Obsession fatale

I'm not sure what it is that makes me like this movie so much, because as I said it is rather cliche, but I don't think it makes the film bad just because the script isn't totally original, because let's be honest, nothing is original nowadays. I loved The Crush and think Miss Silverstone is a talented actress, but her appearances itself is too sweet for you to actually believe she was psycho, Rose on the other hand has established herself as a, let's say "doomy" actress and she knows how to throw those "f*ck off" looks around perfectly which made things a little more realistic. She basically carries the film, of course that's what she was supposed to do... if you love Rose you definitely need to rent this one or watch out for it on HBO because personally, I think it's cool and one of her better movies.

P.S. -- Skip that dreadful sequel!

Rose McGowan plays an abused teen who murders her mother and father in an arson fire, then she's sent off to live with her bickering grandmother which only worsens her. Finally McGowan develops a poisonous disposition by knocking off her grandmother and anyone else who gets in the way of her crush on her writing instructor (Alex McArthur). I was glad the directors made this film with a message that abused children are scorned the rest of their life and therefore the pattern showed how the attitude of revenge is taken out on everyone in society. And Rose McGowan was she stunning or what! She was just the right actress for this role her beauty, always did provide an evil eye also. Hey just think any female must be a little crazy to be called Mrs. Manson. Devil in the Flesh is a great film for all of you late night TV watchers to view highly recommended.

We've seen it all before -- the troubled, love-struck psychopath who develops a deadly obsession with her hunky high-school teacher. She likes him, he rebuffs her, she kills some people, yada-yada-yada...

Rose McGowan is a hottie. No doubt about that. But even her sleaze-pot sexual energy can't save this dud (the fact that she isn't naked in the film doesn't help either). Within thirty minutes, you know what's happening and how the film is going to be resolved (even worse, you don't really CARE).

If you're in the mood for a student-teacher stalker flick, skip this one and pick up "The Crush" instead.

Okay, so the plot was fairly standard, but this film still worked for me, thanks in large part to Rose McGowan. She did a terrific job in this movie, and actually, she practically carries this film single-handedly. To be fair, scenes with the detectives and her grandmother were among the best in the movie, but make no mistake about it, this is Rose's film. This film is also filled with lots of silly humor, but unlike most thrillers, the jokes actually work in this movie. You have to give the filmmakers some credit too, because they took a tired story, and they kept the predictable storyline, and yet, they made a good movie.

I really liked this as a piece of late night trashy noir cable junk because it pushed the extremes of bad taste. I saw it late at night and was impressed with the sharp dialog and witty put-downs uttered by its femme fatale protagonist, Debbie Strand (in a wonderfully vampy and campy performance from Rose McGowan). Yes, the set-up is contrived and the outcome is cheesy but along the way I was impressed with the audacity of the film's comic-book nastiness and the sheer determination of the protagonist to get what she wanted. However, what's most disappointing is the end, which merely opens the way for another film, without truly exploring why Debbie Strand did what she did. Another annoying trait in these films is to resolve issues in an unambiguous manner, usually absolving the complicity of the lead male. A simple-minded, formulaic tale saved by Rose McGowan and some witty one-liners. As for the rest, cable fodder.