The Secret Cinema

Okay, you've chanced to see something that sticks in your craw after gawd only knows how many decades - much like "Eclipse of the Sun Virgin" and a few other rarities from the day of true "underground" film. So you decide to check it out on IMDb just to see if anyone else has had the same grace and seen this movie. And you find out that it has already been filtered and reduced to some pablum for the masses already, and for TV, no less. Leave this gem alone, Mr Spielberg. The black and white ORIGINAL is so powerful and fun and dark that doing anything with the content or.... needless to say, Hollywood seems to have run out of ideas, or original ideas, or any means to make a buck without investing a whole lot of energy (as I see it). This wonderful movie should be on any serious film buff's list of must sees. Are you paranoid? This movie gives credence to anyone and all of us who have felt that there ain't an inch of life left to ourselves and that your meager little life is an open book for other's amusement - and our personal horror. Love love love this film.

Recently I've stumbled onto a few of the films made by the late Paul Bartel. I always liked him from his roles in films like "Rock 'n' Roll High School" and "Tales of the City," but I had no idea he was the man who made "Eating Raoul" (which I've been dying to see for years) and "Death Race 2000" (which I finally saw a week or so ago). As you can tell, I have bad taste... While browsing through a used video store, I found Rhino's release of this film, which was packaged with "Naughty Nurse" and an intro by Bartel himself.

I was pleasantly surprised by how good "Secret Cinema" is. The acting was good all-around, though some would probably gripe about the bad dubbing (particularly Helen, the black woman, who's voice never once matched her lips). With the Twilight-Zone-ish premise of someone who's unaware that their life is being filmed, this seems to be the original, made long before "The Webbers" (an always-overlooked gem) and the dull "Ed TV" and "The Truman Show." And I just have to rave about the woman who played three roles - she cracked me up in her role as the nurse! Amazingly for a film of this era, the picture quality was outstanding - usually you get a rather worn print, filled with scratches, anomalies, and cigarette burns - but the Rhino print looked like it just came out of the editing room. Now I'm curious to see the "Amazing Stories" remake again. I know I saw it years ago, but I remember absolutely nothing about it.

As for the companion short film, "Naughty Nurse," it doesn't seem to fit with the tone of "Secret Cinema." With its strange eroticism and bizarro ending, it seems better suited to play with "Death Race 2000" or perhaps "Eating Raoul." But that's a different review...

I only saw this short subject once and never forgot it. Three whole decades before THE TRUMAN SHOW, there was this early work by Paul Bartel about a woman who slowly comes to realize that her life is being secretly filmed and shown for the entertainment of her close "friends" and "family" as well as the general masses. I thought that this short conveyed the pain and paranoia of invaded privacy much better than TRUMAN and in a much shorter time as well. "Secret Cinema" was remade by Bartel as an episode of Steven Spielberg's AMAZING STORIES, but didn't have anywhere near the impact that the original had. Not only that, but it was given a sickeningly sweet happy ending that ruined the theme of the original story. Now I feel vindicated because whenever I described this film to friends, most of them looked as if I was making it up or dreamed it. Now, here is the proof. Look for this film, it will be well worth the hunt.

An influential (in it's time), inventive 30 minute black and white short that examined an 'Ed TV' like idea way before others did. A woman has her life secretly filmed, edited and shown to a laughing audience each week. Far more surreal and stylized than the features and TV shows that later used this concept, it's stylish, a lot of fun and effectively creepy. On the other hand, the acting is amateurish, production values nonexistent, and the post dubbed sound is pretty awful. But somehow, that homemade quality sort of works with the story. Worth seeing if you have any interest in the semi-experimental late 60s cinema that combined what would have been sleaze with far more artistic aspirations (Brian DePalma, Bartel, and many others were part of this art/exploitation film trend).

Three decades ago, a young, up-and-coming movie director named Paul Bartel pulled together a lot of shoestrings to produce this wonderfully resourceful little black comedy (less than 30 minutes long) about Jane, an office secretary who comes to realize that her life is being secretly filmed for a shadowy outfit called The Secret Cinema. Some critics have pointed to what they see as a striking similarity between this film and "The Truman Show." But there's at least one crucial difference: Whereas Truman Burbank's environment is completely fabricated, Jane's life in New York is very real, although it's being manipulated by the filmmakers.

Bartel uses his budgetary and technical limitations to excellent advantage: the cheap-looking black & white photography, the obviously looped dialogue, the stock music and canned sound effects are very much in keeping with this low-budget movie about low-budget moviemaking.

Bartel later remade "The Secret Cinema" as an episode of Steven Spielberg's NBC anthology series "Amazing Stories." The remake starred Penny Peyser as Jane, Griffin Dunne as Dick and Bartel himself as Jane's psychiatrist. The NBC version was, I thought, terrible; it was over-produced, over-written and over-acted, and totally lacking the charm of the original. Worst of all, it failed to adequately convey the story's basic premise that Jane's life was being secretly filmed. (The remake also offers an ending completely different from the darkly humorous resolution of the first film.)