Ajouter une intrigue dans votre langueIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and... Tout lireIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
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Although I think this cast did a wonderful job, I can't help but be bothered by the blatant disregard for a major plot point in Dorothy West's novel. That being said, if the viewer is aware beforehand, I think this movie is worth seeing simply because there are so few factual representations of African-Americans in the media. I know many African-American families that live and act as the Coles family does; I have yet to meet an African-American family that lives or acts the way the Parkers do.
Halle Berry - fresh, beautiful, talented, what a lovely smile... the environment, the sets, the costumes (colors, styles, characterization), the lights and the colors of the scenes... the pear, the shore line, the woods, Marta's Vineyard sure must be a beautiful place. The beautiful white houses, the make-up displayed, the hairdos, the lines, the fact that it doesn't show violence, the fact that it deals with individual choice and the effect our choices have in others life. It suites the purpose of a TV movie, it has a message, it is clean, and healthy subject to watch and to think about. It's nice.
First of all, let me set the record straight for all those who do not know. This movie was based on "The Wedding," a book by the renowned Harlem Rennaissance writer Dorothy West. It is NOT based on a true story in any way, shape or form.
I have read other works by Dorothy West and found them to be very interesting. She set herself apart from the other Harlem Rennaissance writers at the time by writing about black upper middle-class, a social hierarchy that has gone virtually unexplored throughout African-American Literature. However, when I read "The Wedding," I was deeply resentful. The underlying tone of racism against interracial relationships staggers me, as I am a multiracial person. I found the characters detestable and the fact that there is virtually no plot progression throughout the novel is a huge problem. Ninety percent of the novel is backstory.
Many of these same elements are portrayed in the movie version of this book to the nth degree. First of all, Shelby Coles is supposed to be white. She is not light-skinned like Halle Berry. She is WHITE. She has blond hair and blue-eyes. She is the product of so many blends of black and white that her blackness has been genetically wiped out on the surface. The fact that they cast Halle Berry to play Shelby Coles destroys the only redeeming quality I found in the book. This is the scene where Shelby gets lost as a little girl and no one can find her because the police report says that she is black, but she looks white. Using this scene to establish the unequal treatment society puts on whites and blacks was the only redeeming quality I found in this book.
There are several other elements that I found so offensive from this movie (mostly character-wise) that it would be impossible to mention them all.
This is a deeply resentful movie about interracial relations, and should not have been made into a movie. This was the last book that Dorothy West wrote before she died, and I'm wondering if that has something to do with its irregular quality. All I know is that if you are multiracial or biracial, do not, under any circumstances, watch this movie or read West's book. Read some of the other books by West. They are so much better.
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- AnecdotesAs of 2025, this television miniseries is the only on-screen adaptation of any of Dorothy West's novels.
- Citations
Meade Howell: I need to talk to you, Shel.
Shelby Coles: No, it's not a good time.
Meade Howell: No, I need to talk to you now. Listen, I thought that music came first, and I was wrong. You come before that. I love you. And I am not going to let you just walk away with no good reason.
Shelby Coles: I think I've given you very good reasons, Meade.
Meade Howell: Why, Shel? Because we can't stay in the same hotel in Georgia? We'll make them let us stay in the same hotel!
Shelby Coles: No, it's because I don't think I want to spend my whole life fighting, defending who we are. Proving to the whole world that we have a right to be together!
- ConnexionsReferences Printemps tardif (1949)