Nora

I've read some of the comments pro and con already made on this movie and am glad some viewers liked it. I thought it very fine indeed, but agree that some prior knowledge of James Joyce, his life and work, is helpful. Joyce's writing is not a bore, as some of the comments suggest. The story "The Dead," from Joyce's collection "Dubliners," is one of the great short stories in English literature. It is referrd to several times in this film. (Incidentally, "The Dead" has been made into a film also.) The time of the film "Nora", when Joyce was trying to find a publisher for "Dubliners", was well before the writing of his great work, "Ulysses". It was a time when Joyce and Nora Barnacle had a stormy relationship, but nevertheless were deeply in love and had a lusty relationship with each other. This is well depicted in the movie, beginning with their first date, when Nora surprises and delights Joyce with her bold advances. Ewan McGregor and Susan Lynch play these scenes with high professional skill, helping us to really understand the delight these two people had in a physical relationship. Their love is an up and down affair but endures. McGregor is a fine actor who always give 100% in whatever his role may be and in "Nora" he does not disappoint. I was struck by the way he squinted occasionally, just as Joyce must have done with his terrible eyesight, which even in these early years had begun to deteriorate badly. Susan Lynch is new to me and very convincing as the servant girl from the Irish countryside who kept up to the challenges of life with a great intellectual. One objection: I viewed this film on DVD and was unhappy that there are no captions for the hard of hearing--or for those who have trouble with Irish brogues!! There were a couple of the Trieste scenes where Italian conversation did have English language captions. A great relief! But is it really too great an expense for DVD producers to routinely include the caption option?

Ewan McGregor, at almost 30, is playing a 22 year old James Joyce (2 February 1882 – 13 January 1941) from the moment Joyce meets Nora in Dublin, his future companion and later in life wife and mother of his 2 children. The movie depicts only the first 5-7 years of their tumultuous, tempestuous, sexually charged, possessive and jealousy filled relationship. It is the time when Joyce was struggling to get his novel 'Dubliners' printed which eventually did happen in 1914. It is the story of the young couple's self-imposed exile to the continent: to Trieste, today in Italy. The dramatisation is influenced by Joyce's short story 'The Dead' which is a novelette about a married couple. A passionate costume drama, but at times quite melancholic which is underlined by the dim/sepia cinematography.

Not many literary references of his published work however insight into the lovers erotic correspondence, the epistolary 'love-making' they had when ever they were separated. I thought that was extremely stimulating! Therefore, I decided to read Joyce's love-letters-to- Nora, rather than re-trying for the Xth time 'Ulysses' which I somehow never manage to finish.

Ewan McGregor is sincerely a brilliant actor, and as a Scotsman he pretty much fooled me with his strong Irish accent, but then again, there were moments, I would have loved to have English subtitles for my own untrained ears.

Historically accurate, biographically a bit amputated, but that only hardcore Joyce's fans will notice.

Verbally and visually the movie is sexually explicit, so for me it's 18+.

This is a movie for anyone who read Joyce or is into emotionally charged period dramas. —

I don`t know much about James Joyce, but I loved this movie. I don`t know if it was because I am a huge Ewan Mcgregor fan or what. I loved the way Nora was totally in love with James. I loved the way Ewan portrayed his insecreties. I loved how that in the end they realise that love can over come most obstecals(A quote from another Mcgregor film)If you will watch this movie as a love story and not analize every single thing ,you will love it to.

How one views this film will depend in part on how much of a Joyce devotee the viewer is. As is the case with any film based on the life of a larger-than-life figure, the film will be largely viewed by those who have an avid interest in James Joyce. These viewers will judge the film with a much more discerning eye. The fact that Joyce's work does not have mass appeal and is devoured by a small but fervent group of literary intellectuals makes the scrutiny that much more intense. For this audience, the film will have numerous unbearable flaws and inaccuracies.

However, for the audience of non aficionados, this film has a great deal to recommend itself, providing that the viewer loves good drama and has the patience to endure its methodical pacing. The story is a powerful love story with shearing forces that bring emotional torrent to the relationship. In it we find the high minded writer, James Joyce, obsessed with Nora, the coarse and illiterate chamber maid whose practical wisdom and unfettered sexuality provide the ideal compliment and the perfect wedge. These two are helpless moths being consumed by a bonfire of ardor built on differences that are as irreconcilable as they are essential to each of their souls. Given this premise, we have the underpinnings of great theater.

Despite the disappointment of many Joyce fans regarding this treatment, the film is really not about James Joyce, it is about the relationship. Thankfully, director Pat Murphy didn't lose sight of that fact and succumb to the temptation to mollify Joyce fans by making this a Joyce-centric film. Murphy patiently peels away the layers of each character and casts each revelation on the relationship like kerosene on a house fire. The deeper we get into the characters, the more complex and hopeless the relationship becomes, and paradoxically, the more inextricably entwined its participants.

Murphy's direction is excellent on all fronts. The cinematography is incredible with awe inspiring locations and a wonderfully rich sepia quality that enhances the period renderings. The look and feel the period is well done. The early 20th century costumes, furniture, sets and props are precise and breathe life and realism into each scene.

The acting is superb. Ewan McGregor practically rips himself to shreds playing the mercurial Joyce, jovial and charming one minute, paranoid, brooding and insanely jealous the next. However, poor Ewan once again has a terrific performance upstaged by his co-star Susan Lynch (See Nicole Kidman and "Moulin Rouge!").

Despite lacking the classic features of a leading lady, Lynch's physiognomy is a perfect match for the earthy Nora. Lynch can flat out act. This lady has a five octave emotional range with the force of Caribbean hurricane. If there weren't a single other reason to see this film, her performance would be enough.

I am glad that I happened on to this film buried in the stacks at the video store. I rated it a 9/10. It isn't for everyone, but for those who can appreciate a fatalistic love story with steamy sexual content, constant emotional tension, great acting and insightful directing; this will be a disturbing, but worthwhile experience.

This movie can only be understood or appreciated for those familiar with James Joyce's work. The movie is extremely similar to Joyce's lyrical structure. The chapters of his books usually begin abruptly without any explanation. This might explain why the movie seems choppy. The director was obviously trying to mirror Joyce's style. I did not like the movie at first, but after i had read one of his books, I came to understand the movie. However, for cinematic purposes and for the well-being of audiences, the director should have at least explained how Nora affected James more convincingly. I had to look up in the internet on their conflict.

Overall, the movie was good. They could have deleted some the overwhelmingly repetitious scenes (if you have watched it, you will know what i mean). In turn, they should have replaced it with more scenes that discussed the conflicts.