Total Recall 2070

If you like The man in the High Castle, Black Rain, Blade Runner, Alien, Prometheus, WestWorld and Total Recall, this show is for you.

You don't mind a little stiff acting, as long as there is a great sci-fi story and cool special effects.

You can accept some clumsy blocky stating the obvious and spilling the beans storytelling, to get you where you want to go.

You almost like, that the main character looks like Christian Bale and sounds like young Keanu Reeves, while he delivers his stiff Raymond Chandler sounding lines.

Clichés like "that is out of your jurisdiction" and "let's go downtown fo a little chat" makes you smile.

If someone tries to put a little Hannibal Lecter or Roy Batty into their character, that just makes things better, according to you.

You have missed that glossy nineties ad agency way of shooting things, with hard light directly from the side.

And if you can get all of the above, and even some R rated skin exposure too, wrapped in classic cop buddy series form, you don't want to leave until you have consumed the whole thing!

Sadly, most people have never read any of Philip K. Dick's novels and short stories and only connect him with the movie Blade Runner. This is unfortunate because PKD's stories were more entertaining, layered and intellectually versatile than what is offered in Blade Runner. Total Recall 2070 is less of an amalgamation of Blade Runner and Total Recall, and more a mix of their literary sources: 'We Can Remember It For You, Wholesale' [short story] and 'Do Androids Dream of Electric Sheep' [novel], both by PKD. Both of these have very real, flawed characters with a quirky, inventive mood that always entertain.

The story of Total Recall 2070 was nearly that of '...Sheep.' For the benefit of the movie going masses' recognition, the names of things from the movie version of Total Recall were used. The story was about the philosophy behind automated sentiency, mechanized religion and the need for humanity to regain its sense of purpose above the machine, while also living beside it. This is something the series was only beginning to touch before it was canceled.

The lack of knowledge about the show's true roots has led to a complete misunderstanding of it. It is a near perfect representation of PKD's wonderfully strange and murky imagination. People call Total Recall 2070 a rip-off of the movies when in reality the movies were a pale shadows of their sources. Total Recall 2070 is the most genuine incarnation of Philip K. Dick's worlds to date.

By no means am I saying this was bad series or anything, but it copied alot. It did have a neat sense of techno style that to me seemed taken from Phillip K. Dick's other famous movie adaptation: Blade Runner, and not entirely from the movie Total Recall. It also reminded me alot of the series TekWar with its future cops trying to thwart criminals that use the future's techno devices to commit their crimes and spread chaos in the uncertain times of the 21st century. Its a shame it was cancelled so early when we have bonifide sci-fi crap hogging our screens. This show at least proved refreshing in the old cops and robbers game can be dressed up to look new.

When I read this show was very much Philip K Dick inspired, using many of his ideas, rather than just a spin off, I knew I had to see it.

Total Recall 2070 shows a futuristic world dominated by multinational corporations, many of them operating on Mars as well. While crime has reduced spectacularly, there are still many problems in society. The show deals with a lot of cyberpunk topics: brain manipulation, androids, genetics, virtual reality, viruses etcetera. The CPB, a type of independent police force, often competing with other jurisdictions, has their hands full on it.

Visually the show is literally very dark with sparse lighting and often a foggy, rainy scenery whenever things take place outside. Clearly the show had a tight budget, often repeating the same cgi imagery transiting between scenes to show parts of the city, but it was very cleverly used. The backgrounds show us but a glimpse of a grim world that is rebuilding itself on technology, nature having been destroyed mostly.

Unfortunately the show is not addictive at all and there are some important elements missing to make it great: humor, a clear direction of storyline, well- motivated and consistent emotions. It too often feels as just another bland cop show, just set in the future, although it's really much deeper than your average police fare. Some characters, like David Hume's wife, or the female lab researcher,Olan Chang, are underdeveloped. But Hume and Farve, his android partner, are excellently casted. Hume is the cool, but emotional and aggressive agent, while Farve is the brilliant investigator, looking for his unknown origins.

The ambient synth music fits very well with the whole Blade Runner feel. It would be unfair to compare it all with what Vangelis and Ridley Scott did for atmosphere: for a TV show they've done a good job transferring the script to a very watchable programme.

Total Recall has occasional swearing and some sex but it is all functional, not just for the heck of it. Overall a very smart show with a lot of conspiracy, cover ups, tensions, but most importantly very relevant issues regarding humanity's fate in a world where technology can be one's friend or worst enemy, depending who is using it, who wants to have it, who owns it and who decides what is legal to do with it.

So, there's some good and some bad. I didn't mind the lower production values but compared to this show, writing has dramatically improved for so many shows these days and so has their addictiveness. I hope to see a nice new cyberpunk/futuristic show soon, right now Westworld is the best one to watch.

In particular avid Philip K Dick and sci fi fans should give this show a shot but you may get bored after an episode or 6.

As far as TV series go, this one is perfect in every detail. I particularly appreciate the way relationships between the main characters are explored and developed. At last someone has created characters that are flawed and full of insecurities; nobody is a jock or a superhero.

I have tried to participate in a "Save the Program" campaign, along with others who have enjoyed the series, but it seems that our efforts have been unsuccessful so far.