving about it. Its simply fabulous.
Set in western India in a prosperous Gujarti household overflowing with people, lives Nandini, our heroine (the beautiful Ashwariya Rai), daughter of a renowned singer Pandit Durbar. Sameer (Salman Khan), a handsome young Italian who comes to learn classical music from the Pandit falls in love with his daughter. As the movie enfolds, we watch the beautifully enacted comedy of the star crossed lovers. But once the father comes to know, all hell breaks loose. Sameer is thrown out of the house, Nandini's heart is broken and she is married of to a young, respectable and well mannered suitor Vanraj (Ajay Devgan) who truly loves her but is detested by Nandini. But the husband also discovers about the affair, is heartbroken too, but decides to take Nandini to Italy to meet her lover.
As the plot moves to Italy (Hungary actually, which the director would have us believe as Italy), we are engaged in Nandini's and Vanraj's troubles of living in a foreign country, finding Sameer and living with each other. As she searches for her love, Nandini comes to know her husband and how much he truly loves her and realizes his grief and sense of loss in losing her. When she finally does find Sameer, she's torn between the two and must choose one of the them and break the heart of the other.
This is Bollywood at its best. Here the wonderful music that goes with this film, it underlines each scene with its sparkling melody. Also the set pieces are lavishly mounted and the music numbers burst upon the seen. The movie is also very beautifully shot.
This movie also captures Ashwariya Rai at her best. She is miraculously beautiful and lights up the screen whenever she's on it. All in all a must watch Bollywood affair. Iwould also recommend the same director's (Sanjay Leela Bhansali) Black, which is the story of a dumb, deaf and blind girl.
Set in western India in a prosperous Gujarti household overflowing with people, lives Nandini, our heroine (the beautiful Ashwariya Rai), daughter of a renowned singer Pandit Durbar. Sameer (Salman Khan), a handsome young Italian who comes to learn classical music from the Pandit falls in love with his daughter. As the movie enfolds, we watch the beautifully enacted comedy of the star crossed lovers. But once the father comes to know, all hell breaks loose. Sameer is thrown out of the house, Nandini's heart is broken and she is married of to a young, respectable and well mannered suitor Vanraj (Ajay Devgan) who truly loves her but is detested by Nandini. But the husband also discovers about the affair, is heartbroken too, but decides to take Nandini to Italy to meet her lover.
As the plot moves to Italy (Hungary actually, which the director would have us believe as Italy), we are engaged in Nandini's and Vanraj's troubles of living in a foreign country, finding Sameer and living with each other. As she searches for her love, Nandini comes to know her husband and how much he truly loves her and realizes his grief and sense of loss in losing her. When she finally does find Sameer, she's torn between the two and must choose one of the them and break the heart of the other.
This is Bollywood at its best. Here the wonderful music that goes with this film, it underlines each scene with its sparkling melody. Also the set pieces are lavishly mounted and the music numbers burst upon the seen. The movie is also very beautifully shot.
This movie also captures Ashwariya Rai at her best. She is miraculously beautiful and lights up the screen whenever she's on it. All in all a must watch Bollywood affair. Iwould also recommend the same director's (Sanjay Leela Bhansali) Black, which is the story of a dumb, deaf and blind girl.
HDDCS must have come straight from Sanjay Leela Bhansali's heart. Each and every scene is well-executed. It's a little unrealistic to have the husband help find the wife's lover, but movies have that little license to stretch the truth and I suggest we just let loose once in a while. Aishwarya Rai has been presented more beautifully than she already is. It's so ironic that she was once written off as wooden because she truly shines in this film. Her emotional scenes are a delight to watch. Even when she's not speaking, she communicates with her eyes, which is lovely. Even Salman Khan acts FAIRLY well in here. You can't tell when he's crying or laughing, but every time he irritates you, just turn to Ash for solace. Ajay Devgan does what he's best at. The romantic, silent hero. Hey, he's good at it, so I have no complaints.
The sceneries are beautiful. There's not a song on the soundtrack which I don't like. Chand Chupa Badal and the title song are especially beautiful. The choreography is superb. The "Tadap Tadap" scene is perhaps one of the best I've ever come across. I confess. I actually cried during that song. :P The characters are so well-etched that you really don't know who to root for. You want Salman to get the girl, but you feel for Ajay, too.
Bhansali is an artistic genius. He has surpassed his previous film (Khamoshi) with this flick. Can't wait for his Devdas.
The sceneries are beautiful. There's not a song on the soundtrack which I don't like. Chand Chupa Badal and the title song are especially beautiful. The choreography is superb. The "Tadap Tadap" scene is perhaps one of the best I've ever come across. I confess. I actually cried during that song. :P The characters are so well-etched that you really don't know who to root for. You want Salman to get the girl, but you feel for Ajay, too.
Bhansali is an artistic genius. He has surpassed his previous film (Khamoshi) with this flick. Can't wait for his Devdas.
As with nearly all my viewing, this was recommended by a reader.I admit that I am not as familiar with these films as I should be. Just based on popularity and persistence, they need to be understood. Gosh, it about 1 1/2 hours straight of two people falling in love before any drama sets in. Then it shifts to Budapest posing as Italy; I guess the audience would not know the difference.
The negatives are obvious. It is just too long for the trivial story. There are cultural stereotypes whose behavior must be essential to the pleasure of the thing, stereotypes I did not know. There is a ton of singing and dancing but like an Andrew Lloyd Weber musical, it all sounded and looked much the same. The girl who is such a beauty that she causes two good men to fall in love dangerously deep... she's a petulant, selfish brat.
But the colors and the staging are so lush that I got a sugar high and was just about sad to see it end. I don't know anything like this in the west where the simple show is so dominant and so well done. And this is well done. There is a kite-flying scene that just took my breath away. I replayed it a few times. One of the few dramatic moments is when the couple has to be permanently separated. She hears about it an rushes through the house; her dress catches fire and she doesn't even notice, the dancing colors adding to the way the environment tells us what is going on.
I won't ruin the ending. Anywhere else I would gag, but here it was a reward — truly romantic. Now I have to look up more of this fellow's work. The way he uses the environment reminds me of a young Yimou Zhang.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
The negatives are obvious. It is just too long for the trivial story. There are cultural stereotypes whose behavior must be essential to the pleasure of the thing, stereotypes I did not know. There is a ton of singing and dancing but like an Andrew Lloyd Weber musical, it all sounded and looked much the same. The girl who is such a beauty that she causes two good men to fall in love dangerously deep... she's a petulant, selfish brat.
But the colors and the staging are so lush that I got a sugar high and was just about sad to see it end. I don't know anything like this in the west where the simple show is so dominant and so well done. And this is well done. There is a kite-flying scene that just took my breath away. I replayed it a few times. One of the few dramatic moments is when the couple has to be permanently separated. She hears about it an rushes through the house; her dress catches fire and she doesn't even notice, the dancing colors adding to the way the environment tells us what is going on.
I won't ruin the ending. Anywhere else I would gag, but here it was a reward — truly romantic. Now I have to look up more of this fellow's work. The way he uses the environment reminds me of a young Yimou Zhang.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
This movie is one of the best Hindi movies i have ever watched. Aishwarya Rai as Nandini was simply wonderful, Salman Khan as Samir added a little comedy in the film. The story is a romance and drama. Samir(Salman Khan) is an indo-Italian student who comes to learn to sing from Nandini's father(Vikram Gokhale)and stays a year there. In the process Nandini and Samir fall in love, but she is arranged to be married to Vanraj(Ajay Devgan). Nandini sees Samir behind her father's back. Her father finds this out and Samir is sent away. Nandini Marys Vanraj. One day she receives letters from Samir and Vanraj sees them and becomes angry. But since Vanraj loves Nandini....he takes her to Italy to find Samir. What happens next in the story....it is up to you to find out! The movie was wonderful, the locations were beautiful, the songs were the best! The acting was great!!! overall i give this movie a 9/10!
"Hum Dil De Chuke Sanam" is Bollywood in its purest form - and a stunning achievement. It's an epic of grand emotions, gorgeously filmed and well acted. At 188 minutes, it seldom seems overlong and at the end left me crying. Yes, they pulled all the right strings.
The story tells of Sameer (Salman Khan) who comes from Italy to India to learn classic songs - and falls in love with Nandini (Aishwarya Rai), the daughter of his teacher. I don't want to spoil what happens next, but a couple of unexpected things kept me involved in the somehow simple story.
The first hour does not really progress much story-wise. It's all character development and a lot of song and dance. It's actually more a mixture of a ballet and a musical, than a film. There's more music than in your average Bollywood film - and what feels different is that it's not your usual number where the actors pretend to sing, but it's more like traditional background music, where you listen to music and the actors dance and move to it.
The second half involves a lot less music but the plot gets heavier. And until the end, it builds up. Competent direction by Sanjay Leela Banshali ("Devdas"). Additionally, the images are amazing. Director of photography Anil Mehta ("Lagaan") is in the bloom of his craft. Even if you don't like the story, you'd have to agree that it's a visual feast.
That, of course, is also true for Aishwarya Rai. 1994's Miss World has never looked this good, I believe. She radiates beauty in almost every shot and is the most charming when she's the most natural. It's easy to see why Sameer would fall in love with her. Khan plays Sameer as he plays a lot of his characters, and it works. He too looks very good in the film. Of course he takes off his shirt a lot - but his body appears more virile than in other pictures so that it too works well. Finally, Ajay Devgan plays the solid counterpart to the two love birds. His role gets more important as the film progresses and his performance comes off as both strong and restrained.
"HDDCS" might have some flaws (the music, although rather good, is not memorable), but it is great entertainment. Out of all the love stories Bollywood offers us each year, this one emerges as a winner.
Rating 8/10
The story tells of Sameer (Salman Khan) who comes from Italy to India to learn classic songs - and falls in love with Nandini (Aishwarya Rai), the daughter of his teacher. I don't want to spoil what happens next, but a couple of unexpected things kept me involved in the somehow simple story.
The first hour does not really progress much story-wise. It's all character development and a lot of song and dance. It's actually more a mixture of a ballet and a musical, than a film. There's more music than in your average Bollywood film - and what feels different is that it's not your usual number where the actors pretend to sing, but it's more like traditional background music, where you listen to music and the actors dance and move to it.
The second half involves a lot less music but the plot gets heavier. And until the end, it builds up. Competent direction by Sanjay Leela Banshali ("Devdas"). Additionally, the images are amazing. Director of photography Anil Mehta ("Lagaan") is in the bloom of his craft. Even if you don't like the story, you'd have to agree that it's a visual feast.
That, of course, is also true for Aishwarya Rai. 1994's Miss World has never looked this good, I believe. She radiates beauty in almost every shot and is the most charming when she's the most natural. It's easy to see why Sameer would fall in love with her. Khan plays Sameer as he plays a lot of his characters, and it works. He too looks very good in the film. Of course he takes off his shirt a lot - but his body appears more virile than in other pictures so that it too works well. Finally, Ajay Devgan plays the solid counterpart to the two love birds. His role gets more important as the film progresses and his performance comes off as both strong and restrained.
"HDDCS" might have some flaws (the music, although rather good, is not memorable), but it is great entertainment. Out of all the love stories Bollywood offers us each year, this one emerges as a winner.
Rating 8/10
Le saviez-vous
- AnecdotesIn Aishwarya Rai Bachchan's first scene, she is seen walking across the Kutch desert. She did this barefoot and in 35 degree weather. Director Sanjay Leela Bhansali later expressed his great gratitude and respect for her having done so.
- GaffesUniversal health care is offered in Italy to all citizens and visitors: a hospital there would not have refused to treat Nadini over lack of funds after she had been shot.
- ConnexionsFeatured in 45th Filmfare Awards (2000)
- Bandes originalesHum Dil De Chuke Sanam
Music by Ismail Darbar
Lyrics by Mehboob
Performed by Kavita Krishnamurthy, Mohammad Salamat
Meilleurs choix
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- How long is Straight from the Heart?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Straight from the Heart
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 ₹ (estimé)
- Montant brut aux États-Unis et au Canada
- 1 007 446 $US
- Week-end de sortie aux États-Unis et au Canada
- 298 769 $US
- 20 juin 1999
- Montant brut mondial
- 1 007 446 $US
- Durée
- 3h 8min(188 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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