NOTE IMDb
7,6/10
958
MA NOTE
Un journaliste déchu s'associe à un immigré hongrois pour créer une fausse école de journalisme par correspondance.Un journaliste déchu s'associe à un immigré hongrois pour créer une fausse école de journalisme par correspondance.Un journaliste déchu s'associe à un immigré hongrois pour créer une fausse école de journalisme par correspondance.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Otto Webber
- Noriega
- (as Otto Weber)
George Hilton
- Hombre en redacción
- (as Jorge Hilton)
Avis à la une
"And we decided to celebrate our end like the doomed in the movies do."
I loved the look and feel of this Argentinian noir, with its flashbacks, surreal dream sequences, and segues into the inner thoughts of its main character. Instead of a femme fatale we get a tragic figure (Aída Luz), and instead of everything coming apart because of a con game, we get drama out of misunderstanding and paranoia. These are basically good people, driven to dark places by economic desperation, with the post-war conditions in Europe looming as a distant backdrop. I wasn't completely sure about the ending, as the digging wouldn't have to be too deep and the guy should have known it (being vague here on purpose), but I loved how brutally grim it was. Overall, a very satisfying film.
I loved the look and feel of this Argentinian noir, with its flashbacks, surreal dream sequences, and segues into the inner thoughts of its main character. Instead of a femme fatale we get a tragic figure (Aída Luz), and instead of everything coming apart because of a con game, we get drama out of misunderstanding and paranoia. These are basically good people, driven to dark places by economic desperation, with the post-war conditions in Europe looming as a distant backdrop. I wasn't completely sure about the ending, as the digging wouldn't have to be too deep and the guy should have known it (being vague here on purpose), but I loved how brutally grim it was. Overall, a very satisfying film.
The Argentinian movie Los tallos amargos (1956) was directed by Fernando Ayala.
Carlos Cores portrays a journalist who forms an unlikely alliance with a Hungarian immigrant, played by Vassili Lambrinos. They open a fraudulent journalism correspondence school. All goes well until mistrust and jealousy intrude.
The acting in the movie is outstanding, and we are treated to a film score by the great Argentinian composer Astor Piazzolla.
We saw this movie at the wonderful Dryden Theatre at the George Eastman Museum in Rochester. Congratulations to the Dryden for screening this film in its original 35mm format. Los tallos amargos was considered lost until a 35mm negative was found and restored by the UCLA Film & Television Archive.
This movie might not be for everyone, but if you love film noir, this is the movie for you.
The acting in the movie is outstanding, and we are treated to a film score by the great Argentinian composer Astor Piazzolla.
We saw this movie at the wonderful Dryden Theatre at the George Eastman Museum in Rochester. Congratulations to the Dryden for screening this film in its original 35mm format. Los tallos amargos was considered lost until a 35mm negative was found and restored by the UCLA Film & Television Archive.
This movie might not be for everyone, but if you love film noir, this is the movie for you.
I am glad i found out about this movie. This is not a hidden gem but it's a good, maybe very good, crime/drama-film noir and every fan of this genre will probably like it. It doesn't even need to be a big fan of this genre, because all the elements of a good movie are here. Very good actors, a clever script, a very good director, nice cinematography and overall, an interesting-at least- movie.
I can't say i understood well the whole thing about this fraudulent operation of them. Maybe it was lost in translation. But the movie doesn't depend on this either way. Probably the biggest quality here is the script, this movie works better as a character study. The protagonist is a veey interesting character. And if you pay attention to his motives and his whole psyche, everything that he does is explainable. Not justified of course, but viewer can see the reasons.
It's getting gradually better and the last 20-30 minutes are the best part of this movie. I loved the fact that i couldn't see where it goes even though old movies are usually great but mostly predictable. The ending was very powerful if you catch the symbolisms. I didn't but i read some reviews and i understood this movie better.
I can't say i understood well the whole thing about this fraudulent operation of them. Maybe it was lost in translation. But the movie doesn't depend on this either way. Probably the biggest quality here is the script, this movie works better as a character study. The protagonist is a veey interesting character. And if you pay attention to his motives and his whole psyche, everything that he does is explainable. Not justified of course, but viewer can see the reasons.
It's getting gradually better and the last 20-30 minutes are the best part of this movie. I loved the fact that i couldn't see where it goes even though old movies are usually great but mostly predictable. The ending was very powerful if you catch the symbolisms. I didn't but i read some reviews and i understood this movie better.
I've always searched great but unknown films noirs from outside USA, in England of course, but also France, Italy, Scandinavia, Egypt, South America and especially Argentina.
I just discovered this Argentinian noir movie, and it's a must. A real tough brainstorming in music, cinematography, script, acting. A constant crescendo creepy atmosphere about a man possessed by nasty war II nightmares. Very intelligent use of music by Astor Piazolla , wonderful cinematography by Ricardo Younis (Gregg Tolland's student). And what an ending, never seen such a cynical one. Bravo.
I just discovered this Argentinian noir movie, and it's a must. A real tough brainstorming in music, cinematography, script, acting. A constant crescendo creepy atmosphere about a man possessed by nasty war II nightmares. Very intelligent use of music by Astor Piazolla , wonderful cinematography by Ricardo Younis (Gregg Tolland's student). And what an ending, never seen such a cynical one. Bravo.
"Los tallos amargos" is a great example of film noir released out of USA. Following the tradition of classic Hollywood (the most brillant time in the history of cinema), this picture tell us the story of a poor journalist who, trying to make easy money, begins to work with an hungarian inmigrant. They start a fake journalism school and soon their pockets are full of dirty money. When the journalist begins to have suspects on your partner, the plot will become most than interesting. A perfect movie, a very good story. A picture that looks like any american film of that time. 9 out of 10.
EXTRA: When the A.F.I. chose the 100 bests cinematography of all time, this argentine movie was in the list among titles like "Citizen Kane" (!)
EXTRA: When the A.F.I. chose the 100 bests cinematography of all time, this argentine movie was in the list among titles like "Citizen Kane" (!)
Le saviez-vous
- AnecdotesAs discussed on TCM's Noir Alley by host Eddie Muller in July 2021, a screening of the restored 35mm print of this film was held on behalf of the Film Noir Foundation at the Museum of Modern Art (MoMA) in New York City in February 2016, and shockingly in attendance was 90 year-old Vassili Lambrinos, who, after years of living in various parts of the globe, was living just a few blocks from MoMA. Lambrinos had never seen the film on the big screen nor with an audience before that screening, having seen the film only in an editing room before then.
- Citations
Andreani: You make him infallible. You have an old passion; the need to obey.
Alfredo Gaspar: Passion to obey?
Andreani: To be a subordinate.
- ConnexionsReferenced in Preserving Memory: Fernando Martín Peña on Argentine Cinema (2024)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Bitter Stems
- Lieux de tournage
- Plaza de Mayo, Buenos Aires, Argentine(Gasper and Jarvis walk in the Plaza de Mayo and look at the Cabildo.)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant