Timeslip

Personally, I've only had the opportunity to find the first complete story, "The Wrong End of Time." I found it quite enjoyable, seeing past the 'children's show' facade and enjoying it as I would a Pat Troughton Doctor Who adventure. Timeslip is a completely different concept of time travel as compared to most programmes/movies, and with an even lower budget than Tomorrow People, the creators have thus far managed to instill a minor obsession in me to find the remaining stories.

If you are looking for vintage British SF without the gloss, then by all means find a copy of this wonderful show. Fans of classic Doctor Who will be very impressed, I think.

The only drawback to the story is the child acting, although it improves a great deal as the story progresses. Also, there is a mild amount of padding, but that is to be expected in a serialized programme. The theme song is VERY reminiscent of another, extremely popular british SF series, as well.

I was six when Timeslip was shown, but it has really stayed with me. I am surprised that no-one has published anything about it on the WWW, and yes, I have indeed been sad enough to search for it. Hell, there is even a Double Deckers page, so why not Timeslip!

Some things I remember are:

*some episodes were in colour, and others in black and white. Might this be why it has not been reshown?

*that the scary blary ATV sig tune blended perfectly into the theme music: da-da-da-da-DAAAAAA.....

*the way Liz and Simon would feel along the gap in the wire netting to find the Time Barrier.

*thinking how freaky it was when Liz met herself in the future (probably 1988 or something), but that she was called Beth.

*I used to have the novelisation, and there was also the comic strip version in Look-in (someone needs to do a Look-In website, by the way).

Does anyone know if Timeslip is available on video? I have never found it and would love to see it again.

Kids have adventures back and forth in time. The show had flaws in some ways. In spite of the fact a respectable name is credited as scientific advisor, and a legitimate Scientist Man prefaces several episodes assuring us it's all plausible and trying to explain how it might work, I never did quite get the hang of the rules, and several times it's suggested that they're in effect only hallucinating, which would lower the stakes if true but is surely contradicted by other things. The overall story arc is fairly clearly being made up as they go, and without the slickness with which some modern shows do this, and the ending breezily retcons an early part in a way that made no sense to me.

But it's very entertaining and just has a certain something about it, perhaps just the charisma of the leads, in particular the kids and Dennis Quilley as the machiavellian Traynor, and some very good scripts, and it fully deserves its enduring cult status. The parts revolving around the children encountering their future selves and not much liking how they've turned out are especially great. There are some good twists and cliffhangers, images that stay with you and much food for thought, and it gets eerily apocalyptic at one point in a way I've rarely come across. Among other highlights is a turn by CJ out of Reginald Perrin as a genuinely chilling and intimidating mad scientist that has to be seen to be believed.

Mention British, science fiction and the 1970s in the same sentence and images of cardboard sets, tin foil monsters and the worst acting in the history of the business may well spring to mind. However, despite never being on a par with the slick, soap-opera style sci-fi serials from the States, the fact that homegrown sci-fi is often cheap and tatty is surely one of its appealing factors.

However, when looking at the 1970 ATV serial Timeslip, such criticisms, however quaint, are simply not applicable. Solidly acted, well crafted and smartly directed, this whopping great serial, split into 4 distinct stories, is a television treat.

First screened in 1970 and then repeated once the following year, Timeslip has maintained a loyal fan base despite its lack of exposure on television.

The series takes an intelligent look at the concept of time travel and the implications of meeting future/past selves. We travel back to a WWII naval station, forward to a Arctic research centre, the heat is turned up in a sweltering tropical jungle before closing the serial in a mixture of 60s and 70s Earth.

Epic in terms of its length and its concepts, Timselip benefits greatly from a stunning performance by Denis Quilley as Commander Traynor and a remarkably astute turn by Spencer Banks as Simon. Perhaps a drawback of the programme is the incessantly winy and extremely sexist presentation of Liz, played with little flair by Cheryl Burfield.

After a limited video release in the mid 90s, it is nice to see this wonderful series released on DVD. Although the original series was transmitted in colour, only black and white tele-recordings were maintained in the ATV archives. However, as a special treat, the final episode of The Time of the Ice Box is presented in its original colour format. Somewhat jarring after 11 episodes of grainy black and white, it makes the serial seem somewhat gaudy and bright and maybe this episode might have been best left as a special feature on the disk but all in all, it doesn't detract too much from this intelligent, well thought out serial.

There are four TimeSlip video sets, long out of pring, and the series is currently on DVD with a colour episode (how careless that the original colour tapes have been wiped).

The special effects are quite primitive - but it's the ideas that strike a chord when you watch the stories today. The second and third stories are set in the "future" - of 1970, which is now our past. 1990 must have seemed the distant future back then - long enough for many changes to have happened.

We see ideas that do concern us today - cloning, putting faith in computers, virtual reality, and global warming. Perhaps some borrowed elements, e.g. from The Prisoner - the boy as an adult has just a number in the third story.

It should be said that the series is not by any means perfect. It is slow in places, the acting sometimes is a bit creaky, and Liz and Simon's parents don't seem to quite be old enough when another 20 years is added on. The 1970 visualisation of a 1990 computer was always unlikely to be correctly guessed, after all pocket calculators were a few years off, and home computers in any form were easily eight years away.

The first story, set in World War II, has some genuinely inspired moments, and the story as a whole is never completely finished - I think there was always a possibility of them coming back for a fifth series.