Poruno jidaigeki: Bôhachi bushidô

A sober and very well-made story about some of the dark clans that moved behind the shadows of the shogunate in feudal Japan ...

Both the fight of the first scene, and the end are great, especially that brutal closure. Liters of blood, enough sex without reaching vulgarity and Tetsuro Tamba making a dark, nihilistic and surprising Ronin in search of the path of death ...

What more you can ask?

The wanted assassin Shiro is recruited by the immoral Bohachi clan after he is nursed back to health due to injuries suffered from throwing himself into a river to escape capture. The Bohachi clan run an organized prostitution ring and enlist the help of Shiro to kill any prostitute and john who risk doing business freelance and not paying the clan fee. Shiro is granted temporary immunity from the government but as his body count escalates every one is after his head including his own clan. This film is gorgeously shot with empathize on a variety of color tones and spectacular wide angle shots when swordplay is initiated. The female nudity is plentiful and beautifully captured filling the screen with a lethal dose of sensual atmosphere and mean spirited sleaze. The final act is an opium induced orgy that transcends into an epic final showdown that features dismemberments and blood geysers aplenty!

Pursued by the authorities, rōnin assassin Shiro (Tetsurô Tanba) is taken in by the immoral Bohachi clan, who use the warrior's awesome sword-fighting skills to help them seize control of the local prostitution industry. When no longer of any use, the evil Bohachi leader tries to dispose of Shiro by getting him addicted to opium and caging him up with a syphilitic whore; but even stoned out of his gourd, the assassin proves to be a formidable opponent...

I'm of the opinion that, like cyborgs and dwarfs (and cyborg dwarfs), gratuitous female nudity and gore can make virtually any film more entertaining; director Teruo Ishii clearly agrees, loading Bohachi, a delightfully sleazy Chanbara movie, with countless naked Japanese cuties and very bloody sword-fights, which means that when the screen isn't full of tits (no muff: this being a Japanese film the ladies keep their hands in front of their nether regions at all times), there's severed body-parts flying everywhere instead. Sometimes, Ishii even combines the two, having his naked Bohachi women whipping out weapons and partaking in the violence themselves—something I'm all in favour of.

The name of the game here is clearly 'exploitation excess' meaning that on top of the all the wonderful big-breasted Asian babes and bright crimson blood, viewers can also expect a smidgen of torture, a smattering of lesbianism, and some opium-fuelled sex (with hero Shiro entertaining not one woman, but four!), all realised with hyper-stylised direction that uses strong experimental lighting effects to really add to that cool 70s vibe.

7.5 out of 10, rounded up to 8 for IMDb.

I had no idea what I was getting myself into and it turned out to be quite the ride. Now let's say the obvious thing and adress the elephant in the room: This is sleazy! If you think women are portrayed in a good light here, don't even consider watching this. Fortunately the focus switched a bit during the movie. After a very nicely shot and edited beginning (action wise), it gets quite dark and you see some despicable things.

Now as I mentioned it shifts gear, right before our main character is going over or rather crosses a line, I know I wouldn't have been able to overlook. But even so, apart from him there are quite a few despicable and quite obnoxious characters. Sleazy would be another word to describe them. Now I had not seen or read the Manga this is based on, but the DVD gives you a comparison option. You can see some of the drawings and the movie seems to come very close to those (changes were made of course).

So quite a lot of blood and violence and at least as much nudity (upper area and behind) made people call this "adult". For the 70s it more than was ...

This film is so typically an effort of Teruo Ishii, adhering strictly to a range of conventions enacted by the director himself, that one may have hardships in distinguishing it from his other works. As significant drawbacks, the protagonist has rather restrained expressions of his substantial nihilism and other characters are seemingly superficial, even to the extent of being trivial. For those who search for a glimpse of the dark and wicked Bohachi universe, I would better recommend Takashi Harada's inspiring masterpiece, which gets to reveal Goro Ibuki's true potential to incarnate a surrealistically genuine nihilistic yet overtly conscious character, opposed to the one he is assigned in this film.