Aftermath

Using no direct dialogue, Nacho Cerda employs pure cinematic technique to create a horror powerhouse in AFTERMATH.

There is no plot, just a sequence of events leading up to the "rape" and desecration of a female corpse.

Mozart's "Requiem" accompanies the imagery.

Once again, as is common with films of this nature, sound design plays a large part in the film's effectiveness. I say "once again" because we have a pattern here. Strong, potent films by the likes of directors such as Gasper Noe (IRREVERSIBLE), Ruggero Deodato (CANNIBAL HOLOCAUST), Yasaharu Hasebe (ASSAULT JACK THE RIPPER), Augustin Villaronga (IN A GLASS CAGE), and now, Nacho Cerda, are notable for the acutely attuned, aural instincts of their highly talented creators.

AFTERMATH is a beautiful film, a gorgeously crafted gaze into the world of necrophilia and loneliness.

Cerda's GENESIS is equal in its technical department, but it lacks the power of its predecessor.

The additional, non-Mozart music cues, are simply perfectly placed and emotionally fierce.

What happens when you die? What was the first thing you thought of when you read that question? Most people would immediately think about whether there is a Heaven or Hell. "Aftermath", the controversial 30 minute short from Spanish director Nacho Cerdà takes a look at (in graphic detail) what happens to the body after death. This powerful film is not for the easily offended or those with a weak stomach. There is no dialogue and primarily takes place in an actual morgue. "Aftermath" will make you question how you want your body handled after death and it will open your eyes to the horror that is present in the world. Cerdà decided to make a film that covered both issues when I suppose he could have stuck to one. Although this is only 30 minutes, after the second act you will feel as if you have been watching for hours. That is if you make it to the second act. Make no mistake, this is 30 minutes of the raw, uncompromising reality of Autopsy's.

That being said...there are some things you should keep in mind while watching in order to understand, respect and ultimately enjoy what Nacho Cerdà has put together. You have to take into account the cinematography, the fact there is no spoken dialogue, the soundtrack and the moral questions it brings out of you. Cerdà did an AMAZING job with the filming using slow moving camera work mixed with an eerie classical soundtrack. Speaking of sound, the sound effects were that of a big budget film. The clarity and realness was nearly more disgusting and frightening than the action on screen. I cringed more from the sound than the visuals at times.

This film makes the viewer think about what happens after death. Most people may think their soul leaves them and their "temple" aka body gets laid quietly to rest. They don't think about what goes on between the time of passing and when the body is six feet under or cremated. They certainly don't think about how the autopsy will go or what will happen with their organs if they are an organ donor. The first person doing the autopsy seems to have no care in the world for the body he is mutilating; however, you later realize that he is just trying to do his job (quickly) and get out. I would be the same way. Wouldn't you? Then you're left to realize the second character, meticulously played by Pep Tosar, is really the sicko. This movie may be a lot more than most people can handle, but if you can put aside the "shock" of seeing a graphic autopsy and sickening necrophilia what you are left with is an important film that begs the viewer to confront their thoughts of what happens after you die. A powerful film.

http://cinemapat.blogspot.com/2010/10/aftermath-nacho-cerda-1994.html

I first saw this film in 1998 at a film festival in London, and being able to see it on the big screen only added to the experience of seeing it. It begins as a routine autopsy, and you feel a sense of pathos as you follow the procedure, but then the whole thing becomes a little more uncomfortable, and it speaks volumes for the director that he can increase the suspense so subtly. The gore is very well done, and the ending is a masterpiece of queasy endings. The funny thing is, Nacho Cerda is one of the most well-adjusted people I've met, and it's incredible to think that something like this came out of his head. It's a short that is well worth seeing, but be prepared to be disturbed by it.

first of all i cant necessarily complain because i knew what i was getting into. being jaded though i didn't heed any warnings. Im sorry people can say that this film is art and they are welcome to there opinion, but what ever they saw in this film i did not. maybe I'm bias in the fact that necrophilia in general gets under my skin. i couldn't even sit through nekromantik,and this film has all that times 10. However unlike nekromantik,aftermath doesn't try to make the subject matter erotic or stylized in anyway what so ever. All it does is place a very real and very ugly truth and puts it out unapologetically for all to see. when it comes to gore and the really unpleasant stuff,the only thing worse then this is maybe august underground mordum. this film is not for most people. in fact i know gore hounds who couldn't handle this. This film is not a test of manhood and showing this to your friends could easily get you labeled as sick. you have been warned.

This really isn't a movie. Hell, there really isn't even a story (nor is there talking). It's just some shock content and an overly long opening credits (around 5 minutes, which is absurd for a 30 minute film). While it's not exactly art it's definitely different. The film concerns a morgue where some morticians are doing autopsies. Later, one of the morticians proceeds to violate a female corpse while he's alone. The film features full-body nudity although I'm not sure if the bodies were fakes, real corpses donated to "the arts", or actors with prosthetic effects. Either way you see full-bodied nudity (both genders).

There's a weirdness to the whole thing. The scene with the morticians just going over their bodies is somewhat surreal. There's a bizarre character development that takes place despite the lack of speech and most of the mortician's face being obscured. His eyes convey his bizarre curiosity as he examines one of the men's naked frames, seemingly stopping on the genitalia. Later on when he starts with the female he seems to gingerly cut free her clothes. He plays with his blade delicately against her skin... then he guts her open. And a little after that the film really starts to get graphic, although I will say that he only uses one hand to examine her... There's a definite progression to the depravity.

It's a film that I wouldn't really think I'd be interested in but there was a certain oddity to this premise. And while the initial legitimate autopsies were harder for me to watch, a morbid curiosity better kept my attention for the second half especially since it was almost downright funny in places. I'm honestly not sure what they were going for with this, though. It's short, it's a little weird, but mostly it's just pointless. All the same it's really not bad and somehow has a strange charm to it. Ultimately it's more silly than disturbing, almost like an angsty teen's attempt to be edgy.