Fear No More

When you watch "Fear No More", I strongly advise you to resist the urge to turn off the movie prematurely. You are bound to think that the movie has a million different plot holes and problems but it is important to realize that eventually they do all fit together and make sense.

When the story begins, a woman is riding on a train and she is attacked by a man with a gun. Before she is knocked unconscious, she notices a dead man in the compartment with her. When she awakens, a man identifying himself as a policeman is interviewing her and acting as if she murdered the woman in the train car. However, soon she manages to escape from him and is soon picked up by a nice man who offers to help.

You need to understand that there is a reason the policeman doesn't seem very competent and the story so hard to believe and if you keep watching there is an excellent payoff. Plus many of the typical cliches you'd expect to see in such a film are often subverted in the name of the plot and characters making sense. For example, in too many movies, a person in trouble meets up with someone while they're on the run and almost instantly the stranger believes them and risks their life to help....but this isn't exactly what happens in "Fear No More"...just watch and you'll see the plot problems and cliches melt away and the story turns out to be a dandy. Well worth your time...just be patient with it!

FEAR NO MORE stars Mala Powers as Sharon Carlin, who finds herself caught up in a terrifying mystery full of murder and possible conspiracy. All this, arising from a simple, relaxing train ride to San Francisco.

When Sharon is joined by a seemingly helpful man named Paul (Jacques Bergerac), her life truly begins to spin out of control!

This is a wonderfully dark suspense thriller! The best of such films reveal the depraved / perverse side of human nature, usually resulting in its undoing. This movie is nearly perfect on that score...

Sometimes one runs across an Academy Award level performance in a B film and the performance doesn't get the attention it should have. Mala Powers was a remarkably talented actress who rarely got to show off what she was capable of doing, being used largely as decoration in things like fifties horror movies because, alas, she was quite attractive and in those days of Piper Laurie, Lori Nelson, et cetera, young attractive ladies were often cast in slop. But in this highly watchable effort Mala Powers gives what amounts to a complete acting class as she pours her heart into this stunning performance which has to be watched several times to be fully appreciated. Ms. Powers taught the Michael Chekhov school or style of acting professionally for many years but she could certainly show her students this work as evidence that she knew what she was talking about. In this acting theory, the Chekhov-influenced actor attempts to indicate through gestures a reflection of the interior or psychic anguish that is being felt. Movements and gestures must be true and effective and lively but not forced and inappropriate or unnecessarily exaggerated. If you just take isolated scenes and you know the plot, you can watch her emotional display and her gesturing and how organic and integrated they are. There are no false moves, no exaggerated gestures and no grandstanding. Ably supported by Jacques Bergerac as a troubled man who seems to find highly troubled women to court without even trying, Mala Powers keeps us wondering about her sanity until the rather feeble and highly implausible ending moments but it's well worth a watch for people who like to curl up and watch a pretty good mystery thriller with one performance that goes way beyond what one would expect and which shows the post-Slanislavski school (Slanikovsky was Chekhov's teacher) in all its raging glory. It's a must-see for serious acting students. I hope this review does not sound too artsy for the viewer-- it's one of the gutsiest performances in a film that I've seen!

Entertaining movie. Don't turn it off, it gets better. One thing that doesn't ring true. She believes the police are looking for her believing she is a murderer. They have her purse and, with it, her home address. So, after she escapes from the police, instead of trying to hide, she goes home and thinks every thing is now OK. I'd be trying to dig a hole to hide in. But, that aside, it's a very entertaining film and moves quickly.

Mala Powers mistakenly thinks she can FEAR NO MORE when Good Samaritan Jacques Bergerac finds her lying in the middle of the road after she escapes the policeman who arrested her for the murder of a woman on a train. He takes her to her place where there's another dead body and the couple get an even bigger surprise when they go to her employer's house and find the cop and the "murdered" woman there, insisting she's insane. Jacques doesn't know what to think when he's told Mala is also an escapee from a mental institution after having killed her previous employer. WTF?

Jacques Bergerac, handsome star of stage, screen, and tabloid scandal, was like a suave, Gallic version of Mike Henry whose thick French accent made him hard to understand half the time but it never mattered much since he was usually just eye candy anyway. As luck would have it, Jacques is called upon to react instead of act in this "twisty mystery" that's not half bad if you don't examine it too closely and, in its defense, you don't get the chance. Bottom line: it's a fast-moving B- movie held together by Mala Powers, a pretty good little actress, something I never noticed before.