West Beyrouth

Thank God for IFC and the Sundance Channel here in the U.S. Without these two channels, there are so many films that I otherwise would never have known about less alone actually watched: especially living in the heart of Los Angeles, Studio Capital of the World. I was lucky enough though to stumble upon West Beirut and I just fell in love with it. Somebody in the user comments section said that it was "a very beautiful and funny film if you are arabic", but I'd have to strongly disagree because as a westerner and and an american I found it perhaps even more funny and beautiful as a result of where I come from. Not to get into politics, but it's kind of hard not to, it is so refreshing and wonderful and eye opening to see a film with arab characters in their homeland living their lives the way they really did and would instead of only knowing that part of the world from the violence that is constantly strewn about on the evening news and the constant 'propaganda machine' of american media which seems to be totally controlled and run nowadays by corporations and pharmaceutical companies. This movie, for me, just reinforced the idea that we are all alike no matter where we live on this planet and I find it sad to think that the only way I have to find out and appreciate a history lesson on Beirut or the life of the lebanese is through a film. Being an american, if you listen to our government at all, it would be a really bad idea to travel to the middle east. And so without films like this, it would be impossible for me to experience the oneness of all of us or a glimpse of a country and it's culture. What a beautiful idea it would be to cut out the Bush administration and all the other governments for a month out of the year and allow everyone from each country to go and look at the other side. I think we'd all benefit strongly. Until then, I'll thank movies like West Beirut for being made and allowing me the luxury of being part of another world for a couple of hours.

A great film.

West Beiruth is an excellent film. It reveals the true image of the civil war in Lebanon, through the eyes and adventures of two young friends, on the way to their adulthood. Experiencing love, friendship, a split society, and the horrors of war. West Beiruth is not a high budget movie, but it is very good in Directing, cinematography, script and acting. I would very much recommend it to everybody. It is a must see.

Right from the get go, you get immersed in West Beirut, especially if you grew up in this area of the world. From the fighter jets flying overhead, to the gun-totting militiamen you feel completely entangeled and immersed in the action and emotions, well perhaps not if you are an American. But worry not, the movie is simple to follow and you, sooner rather than latter, associate with the characters and the story being told: there is a bit of history (although a little inaccurate), lots of character building (Tarek did such and excellent job portraying a careless but yet affected youth) and a lot of drama especially from Tarek's parents who display some world class acting. The music was also right on track when it came to enhancing the story, whether the mood was going up, down, or portraying stillness.

For his first effort the Director (Ziad Doueiri) does a marvelous job at displaying his handy camera work and his craftsmanship in bringing out a rather complex story in a simple and close-to-the-heart way. It is true that this first effort lacked the polish of experience and confused some a bit (I was asked a lot of questions after the movie by my American friends) but its shortcomings are far outweighed by its style and class. I still do recommend this movie to all audiences, after all, how many Lebanese movies do manage to make it to the American market? None before, and probably none in a long time to follow, unless Mr. Doueiri is working on another great film. Is he? (I will keep my fingers crossed and tied)

I have seen this movie several times, the first time at a private screening in Los Angeles. It was a powerful experience shared by the many attendees that connected and understood this movie in a very special way. The roller coaster of emotions (sadness, laughter, anger, hope, despair, etc.) left me so exhausted I literally needed an energy bar afterwards.

There are a few things I MUST say about this movie. First, it is an excellent work overall, light with its humor, touching with its sincerity, striking with its honesty, and plain good looking and sounding (hats off to the awesome tracks by Stewart Copeland, the man is a genius). Second, this movie is not only a Herculean first effort for Director/Writer Ziad Doueiri (who had to seek funding and support from around the globe), but also the first respectable and universal Lebanese film to invade the world cinematic circuit. Third, the movie's inaccuracies are irrelevant especially to a worldwide audience that seeks entertainment and dramatic content; and this movie achieves both with adeptness. If you are a history buff and/or have zero tolerance for fiction and poetry (in pictures, words, and music) then this movie is not for you.

I wondered after the screening what it was that moved me to tears in West Beirut, and I could not remember one single moment. I later realized that this movie did for me (a Lebanese that grew up in the west part of Beirut during the war) what no other movie has done before it: tell OUR story. I felt like a released prisoner, like a person who regained the ability to speak after years of silence, like....you get the idea. The sad thing is that very few in the Western hemisphere either really cared or understood the Lebanese people or their war experience, but this movie opens a big door and sheds a great light into one of the many dark corners of this Middle Eastern region.

For the "universal" emigrant (whether Lebanese or Bosnian or Kosovar)this movie is a must see; it offer a lifeline to those with a past that is both lamented and cherished. As to the rest of you out there, this movie is not only highly entertaining, but also a refreshing and necessary look at a people and area of the world that have been unfortunately misunderstood and maligned for years. So kill your TV for one night and activate your energy to go see this movie, you will not regret it.

Ziad and West Beirut deserve big applause and respect for what they have achieved. They have broken barriers (how many Lebanese movies have you seen lately?), taboos ("In the West we are called camel jockeys"), and Western perceptions of the Lebanese in general. I frankly can't wait to see the fruits of Ziad's next film. Hurry man, We need the fix!

Having lived in North America my entire life, and only seeing the rest of the world through movies, books, and TV, I confess I have no experience of what the world is like when your home is a battlefield, especially in places like the Balkans and the Middle East, which have been sources of strife for several centuries. For many, of course, it's a source of tragedy. But what about those who may live on the edge of conflict, but aren't directly involved? For those who the challenge is simply to fit your day to day life around the war? HOPE AND GLORY was a film like that, though it was also about a little boy who could of course only see school was out, and WEST BEIRUT is like that as well; in fact, it retains the child-like view of HOPE AND GLORY but balances it with the adult viewpoint.

Writer-director Ziad Doueiri isn't interested in making a tract about the Lebanese Civil War(though he doesn't slight from its horrors, as in its opening scene of the bus massacre), but rather picking up the details of everyday life there. If there's a message, and Doueiri refreshingly doesn't hammer us over the head with one, it seems to be this; you do what you can. That's the attitude of the father of the main character Tarak; when both his wife and his son want to leave, he reminds them they really have no place else to go, these things have happened before, but they will stop, and life will go on. You can even find humor in your existence(as when Tarak escapes a battle by hiding in a car, which then takes him to what he thinks is a group of guerrillas but turns out to be something else entirely).

Doueiri, who was the second-unit cameraman on every film Quentin Tarantino directed, not only shows his visual flair, but also tells a compelling story, although with a few slow spots, and while the main characters are teens coming of age, we see the adult point of view as well; sometimes it's mocked(when Tarak's friend Omar complains his father thinks all Western culture is the devil's work, Tarak replies, puzzled, "How does Paul Anka come from Satan?"), but mostly it's taken seriously, and that, I think, helps make this a good film. Doueiri and his brother Rami(who plays Tarak) are ones to watch.