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Sábado

  • 1995
  • 1h 25min
NOTE IMDb
7,3/10
372
MA NOTE
Sábado (1995)
Comedy

Ajouter une intrigue dans votre langueOn a Saturday morning, an advertising crew arrives at a decadent old building downtown São Paulo to shoot a TV commercial. And then everything goes wrong, beginning with a broken elevator. T... Tout lireOn a Saturday morning, an advertising crew arrives at a decadent old building downtown São Paulo to shoot a TV commercial. And then everything goes wrong, beginning with a broken elevator. The building itself, built in the 30's for the upper class, now has problems of every sort:... Tout lireOn a Saturday morning, an advertising crew arrives at a decadent old building downtown São Paulo to shoot a TV commercial. And then everything goes wrong, beginning with a broken elevator. The building itself, built in the 30's for the upper class, now has problems of every sort: broken elevators, deaths, thefts, and other weird events.

  • Réalisation
    • Ugo Giorgetti
  • Scénario
    • Ugo Giorgetti
  • Casting principal
    • Otávio Augusto
    • Maria Padilha
    • Tom Zé
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    372
    MA NOTE
    • Réalisation
      • Ugo Giorgetti
    • Scénario
      • Ugo Giorgetti
    • Casting principal
      • Otávio Augusto
      • Maria Padilha
      • Tom Zé
    • 3avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Photos1

    Voir l'affiche

    Rôles principaux30

    Modifier
    Otávio Augusto
    Otávio Augusto
    • Forensic servant
    Maria Padilha
    • Magda the Art director
    Tom Zé
    • Forensic servant
    Giulia Gam
    Giulia Gam
    • Castings
    André Abujamra
    André Abujamra
    • Barbecue guest
    Jô Soares
    Jô Soares
    • Man living at lift machine
    Luiz Amorim
    Elias Andreato
    Graça Berman
    Júlio Calasso
      A.S. Cecílio Neto
      Renato Consorte
      Renato Consorte
      • Resident
      Carina Cooper
      Dadá Cyrino
      Wandi Doratiotto
      • The caretaker
      • (as Wandi)
      Luiza Helena
      Anna Ivanova
        Mariana Lima
        Mariana Lima
        • Art Producer
        • Réalisation
          • Ugo Giorgetti
        • Scénario
          • Ugo Giorgetti
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs3

        7,3372
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        10

        Avis à la une

        8cbrites

        A little masterpiece

        Other reviews missed a key point of the movie: its take on the huge Brazilian social apartheid.

        A commercial filming crew takes over the lobby of a decadent building in downtown São Paulo to use its beautiful elevator, a reminder of its glorious past. The crew art director gets stuck in the other elevator, together with two morgue workers, a helper and the corpse they were removing from the building.

        The movie goes around the clash between the middle class filming crew and the poor, marginal inhabitants of the now decadent building. This relationship is brilliantly developed in the attitudes of the crew towards the tenants, which goes from disgust to downright manipulation: the tenants get mesmerized by the filming spectacle, forgetting they are only stuck on the floor, unable to get home, by the same crew that took over the spare elevator. But the poor are not idealized either: street smart, some take advantage of the visitors up to the point of theft.

        The script is perfectly crafted along three story lines ran in parallel: the commercial filming, the Felliniesque group of five people (one of them dead) in the damaged elevator, and the crew assistant looking for help to fix it.

        A final nice touch happens towards the end, when the identity of the dead man is revealed in a smart, unexpected, and almost poetic way.

        The many details make this movie a little masterpiece, worth viewing a second time.
        10Rodrigo_Amaro

        A Funny Urban Chronicle

        "Sábado" (Saturday) is a great comedy that presents the extraordinary and at times bizarre day in the lives of a group of people inside of a building during the shoot of a TV commercial.

        The whole story happens on a Saturday afternoon on a almost decadent building where Magda (Maria Padilha) a producer returning to Brazil, after long travels around the world, to shoot a commercial. In the city of São Paulo she finds the perfect location to film but then everything starts to go wrong: she gets trapped in a elevator with a dead man's corpse and the three guys who want to take him to the coroner; Magda's friend tries to help her and calls 'The Birdman of Alcatraz' (reference from Burt Lancaster's film), the guy who takes care of countless birds and the only one who can repair the elevator; the commercial's director tries to shoot it but the people around him (his crew, the angry building residents, a lady with a dog who thinks her animal will appear in the advertising and many others) will give him some trouble. And the drunk caretaker (Vandi) who does nothing but get more and more drunk avoiding work, not knowing what's happening downstairs.

        The film directed by Ugo Giorgetti is simple, funny, entertaining, it only gets critical on the view that he presents us of São Paulo as a confused city filled with thieves (Magda's friend is robbed on the building several times), hungry and disrespectful people (some of the curious who are watching the commercial being filmed are hungry homeless people who simply entered the building), Fellinian's characters and troubles which are quite comical when they're not overreacting or downplayed. As a São Paulo resident I must say that the movie is totally accurate about the city's downtown decadence where many of the ancient and majestous constructions of the 20th Century ended ruined, old, without care, a real shame. That was true back in 1995 and it still true even now on the 21st Century although now this trend seems to be disappearing a little, downtown is more revitalized, there's some good real infrastructure to welcome visitors in cultural events but there's some abandoned buildings and abandoned spaces too.

        My disappointment with "Sábado" is that the film doesn't features many exterior images of the city even though the city is referred a lot, that might bother the viewer who wants to know the things about the city, see it how it was in the 1990's. These exterior scenes doesn't appear much because this movie is like a play, with one scenery and we must live in this place, feel suffocated with it just like the characters in the elevator, trying to get out, to breathe.

        The movie deals with the absurd and the troubles that many people might have witnessed and that's why the comedy is appealing, charming, very odd. The main characters are well performed by a talented group of actors that includes singer Tom Zé, Otávio Augusto, Décio Pignatari (who is the best on scene playing the Birdman of Alcatraz), Giulia Gam, André Abujamra and Jô Soares in a funny brief appearance as a man who lives in the house of machines of the elevator.

        Here's a funny urban chronicle about the problems of a busy world and just when people have a good day to take a rest they need to get up and work for things to get right. And who wants to work on a Saturday afternoon? 10/10.
        8GMeleJr

        Big Brazilian B.O. hit of the 90's

        SABADO (1995) was the biggest hit ever at the Brazilian Box Office as of 1997, when I first saw it. Brazilian B.O. is measured by entrances, so it's not clear whether SABADO still holds the all-time popularity record or not. It's a very Brazilian-specific movie, featuring many known TV and movie stars (like Giulia Gam) as well as guest appearances by the likes of Jo Soares, possibly Brazil's greatest comedian and political satirist. As the name implies, the movie takes place on a Saturday in a big Brazilian city (undoubtedly Sao Paulo). The action is centered on a commercial being filmed in a crumbling building downtown, Edificio Las Americas) no longer frequented by "normal" people. This screwball comedy serves as a statement on the abandonment of center city areas by the middle class, and gets its laugh by exploiting the stereotypical characters who still live downtown, their milieu and "odd" lifestyles. Everything is seen through the eyes of the Brazilian urban middle class (and wannabes), which explains the film's huge success in its home country. It is available in NTSC video, without subtitles. It's not a bad slice-of-life film for locals and Brazilians living abroad, but probably hard to grasp for outsiders.

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        Histoire

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        Le saviez-vous

        Modifier
        • Anecdotes
          The fictional "America Building" where the movie takes place is a spoof of the real Martinelli Building in downtown São Paulo. Just like it's fictional counterpart, the building was made by an Italian immigrant in the 1930s, was the first skyscraper in the city and the tallest for years, finished in marble and other noble materials, rich in architectural details. Also like in the movie, it was decadent and semi-abandoned for a period (in the 1960s). The city administration took over the building and recovered it, now a tourist attraction.
        • Connexions
          References Le prisonnier d'Alcatraz (1962)
        • Bandes originales
          Praça Clóvis
          Written by Paulo Vanzolini

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        Détails

        Modifier
        • Pays d’origine
          • Brésil
        • Langue
          • Portugais
        • Aussi connu sous le nom de
          • Saturday
        • Société de production
          • Iguana Filmes
        • Voir plus de crédits d'entreprise sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          1 heure 25 minutes
        • Couleur
          • Color

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