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Belly

  • 1998
  • R
  • 1h 36min
NOTE IMDb
6,2/10
13 k
MA NOTE
DMX and Nas in Belly (1998)
Trailer
Lire trailer1:27
3 Videos
80 photos
CriminalitéDrameCrime lié aux droguesGangster

Ajouter une intrigue dans votre langueTwo young friends involved in organized crime and drug dealing find that their priorities differ.Two young friends involved in organized crime and drug dealing find that their priorities differ.Two young friends involved in organized crime and drug dealing find that their priorities differ.

  • Réalisation
    • Hype Williams
  • Scénario
    • Anthony Bodden
    • Nas
    • Hype Williams
  • Casting principal
    • Nas
    • DMX
    • Taral Hicks
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    13 k
    MA NOTE
    • Réalisation
      • Hype Williams
    • Scénario
      • Anthony Bodden
      • Nas
      • Hype Williams
    • Casting principal
      • Nas
      • DMX
      • Taral Hicks
    • 154avis d'utilisateurs
    • 22avis des critiques
    • 36Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos3

    Belly
    Trailer 1:27
    Belly
    Belly
    Trailer 0:47
    Belly
    Belly
    Trailer 0:47
    Belly
    'Creed II' Cast on Knockout Soundtracks and Inspiring Scenes
    Video 2:26
    'Creed II' Cast on Knockout Soundtracks and Inspiring Scenes

    Photos80

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 76
    Voir l'affiche

    Rôles principaux50

    Modifier
    Nas
    Nas
    • Sincere
    DMX
    DMX
    • Tommy 'Buns' Bundy
    Taral Hicks
    Taral Hicks
    • Kisha
    Tionne 'T-Boz' Watkins
    Tionne 'T-Boz' Watkins
    • Tionne
    Hassan Johnson
    Hassan Johnson
    • Mark
    Oliver 'Power' Grant
    Oliver 'Power' Grant
    • Knowledge
    • (as Power)
    Louie Rankin
    • Lennox
    Stan Drayton
    • Wise
    • (as Stanley Drayton)
    James Parris
    • LaKid
    Method Man
    Method Man
    • Shameek
    Kurt Loder
    Kurt Loder
    • Kurt Loder
    Benjamin F. Chavis
    Benjamin F. Chavis
    • Rev. Saviour
    • (as Minister Benjamin F. Muhammed)
    Tyrin Turner
    Tyrin Turner
    • Rico
    Jay Black
    • Black
    John 'B.J.' Bryant
    • Thug #1
    Prince 'Blunt' Graham
    • Thug #2
    Wondosas 'Kilo' Martin
    • Thug #3
    Shaun Morrison
    • Housekeeper
    • Réalisation
      • Hype Williams
    • Scénario
      • Anthony Bodden
      • Nas
      • Hype Williams
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs154

    6,213.3K
    1
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    10

    Avis à la une

    9wilsonasillson

    Brilliant

    Please disregard the above review. Either the viewer likes being spoon-fed his films, or was not paying attention. Note that the viewer didn't even attempt an understanding of the title "Belly," which was the central theme of the film. The viewers others comments can stand for themselves.

    In all honesty, the first time I watched this film, I actually turned the volume down -- I was enraptured by the way each scene was composed on the frame. Visually, this movie is stunning. The director has a striking style, and besides that, he is PRODIGIOUS -- there appears to be no end to the ways that he can make his compositions rich in visual entertainment and information. I can enumerate a list of techniques he used here, but that will be an exercise in boredom for today's cyber-nauts. Even more important, the compositions are never created for their own sakes, which was my initial criticism the first time I saw it -- they really do propel the film. The style is integral to the story. Get the film and you will see what I'm referring to; if you disagree, say so in your review.

    80% of the film seems to be a riff on the hip-hop video aesthetic (never mind the fact that the director greatly defined the recent shape of this aesthetic) and myth. In it's third act, however, it uses the very same conventions -- outlaw figures, ostentatious style, and violence -- to confront and question these aesthetics. In the climactic ending, this criticism is embodied in the confrontation between one of the heroes of the film (DMX) and a figure symbolic of actual figures from black history. The director actually used an anachronism to face down a contemporary hero, and argues for the relic.

    What the film argues for, as embodied by the final speech of the Minister character, is a message so powerful and relevant -- particularly to the very people who will associate themselves the most with this film -- that it will leave you breathless. It is a timeless message passed down from antiquity, framed by the most daring and contemporary of directors. It is an exhilarating juxtaposition.

    What of the title, "Belly?" A belly is what a pregnant woman has; it is the external shape of soon-to-be-born child. It is the womb, the source of life. It is the promise of what is to be, as well as the origins of what is. If you abstract it, it's shape will be that of a circle - the symbol of wholeness, of the journey to individuation. It is the same difficult journey that the movies' anti-heroes take.

    BELLY is a powerfully visual, yet simple tale about redemption. Not to be missed.
    8iolaus08

    Classic Hip Hop/Rap culture movie! Excellent!

    Despite any other negative reviews I truly enjoy this movie! The plot line parallels Scarface very closely but is done in such a different way that the movie has a feel of its own. The acting is excellent, and not just for rappers. All the performances in the movie can hold their own without any pretext. The plot in fast paced and intricate with twists, turns, ups and downs. The language is graphic but not unrealistic for the type of characters portraited. All in all this movie is entertaining from start to finish and all of my friends that have watched it with me have enjoyed it (even those that don't like rap at all).

    8 out of 10
    9GoatPoda

    A noir musical for the new millennium.

    I expected "Belly" to be a self-indulgent, expanded version of the gangster rap videos that gave Hype Williams the power in Hollywood to make a feature film. I was right, but what I didn't expect was for it to be so good. I was mesmerized by "Belly" from the opening sequence of choreographed violence and music. Critics of this film should look to its film roots - film noir - movies that grow from the underground crimeworlds in America, that pleasure us with their money schemes, guns, and drug use. "Belly" has this, and more style than I have seen in any movie in recent years. It has dazzling visuals, and a respectable plot that borrows from "Scarface" among others. The acting is respectable, and I didn't see the movie as a piece of media to exploit the careers of its stars, I found it to be a good piece of cinema that legitimizes Nas, DMX, Method Man, Taral Hicks, and Tionne Watkins as actors. The music is great, notably the D'Angelo's "Devil's Pie" that shows crime being played out. The cinematography is stylized and beautiful. The dancing in Jamaica, the shootout in the strip club in Omaha, the opening sequence, the climax with the reverend where the issues that the film may be exploiting are addressed and in my eyes therefore considerate. Its a shame this film was so overlooked by critics. I think within it lies the future of both the gangster movie and the musical.
    pingu-1

    a great urban flick!

    I find this movie great because I like the performances of Nas, DMX, Taral Hicks, Method Man, Tionne "T-Boz" Watkins and I like how Hype Williams directed this film, it's so urban-like and realistic as possible. I watched this film thinking I feel sorry for these guys in the film that it makes you want to understand about the difficult times they have been through. I never took hip-hop and realistic urban views seriously until I watched this film, now I understand why it's a struggle on the streets instead of urban fairy tales for profit.
    7kevin_robbins

    This is one of those movie that had some potential but ends up being more style than substance.

    Belly (1998) is a movie I recently rewatched for the first time in a long time on Tubi. The storyline follows some friends as young adults deciding their direction in life as a new pure blend of crack is about to hit the streets making them richer than their wildest dreams; however, one of the friends lack of discipline and tendency for pushing buttons makes things more dangerous than they need to be.

    This movie is directed by Hype Williams in a rare major motion picture project for him and stars DMX (Exit Wounds), Nas (Big Momma's House), Tionne 'T-Boz' Watkins (House Party 3), Method Man (Power) and Oliver 'Power' Grant (When Will I Be Loved).

    This is one of those movie that had some potential but ends up being more style than substance. The character development, acting and storyline is pretty interesting and worthwhile, especially since the cast is made up solely of rap artists. The script is solid and the cinematography and use of colors is awesome. The soundtrack and narration is legendary and almost makes the film worth watching alone. There's a club shoutout with Method Man that could have been executed better and an obvious Scarface ripoff scene that is eye rolling. I did like the actual ending of the movie and what ends up ultimately happening to the characters which feels realistic.

    Overall this is an uneven movie that is worth a viewing. I would score this a 7/10 and recommend seeing it once.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The scenes where the characters are seen smoking weed in the film are real, the marijuana blunts being smoked are not props.
    • Gaffes
      When Roger is offering Tommy a deal, he tells him that, unless he cooperates, he will, "go to jail forever." Jail is where suspects are held before trial or for short sentences, typically less than one year. Prison is where someone would go to serve a longer sentence, especially one lasting "forever." A law enforcement officer, especially a high-ranking one like Roger, would know the difference and not use the terms interchangeably.
    • Citations

      Rev. Saviour: I knew you were coming... so I sent everyone away... because I believed my final moment was at hand. Before you pull that trigger... and take my life, I would like the chance to tell you some things, perhaps to think about after I am gone. Don't worry about me stallin'. My people have orders to leave me to my studies for another 15 minutes. I will only take five. Can you bear with me? Will you? Then make up your mind. Today marks the change of not only a New Year, but a new millennium. Take a look around. The majority of the youth roam the streets... dealing in drugs, sex and violence, thinking these things have no real effect on life. Crimes without real punishment. An uncaring, unfeeling generation... without knowledge of self. This is the future of our nation, the future of our people. Do you think hatred and evil will go unpunished? The world is now feeling the heat... from flames it has kept burning since the beginning of civilization. You represent that fire. You and I are just a small part of God's plan. The evil men of this world have applied every method possible... to deceive its occupants. And each time with greater success than anticipated. But no more. Tonight, with this new millennium, God will begin to overcome this evil. I represent the truth... to the people. Without truth, nothing is sacred. The lie-that's what the devil is all about. You know that, that's why you're here. The truth is, we all play a grave role... in our own destruction. Your money. Your lifestyles. The things that people value and covet so dearly... are the bait that lures them out of the light. Through the love of others... I have power. The truth gives me this. Those that fear me send you here, here to murder all that I say. They use what you fear against you. Your fear of death, your fear of imprisonment. Where in this world is anyone safe from death? You see the lies you've been told? The path you take is not your own. Have you ever thought about how precious a life is? How difficult it is to create? How loosely and easily it has been for you to take away? Brother, help me. Help me to do what's right. Help me to stop the slaughter of our children. Help me to put an end to the disrespect... and the dishonor of our most valuable resource: the black woman. Help me put an end... to the destruction of the young mind through the use of drugs, alcohol. Help me to build up a population of great thinkers. People who create change... through thoughtfulness and spirituality. Will you choose that truth? Will you? Will you choose the light over the darkness? Hold it, stay where you are. Will you choose life? It's time. It's time, man. It's time.

    • Connexions
      Featured in Mýa Feat. Noreaga & Raekwon: Movin' Out (1998)
    • Bandes originales
      Back to Life
      (a cappella version)

      Performed by Soul II Soul

      Written by Jazzie B (as Trevor Berrisford Romeo)

      Published by SONY/ATV Music

      Courtesy of Virgin Records America, Inc.

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    FAQ19

    • How long is Belly?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 novembre 1998 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Black Blood
    • Lieux de tournage
      • Irvington, New Jersey, États-Unis(Shooting In Club Scene)
    • Société de production
      • Big Dog Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 9 639 390 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 454 776 $US
      • 8 nov. 1998
    • Montant brut mondial
      • 9 639 390 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 36min(96 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • SDDS
      • Dolby Atmos
    • Rapport de forme
      • 1.85 : 1

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