Histoire de fantômes japonais

Fast summery of the movie, it's about a samurai who wants a woman as his wife, Doea the unthinkable and then does it again.

It's a good plot and great acting in it. And the scenes are very good! Specially the final part and the scenes and how it's filmed are really nice. The last part of this movie really made the movie shine and it was really good stuff.

It's a good revenge movie, the main villians you really hope to die as mercyless and themselves were. I liked this movie a lot, even though I was sitting after half the movie wondering were the ghost stuff were suppose to happen and man didn't i have to wait long.

All in all, great horror movie.

Tired of living in poverty with his wife, a samurai hatches a scheme to kill her off so he can marry a wealthier woman which he carries out successfully, but her ghost returns to torment him for the wrongful death and must find a way to stop it before he is condemned for eternity.

This is one of the most enjoyable and faithful variations of the story. Even though most of them are going to be pretty much similar to what happens, this one goes for a straight retelling of the story which comes off decently. With the first half retelling their life in poverty together, these reinforcements of the society gap between the two becomes heavily integrated with the original story which isn't that action-packed yet wholly sets up the ghostly vengeance later on. When the murder happens and the ghostly stuff starts to happen, it gets infinitely better through the use of actually having stuff happening as those allow this one to surprisingly become far more watchable. With the last part of the film taken up by this use of classic Gothic horror tropes as the visions of the two ghosts appearing around the huts or appearing out of the swamp, moaning and madness all start to come into play here in a series of long, extended scare scenes that take on a fine form of revenge against him and even does correct some flaws found here. It doesn't have too many flaws about it to hold it back. The first half of this film has absolutely nothing of any real value as a horror film at all, looking absolutely like a lame drama about the social standing rather than anything to do with a ghost story, and it makes for some utterly boring and not at all interesting times. The endless talks of him trying to get a better life, the prodding from his friend who knows too much and the interactions with the wife all compound together to make this a pretty bland part of the story. As well, the film also really looks it's age with the set-based look of the villages and the cramped, confined feel completely destroys the intent of being out in the countryside the way it should be. The positives counteract some of these issues but not all of them, leaving this as a rather interesting take on the story but overall not much else.

Rated Unrated/PG-13: Violence.

And who can fault Iwa's fury? Her husband Iemon murders her father to marry her, deceives her into parting from her sister, fathers her child, pays another man to seduce her, then administers a disfiguring poison so he can marry another woman. Yet Iemon is not wholly wicked - he suffers pangs of conscience, and most of his crimes are the result of his servant's goading. Whilst our sympathy goes to Iwa, our empathy extends to Iemon. The film is endowed with the dimensions of a classical tragedy, as the director undoubtedly intended. In fact, the picture's opening scenes are unabashedly stage-bound, before it shifts subtly into an engrossing cinematic experience. Although the story has been adapted to film many times in Japan, this is generally considered the definitive version.

Besides its dramatic power, this version of Ghost Story of Yotsuya is visually sumptuous and thrillingly scored, the scope compositions are masterly, and the female phantom's appearance is truly nightmarish.

This is easily the most accomplished, frightening and satisfying of Nakagawa's period ghost stories.

The Ghost of Yotsuya is yet another adaptation of the timeless Japanese ghost story Yotsuya Kaidan. The trouble is there are so immensely many movies telling exactly the same story with few deviations from the source material.

Sadly truth be told I don't like the story, other than being overplayed it's just not all that interesting and I think Japan has considerably better ghost stories than this.

For those unaware it tells the story of a samurai who poisons his wife to further his deviant plans. She however returns from the grave and haunts him, gradually chipping away at his psyche until he's a broken wreck of a man.

Despite my average rating I think this is the best adaptation made replacing Illusion of Blood (1965). It plays out the horror well, the lead does his role competently and it all flows better than most (Partially due to the suitable running time).

For anyone who hasn't seen Yotsuya Kaidan on screen before I'd recommend this one. If however you have then perhaps skip this and the others as they are near carbon copies of one another.

The Good:

Manages the horror element well

Competent lead

The Bad:

Same old story

Shigeru Amachi wants to marry Katsuko Wakasugi, the daughter of prominent samurai Shinjirô Asano. Asano refuses the request, belittling Amachi who promptly murders him. Shuntarô Emi witnesses the murder and promises to help him cover it up, if he in turn helps him marry Wakasugi's sister. The two tell Wakasugi that her father was murdered by a notorious criminal and they will help her get revenge. Instead, they murder her sister's fiancé and Emi runs off with her.

Months later, Amachi and Wakasugi are married and living in Edo. Amachi has fallen for Junko Ikeuchi, the daughter of a nobleman, and hatches a plan to rid himself of Wakasugi. He hires Jun Ôtomo to seduce her so that he can legally kill her, but the plan goes awry. Ôtomo ends up dead and Wakasugi is poisoned causing hideous facial deformities before she also dies. Amachi marries Ikeuchi, but the spirits of Wakasugi and Ôtomo haunt him leading him to ruin.

This is probaby the best known adaptation of the kabuki play "Yotsuya Kaidan" (there are many). It's a fairly routine film from a story and characters perspective, but the film's vibrant colours and gory, hallucinatory visuals are really something.