Résurrection

Resurrection is intended to be a dark and creepy ninety minutes of serial killer heaven so probably the first thing that will jump to mind is 'that other movie'. You know the one I'm talking about. As such, its bound to suffer the wraith of armchair critics everywhere. However if you can keep your expectations in check - you'll find a decent flick that stands on its own. Don't be too quick to judge this one.

The dark foreboding imagery, religious overtones and a crazed killer has been done. Constantly dreary atmosphere, dark locales. Detective with a broken past, the second string banana who's the direct opposite of his partner. The twist you're not supposed to see coming. These are the conventions. That is formula, but its unfair to label Resurrection a rip-off. It features some good production values and there's no denying this is one of Christopher Lambert's better efforts. He's one of those guys that has slipped into B-movie obscurity like some actors do. In fact, this was a pleasant surprise.

Not saying Resurrection is the best thing ever, but all things considered - it's better than eighty percent of the dtv offerings I've picked up off video store shelves. The acting might falter at times, but there are also moments that rise above. A satisfying flick in its own right.

This is the type that is made for people who love to see blood and gore.

Similar to "Seven", this film takes place in Chicago as John Prudhomme is on the trail of a serial killer along with his partner, Andy Hollingsworth, who is killing men for their body parts.

I enjoyed the way that the story was told. For example, the killer is killing to resurrect the body of Christ, which I found very interesting because I have not seen it done in film before.

I am not a huge fan of Christopher Lambert; however, this film has proven that I should take a look at more of his movies because he can be a dramatic actor as well as an action star.

I'm glad I saw this movie

A precinct already working hard fitting every cliché of these genres(psychological thriller, cop crime investigative flick) into just one 100-ish minute picture is hit by several brutal murders where limbs are missing, and Lambert(who lost his daughter... son, I'm sorry, she... he... looks... uhm, great... anyway, he died in one of those ridiculously contrived sequences that only happen in this type of movie, and that could, by the way, easily have been avoided by the introduction of common sense... oh, and if you think that will pay off, don't hold your breath, it's a cheap setup with minimal payoff) is brought in for his experience with decapitations and paint-by-numbers plots. You can figure out the basics of where this goes, everyone talks in Hollywood Dialog(and immediately after, dramatically turn to walk away, signifying how deeply they feel about how lazily this is supposed to conjure up emotion(with that said, this does make you care about some of what we see... though at least once it utterly betrays whatever confidence they might have earned for that)... did I mention that the villain has impeccable luck in where he hides is a regular occurrence(planning...does...not...cover... it)?), for every good performance there is at least two that are over the top, but still, this is a cool enough concept(I will not reveal what the endgame is... though I will say that I don't know where the bad guy got it from, nor what his motive was, and there wouldn't have been a film if it had been slightly different, and less random...), it keeps to a fast pace(you're not bored...it does help to MST3K it), there are chilling bits(helped by the impeccably done practical FX) and, directed by the usually dependably visually interesting Russell Mulcahy, it's nicely filmed and edited, except for when the cameraman gets zoom-happy in a desperate attempt to increase the tension(which is successfully built here and there), the tracking shots(typically doing a semicircle on a character, so they can remain in place and still do a powerful change of position) that are so fast and start and end so suddenly, I've nicknamed them Whiplash-pans, and it, gradually, using the "nausea-vision" filter excessively. The DVD comes with trailers for Elizabeth and Rounders. There is a lot of strong language, a moderate amount of bloody, gory, disturbing violence and a little full frontal nudity of both genders in this. I recommend this to big fans of this kind of thing, as it gets the job done and has solid production values. 6/10

I put off watching this movie for a long time, seeing how director Russell Mulcahy has made a number of stinkers over the years, and that actor Christopher Lambert hasn't exactly impressed me with his acting over the same period of time. (The fact that he co-wrote the story of this movie didn't exactly give me much hope.) To be sure, this movie is not perfect. The visual look of the movie is too dark at times, and there is a mysterious fog in many scenes (even indoors) that looks out of place. Some of the clues that Lambert's character uncovers come out of nowhere, seemingly because the screenwriters couldn't figure out how the hero would uncover them at the same time as the audience. The subplot about the hero's loss of his son is eventually forgotten and never brought up again. And Lambert, except for one crying sequence, is pretty stiff and unemotional.

Despite those things, and a few other nitpicks, I still found enough to enjoy in this movie. The atmosphere of the movie is very good, bleak, dark, and horrifying. Murder is shown to be definitely not very pleasant. The progression of the investigation is very easy to follow, unlike some other murder investigation movies. The actor playing the killer is really creepy. And I can't say that at any point I was bored. So if you come across this on cable, give it a try.

The plot is a common one: a serial killer obsessed with Christ commits murders to fulfill an unknown fantasy. An unlikeable cop dealing with tragedy struggles through personal issue to try to catch the bad guy. There are several plot twists throughout, not all of which are predictable, the acting is okay, nothing egregiously bad, and the gore was well done and believable. I was enjoying it well enough, glad to have found this film, but a couple of director's decisions at the end really irritated me as they were clumsy and ridiculously improbable. If you can overlook that, it's a solid one-time watch.