One Last Dance

"One Last Dance" is another one of those movies whose bad word of mouth will puzzle a lot of viewers. While the major subplot has been done a hundred times before (frequently better), the music and dance are superb. Further, while Lisa Niemi (Mrs. Patrick Swayze) is a pretty inept actress, her camera setups superbly capture the dance. Besides, "One Last Dance" boasts one superb performance, that of George De La Pena ("Max"). With this movie, Lisa Niemi, for better or worse, clearly establishes herself as both the brains and drive behind Patrick Swayze.

Hopefully, "One Last Dance" will usher in a whole series of dance films, both comedies and dramas; and one could certainly do much worse than the dance team of Swayze and Niemi.

I give "One Last Dance" a "7".

It's a pity!

That this movie has come and gone without any fan fare.

It is a beautiful dance movie with wonderful haunting music and moves.

The acting is sometimes kind of hammy and out of place. You can tell that the leading lady is a very gentle lady and that yelling screaming are not her style. The scenes where she is overly emotional are false.

It is such a treat for the over the hill gang to see the Masters dance with such wild abandon.

Overall, it is a dance movie and it honors the mature dancers.

It is both flawed and wonderful.

I will recommend it to family and friends. Rent it and watch it!

It is a film who I love. Against confuse and pathetic story. But it is just a film deserving be loved.

First for the trio Lisa Niemi, George de la Pena and Patrick Swayze.

Second - for dance, choreographies and music.

Three - for the face of Patrick Swayze in light, like a bronze statue.

Not the last for the forced but seductive end.

It is a pure beautiful film.

Deserving, in high measure, be loved.

The movie is delicate and the choreography's are amazing. It might not be perfect but many people vote it without any dance knowledge.

I loved to see that she used Brazilian music, which is great. Also the courage of Lisa Niemi to produce this movie with a very low budget deserves a lot of credit. Fortunately I could find it here in Brazil and appreciate it. I hope it gets everywhere so people that loves dance can see a very nice movie that goes a little bit different from the many clichés of struggle beginners.

The scene where they are warm up and the fog starts, really gives us the impression that the entire room is boiling.

It is a pity that we cannot see the complete choreography of Without a Word. That was the only promise that the movie did not accomplished.

ONE LAST DANCE appears to be a film for dancers, either active or retired, wannabees or romanticists. There is some terrific Brazilian influenced music from Stacy Widelitz that enhances much of the corps dancing and some beautiful moments of cinematography making the most of a bare ballet studio rehearsal hall - both of which add what dreaminess this low budget film has to offer.

Written and directed and produced and acted by Lisa Niemi the story involves the return to the boards by three retired dancers (Lisa Niemi, Patrick Swayze, George de la Pena - all three are dancers in real life) to pay homage to the gifts of a highly regarded yet now dead choreographer. The three left dancing seven years prior to the story for personal reasons, mostly involving lack of confidence and personal issues that affected each tangentially. They return to a company to perform a dance by the dead choreographer and the rest of the slim story is how these out of shape hoofers regain the healing magic of dancing.

The corps of ballet dancers assembled for this film is exceptionally fine for a pickup group: Rasta Thomas, Desmond Richardson, Kathryn Bradney, Tai Jiminez, Bambi Swayze, Jamie Bishton, Stephanie Slater, Heather Thompson, Dwight Rhoden and Yosuke Mino deserve special mention. The scenes of dancing vary depending on the choreography of each of four artists - Alonzo King, Dwight Rhoden, Patsy Swayze, and Doug Varone. But in the end to be less than a documentary about the rigors and rewards of dancing there must be a well-acted story based on a sensitive script and that is where the film is shaky and a bit self indulgent. Swayze, Niemi, de la Pena take the roles as far as they go, but in the end the story is much ado about very little.

Yet there is some gorgeous dance work well filmed that will satisfy even the most particular critic. The DVD added features include some insights into the difficulty and final rewards of bringing ONE LAST DANCE to the screen, and in these comments there is more story than that found in the script. Grady Harp