NOTE IMDb
6,1/10
2,7 k
MA NOTE
Ajouter une intrigue dans votre langueThe Big Tease is big fun, a fish-out-of-water tale teeming with charm and a hilariously satiric view of life in L. A.The Big Tease is big fun, a fish-out-of-water tale teeming with charm and a hilariously satiric view of life in L. A.The Big Tease is big fun, a fish-out-of-water tale teeming with charm and a hilariously satiric view of life in L. A.
- Réalisation
- Scénario
- Casting principal
Caitlyn Jenner
- Bruce Jenner
- (as Bruce Jenner)
Melissa Rivers
- Dianne Abbott
- (as Melissa Rosenberg)
Avis à la une
If one were to judge the comedic or acting abilities of Craig Ferguson by his work on "The Drew Carey Show", he could easily be overlooked, passed over, or lumped in with the stereotypically smarmy and scenery-chewing English supporting character types like Christopher Hewitt (tv's Mr. Belvedere), and Daniel Davis (Butler Niles on "The Nanny).
Don't be misled. Ferguson, who is HORRIBLE on Drew Carey, is every bit as wonderful in this smart, well acted, clever and sweet mockumentary which is surprisingly not a Christpher Guest production, and luckily with no Eugene Levy in sight!
This film is a surprise, it's a sleeper, and probably did 0 box office in the US, but, give yourself a treat. Rent it, preferably with a roomful of good humored friends. An instant party!
Don't be misled. Ferguson, who is HORRIBLE on Drew Carey, is every bit as wonderful in this smart, well acted, clever and sweet mockumentary which is surprisingly not a Christpher Guest production, and luckily with no Eugene Levy in sight!
This film is a surprise, it's a sleeper, and probably did 0 box office in the US, but, give yourself a treat. Rent it, preferably with a roomful of good humored friends. An instant party!
If you stick with it this is a very funny film. Don't be put off by the plot - a misguided Scotsman attempts to crash a mythical hairdressing Olympics. It's a very human comedy about identity and self-worth. Filmed in a documentary style, which takes a few scenes to get used to, it really only hits its stride when the hero Crawford lands in the US. From there it works very well, tilting at various American showbiz windmills. I saw one of the co-stars, Mary McCormack, recently in "High Heels and Lowlifes", and surfing her name in the database reminded me of this little gem. If it's in your local video store, and you enjoyed Spinal Tap or Local Hero, you should try it.
I found this film to be rather unique. It wasn't too 'mockumentary' but it wasn't exactly a beautifully edited screen play either. It took a while to get used to the pace, but then its merits shined through. I love subtle humour, and the thought that went into those adhoc comments and little facial expressions made it extremely funny. (Check out Martin's face when Crawford refuses to talk about his childhood) The storyline and ending maybe predictable, but aren't they all? Definitely worth a giggle. Oh . . .and any movie with a kilt scene can't be wrong now, can it?
I loved "The Big Tease." I have watched it several times, and find it more entertaining each time. I recently read a quote of Craig Ferguson's in a Reel.com interview, saying that the movie somewhat parallels his experience in Hollywood. He said, "it is an exact mirror image of the show business that I know. I believe that the story in the movie is my story in America," and when asked how Crawford's experience in America paralleled with his own, Craig replied, "It's exactly the same...it is very similar to my own experience. That is where the story comes from." I watched the movie today for the first time since reading these comments, which Craig made about 7 years ago, and find that there are more similarities than he could have foreseen at the time. Part of the sharp satire on insider Hollywood revolves around getting a break because of whom you know. In the movie, Crawford comes to L.A. as a well-established hairstylist in Scotland (the "Red Adair of hair"), and manages to connect with the right people, beginning with Eamon the limo driver and Candy the publicist, which in turn leads to a series of connections with other key people and opportunities: an amusement park animal costume fur-dressing gig, the continuing antagonistic yet crucial interactions with Monique and Stig, a lunch date with Drew Carey that takes Crawford's credibility to the next level, and a meeting with the Senator who finally allows him to compete in the W.H.I.F Hair-Off. Throughout these events and introductions, Crawford must pay his dues, often feeling humiliated in the process, yet always managing to make the best of the situation. I don't pretend to know all the details of Craig's rise to fame, but he was already an established comedian well-known in the U.K., then came to the U.S. and obscurity. After paying his dues here and there, he got a break as Mr. Wick on "The Drew Carey Show." Drew Carey is the equivalent of Candy in this movie, giving stability to Craig's career, and enough required time on the set but not in front of the camera to begin writing, thus marking his breakthrough into the roles of writer, producer, and finally director with the critically acclaimed "I'll Be There." Craig Ferguson's big break as host of CBS's "The Late Late Show" is similar to Crawford's walk-on success in the competition for the Platinum Scissors award. Craig has not yet been crowned the king of late-night, but I have a feeling that some of the other late-night hosts are feeling very much the same as the other three Hair-Off competitors, wondering, "Who is this Scottish guy, and who could have guessed he had so much talent?" One interesting scene in particular shows the obvious pride Crawford feels when he finally obtains his H.A.G. card, a pride which Craig will soon share when he obtains a U.S. passport upon becoming a citizen of his adopted country. The parallels to Craig's current situation are easy to see, and I think that "The Big Tease" may portend the huge success that Craig has yet to attain in Hollywood and with the ranks of late-night fans. Like Crawford, Craig is determined to reach the pinnacle of his profession, and he has forced industry insiders to sit up and take notice of him. Just like Crawford, Craig was born to this.
7=G=
"The Big Tease" is an under-rated, genuinely funny, and intelligently made film about a dauntless Scottish hair stylist, Crawford Mackenzie, and his quest for the globally coveted Platinum Scissors Award. A tour de force by Furgeson, the film delivers plenty of wry British humor and less subtle American hilarity with warmth and coherence, develops it's unlikely centerpiece (Mackenzie), sticks faithfully to it's plot, and builds to satisfying and very funny climax.
Le saviez-vous
- AnecdotesThe inspiration for this film arose out of Craig Ferguson's desire to make a cheerful film that celebrates Scottishness, as opposed to the epic nature of films like Braveheart (1995) and Rob Roy (1995), and the downbeat quality of Trainspotting (1996) and Petits meurtres entre amis (1994).
- GaffesCrawford rents a car that was apparently stolen from a Korean cook named Chokko. When Crawford visits Chokko's house, the camera pans and reveals a sign above the doorway on the ground floor displaying what seems to be 'Asian' characters. However, it's neither Korean nor any other Asian language. The characters are entirely fictitious.
- Citations
Crawford Mackenzie: Sorry, Candy. I adore you, I really do. It's just that I prefer my women with a penis.
- ConnexionsReferenced in The Late Late Show with Craig Ferguson: Épisode #6.121 (2010)
- Bandes originalesMy Boy Lollipop
Written by Johnny Roberts and Morris Levy
Performed by Millie Small
Courtesy of Island Records Ltd.
Under license from Universal Music Special Markets
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Big Tease?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Je M'Appelle Crawford
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 187 152 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 010 $US
- 30 janv. 2000
- Montant brut mondial
- 187 152 $US
- Durée
- 1h 26min(86 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant