Enigma

Purely as a film I give ENIGMA 6 out of 10; as an historical document – zero. Generally I do not necessarily expect a film with an historical content to be a piece of cinematic non-fiction but merely a source of entertainment, so I score it on this basis. If the distributors claim it as a true historical record then that is another matter. Enigma has a fairly good plot but suffers from poor direction and frequently indistinct dialogue. It centres around a young man and a young girl working at the Government's code deciphering establishment at Bletchley Park and their involvement in the breaking of the German U-boat cipher SHARK (or TRITON to give it its original German name). As the mechanics of the breaking of SHARK has little story value a sub-plot involving a femme-fatale as German spy is introduced.

During 1941 our Atlantic convoy losses were becoming unsustainable so the ability to read SHARK was imperative. The film has a section in which the code breakers are shown helping a naval lieutenant to pinpoint the position of U-boats in the Atlantic based on wireless direction finding information. This was not the work of Bletchley Park so is historically wrong. In fact,convoys and U boats were tracked by the Admiralty in London.

The film also purports that breaking SHARK was the sole factor in helping to bring down convoy losses. The truth is somewhat more ironic. Whilst we could not read TRITON/SHARK the Germans could read the Royal Navy Cipher No. 3! However it took us a year to find out. It was this cipher which was used to transmit the rendez-vous points for departing convoys to RN escort vessels in the North Atlantic. The Germans picked this up at their listening stations and promptly re-transmitted it to their U-boat wolf packs who were then able to proceed to the rendez-vous ready to pick off their prey. This information was sent in SHARK so once it was broken we knew that RN Cipher No.3 was being compromised and had to be changed. As a result convoy losses decreased.

The reason for the weakness in Cipher No.3 was that when WWII started the Royal Navy was essentially still using code book methods from the Great War and were very slow to adopt mechanical encipherment, similar to Enigma. On the other hand the RAF introduced it in the 1930s for use on the Defence Teleprinter Network run by the GPO. For this the Type-X machine was developed and was featured in the film for reading German enigma code. The German Enigma machine itself features prominently in the opening sequences of the film with several close-ups and supporting dialogue explaining how it worked.

Did the Germans know that we could read their enigma messages? This is a moot point as officially they did not but both Rommel and Doenitz, the U-boat commander, were highly suspicious; Rommel because convoys from Italy to North Africa were frequently sunk and Doenitz because U-boat code changes only gave him a short term advantage against convoys. In both cases the leakage was blamed on spies, although it has been suggested that Doenitz's staff were very possibly convinced but dare not tell Hitler that Enigma was compromised, so they just contented themselves with improving the system. Unlike the British centralised Intelligence centre at Bletchley Park the Germans had separate intelligence staffs for each of the three services with the inevitable rivalry between them. This weakened their counter intelligence operations which, coupled with the extreme secrecy surrounding Ultra, meant that our success against Enigma went undetected.

The film is well worth seeing for its entertainment value and just a wee peek at the work of Bletchley Park but for anyone interested in learning the truth about this fascinating story I suggest that they read the official history entitled "British Intelligence in WWII" by Professor Sir F. H. (Harry) Hinsley (himself an alumnus of BP), or just Google "Bletchley Park".

Code breaking is hard work. Though picks and shovels aren't required, the hours are long and the frustrations constant. The code breaking process is complex, relying heavily on logic, mathematics, and the assistance of computers. Code breakers themselves often are very weird people who make the common nerd seem comparatively normal. Given all this, it's understandable that hardly any films, aside from documentaries, have been made about the lives and loves of code breakers.

Until "Enigma", the one exception was "Breaking the Code", the story of Alan Turing, the mathematician perhaps most responsible for cracking the Enigma. But Turing's story, though psychologically fascinating, has its limitations for conventional film makers, the most obvious being the difficulty in creating dramatic tension and the absence of any female love interest.

Michael Apted's `Enigma' is the first real attempt to tell the story of the Bletchley Park code breakers within the framework of both a thriller and a heterosexual romance. As might be expected given the historical circumstances, the thriller aspects come off as rather subdued and the romance, such as it is, as rather restrained.

Set in the dreary England of 1943, where stiff upper lips were bearing the weight of four years of war, `Enigma' centers on mathematician Tom Jericho (Dougray Scott). His day and night job is code cracking, but Jericho spends much of the film attempting to solve the mystery of the disappearance of his former lover, Claire Romilly (Saffron Burrows). Jericho is assisted by the suitably frumpy Hester Wallace (Kate Winslet), but harassed by an elegant MI-5 officer named Wigram (Jermey Northam), who suspects him of both murder and treason.

The disheveled Mr. Jericho and the dowdy Miss Wallace spend much of the film on a last-name basis as they poke through files and try to decode intercepts Claire had in her possession. This leads them off into what seems a blind alley but eventually turns out to be the key to much of the mystery. In the midst of all this, Tom manages to tear himself away long enough to return to work, make a breakthrough, and help his mates recover the keys to a code the Germans had altered, thus changing the course of a critical convoy battle in the North Atlantic.

Slow paced and sometimes dense, `Enigma' is enlivened by Northam's portrayal of Wigram, who has a habit of turning up at inopportune moments and making matters difficult for Jericho. Northam has a lot of fun with this role and he looks great in his suits, providing a sharp sartorial contrast to the drab Jericho-Wallace line of wartime apparel.

Although some critics have compared `Enigma' favorably to works of Hitchcock, Hitch's touch was always lighter and his pacing livelier. And Dougray Scott is not Cary Grant any more than Kate Winslett is Grace Kelly, which is all well and good as this dark, serious film clearly benefits from the use of less glamorous performers.

Historically `Enigma' is reasonably accurate, though only so far as it goes. Alan Turing isn't even given a cameo and the original Polish contribution to the code breaking is barely acknowledged. Unfortunately, the film was not shot at Bletchley Park, some of which still survives, but at various other sites in England and Holland.

Recommended to those interested in code breaking and in World War Two. Others probably will find "Enigma" just that.

The movie concerns upon an investigation team in the Bletchley Park mansion with the aim to decipher communication keys of German submarines during second world war.

In the squad there are a wise nut-head (Dougray Scott) , an ugly and outcast girl (Kate Winslet) and another rush and beautiful (Saffron Burrows), and yet a clever investigator (Jeremy Norton).

The movie mingles mystery , action , a love story , thriller and it's quite amusing.

The flick is paced to nick of time , as they ought to figure out the clues by means of the Enigma , a mechanical device before that an Allied fleet was found by German subs .

One of the motivations behind shooting this picture was the indignation of many British World War 2 veterans over the movie U-571 , in which the capture of the Enigma was shown to be done by American navy soldiers .

Michael Apted direction is nice , he creates enough suspense , we're very interested in the events , besides being based on real deeds.

Final feature film with a full music score composed by John Barry , his music is fascinating likeness to "Dancing with wolves" and a lot of hits during his long career thirty years ago .

It was such a thrilling movie that had a great success in box office.

The film will appeal to emotions enthusiasts and suspense fans.

Rating: 7/10 above average .

This is a rare pleasure of a film - one that is prepared to treat its viewers intelligently and tell a war-time story without explosives and histrionics and without falsifying history to glorify the Americans. It is based on the best-selling novel by Robert Harris whose previous work `Fatherland' suffered so badly when translated to the screen. Here he has a decent screenplay from Tom Stoppard, assured direction from Michael Apsted, and three fine performances by British actors.

Dougray Scott, in a very different role from his `Mission Impossible 2' outing, has lost weight to portray brilliant, but tortured, code-breaker Tom Jericho at Britain's war-time Bletchley Park; Kate Winslet put on weight (she was pregnant at the time) for a performance far removed from `Titantic' as the frumpy, but clever, Hester; and Jeremy Northam is excellent as the sardonic secret service agent Wigram who knows far more than he is prepared to reveal.

"Enigma" blends fact with fiction as it tells a carefully crafted story about the unseen and unsung heros of British WWII code-cracking who decrypted the infamous "Enigma" code which Germany used to command it's U-boat armada in the North Atlantic putting allied convoys in peril. With plenty of history and super-secret code cracking to feed the left brain and a dramatic tale of a top code-cracker and his surreptitious affairs of heart and mind for the right brain, "Enigma" has something to offer everyone. The film manages it's intricate plot well, offers solid performances, blends intrigues with lots of WWII crypto-speak, and moves along swiftly while staying real and avoiding the usual excesses of filmdom. A smart flick for smart minds. (B+)