A Family at War

Starts of OK(apart from "Oxford" Phillips fanciful goings on in Spain). Thereafter thinks move at a pace.The most interesting battle in the series is between business-owner Sefton Briggs and his "donkey"brother-in-law, Edwin Ashton.Keeps the show alive actually.One or two appearances are rather "guesty"(eg Robert)And that little chap John George hardly ever gets fed,is never seen(one for the social welfare folk?) Moving to the second half-series 3 in particular.The whole yarn becomes rather "Mills & Boonish".Afraid I cannot tolerate the acting of passive-aggressive Sheila Ashton and her inadequate soiciopathic husband! I rather hoped a doodle-bug would get them....

It was titled Familien Ashton in Denmark, where I watched on Sunday nights while I was living there. It was a charming picture of war's effect on those who, as John Milton said, "also serve who only stand and wait." The native Danes appreciated it as well and kept a strict appointment on Sunday nights to tune in. At a distance of lo, these 35 years, it's difficult to remember specifics. I do, however, remember the series with a smile. Combined with WWII-related places and structures that I'd been seeing in Europe, it really brought home to this young (at that time) American the reality of war, which to that point had been rather an abstract concept to me. Similarly, in the early 1990s, there was a short-lived American TV series, Homefront, which did a very fine job of portraying America at home during World War II.

I approached this British series made in the early 1970's with high expectations,hoping for similar excellence as the comparable series 'When The Boat Comes In' but alas these hopes were dashed almost from the start and never rose above pot boiler sensibilities. The almost complete confinement to the studio coupled with average writing,production values,and on the main fairly mundane acting made for a tedious and unexciting viewing experience. A few charismatic actors and dynamic direction would have helped and I kept imagining I was viewing episodes of The Thunderbirds but more wooden.

I saw these 50+ episodes re-run nightly in New York during the summer of 1975 or 1976. They were completely transporting, fabulous, deeply memorable. I've not seen them anywhere since - yet they are apparently not for sale.

In somewhat soap-operatic fashion, the story of two neighboring families in Liverpool during 1939-1945 brought home vividly the impact of the Second World War on an area of Britain.

This series was far more powerful and moving than Sopranos - because it better captures the details of daily life - and thus makes us believe its reality - and terrible tragedies. If you ever get the chance to entwine your life with this series, do it.

It makes one very much think about larger themes such as the impact of historical events on private lives. It's simply wonderful.

...can be tricky, but having watched this for the first time in nearly 50 years I'm impressed at how dramatic and yet realistic it is. Do I want to know what happens to the various characters to whom I've been introduced? Are the suggested plot lines enough to keep me interested? The answer is definitely YES in both cases. (Worth mentioning in passing that I've just bought the Netherlands version of the box set in a charity shop, so I get the omitted scenes as well!)