U-571
- 2000
- Tous publics
- 1h 56min
Un sous-marin allemand est abordé par des sous-mariniers américains déguisés, afin de mettre la main sur leur machine à chiffrer Enigma.Un sous-marin allemand est abordé par des sous-mariniers américains déguisés, afin de mettre la main sur leur machine à chiffrer Enigma.Un sous-marin allemand est abordé par des sous-mariniers américains déguisés, afin de mettre la main sur leur machine à chiffrer Enigma.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 4 victoires et 10 nominations au total
Terrence 'T.C.' Carson
- Eddie
- (as T.C. Carson)
Avis à la une
I sometimes am lucky in matching my film experience to the audience I share it with, and this was such a case. I live near Norfolk, the world's largest collection of Navy people, and the heaviest concentration of US WWII submariners.
I saw this on opening day, the heavy show (7:30) with the audience packed with young and old Navy. And I have to say, the film didn't work. The models were good, the explosions and all the underwater work nicely done. The boat, at least the US boat, was accurate, and the local paper reports that folks here helped with the specifications.
But these actors didn't seem like sailors, never remotely, and the mismatch was pretty obvious in that audience. Maybe Keitel could pull off a chief with better direction, but not here. And McConaughey and Bon Jovi could never reach believability. Submariners are clubby, superstitious and smelly. Submarines, especially the old boats, are confining. Das Boot gave us a feel for the closeness and the terror, and the high mental level of underwater warfare. This movie misses. It takes more than shaking the camera.
I have some familiarity with the crypto world. That dimension is spooky and could have been woven into the story to better effect. Instead we have a simple grab for an object. You may want to see this for the underwater effects, but otherwise, it is a miss.
I saw this on opening day, the heavy show (7:30) with the audience packed with young and old Navy. And I have to say, the film didn't work. The models were good, the explosions and all the underwater work nicely done. The boat, at least the US boat, was accurate, and the local paper reports that folks here helped with the specifications.
But these actors didn't seem like sailors, never remotely, and the mismatch was pretty obvious in that audience. Maybe Keitel could pull off a chief with better direction, but not here. And McConaughey and Bon Jovi could never reach believability. Submariners are clubby, superstitious and smelly. Submarines, especially the old boats, are confining. Das Boot gave us a feel for the closeness and the terror, and the high mental level of underwater warfare. This movie misses. It takes more than shaking the camera.
I have some familiarity with the crypto world. That dimension is spooky and could have been woven into the story to better effect. Instead we have a simple grab for an object. You may want to see this for the underwater effects, but otherwise, it is a miss.
It's 1941. The German U-Boats are wreaking havoc in the North Atlantic, sinking every Allied ship in their path and threatening to cut off the critical supply line from America to Britain that is saving the Allied War Effort. In a Special Operation Mission a US Submarine Crew, headed by Captain Dahlgren (Bill Paxton), are sent to capture the Enigma Code (the German Code that is allowing them to position there submarines without alerting the Allies) which will change the course of the war.
The main plot of the movie, thought completely fictional, works well and maintains a viewers interest. However, it is sure to raise a lot of controversial discussion as it was the British and not the Americans who recovered the Enigma Machine in World War II. Unlike standard submarine movies U-571 is full of twists and turns, especially in the first hour. Because of this U-571 is definitely a film that you have to concentrate in otherwise you'll miss a lot of vital information.
It is obvious that writer-director Jonathan Mostow has researched U-571 well as the nail-biting tension is ever present in the confines of a cramped submarine with a very stressed crew. Mostow's strongest point in this film would be his directing which keeps any viewer tuned in and on the edge of their seats. The camera work is brilliant and Mostow in several scenes keeps the viewer guessing what will come next in this nail-biting epic. The most notable sequence occurs when a Nazi Destroyer is dropping depth charges to try and kill the US Navy Crew. One second the viewer is watching a depth charge mercilessly head for the submarine and the next moment the viewer is watching the reaction of the Navy Crew. Sequences like this truly bring a realistic touch to the film.
The acting is just as brilliant as the directing. This is mostly because the cast were out at sea in a fully working submarine while filming U-571. Actors such as Matthew McConaughey are truly brilliant. Fear and stress is ever present on their faces and highly emotional times come across brilliantly. Other actors such as Harvey Keitel are brilliant but Jon Bon Jovi is the biggest surprise of the film. He does a brilliant job with this film and you're left wondering whether or not that was truly him.
My main disappointment in the film was the musical score by Richard Marvin. Don't take that the wrong way, the score was good. However, at times it could have been just that little bit better. There were scenes where the music was raging but dead silence would have had a better effect on the audience.
I was also disappointed with the end of the film. As a fan of 1981's Das Boot I don't think the ending of any submarine film could ever be as good. However, that's not to say that the U-571 was bad.
All in all U-571 is a brilliant film that is well worth seeing. You'll be left on the edge of your seat as you wonder what is coming next. Twists and turns will at times leave you a tad confused but just add to the emotion that you have for the characters. This is the sort of film you have to truly see in the cinema with surround sound, however, I can imagine that the DVD will be superb! I give it 4/5 stars.
The main plot of the movie, thought completely fictional, works well and maintains a viewers interest. However, it is sure to raise a lot of controversial discussion as it was the British and not the Americans who recovered the Enigma Machine in World War II. Unlike standard submarine movies U-571 is full of twists and turns, especially in the first hour. Because of this U-571 is definitely a film that you have to concentrate in otherwise you'll miss a lot of vital information.
It is obvious that writer-director Jonathan Mostow has researched U-571 well as the nail-biting tension is ever present in the confines of a cramped submarine with a very stressed crew. Mostow's strongest point in this film would be his directing which keeps any viewer tuned in and on the edge of their seats. The camera work is brilliant and Mostow in several scenes keeps the viewer guessing what will come next in this nail-biting epic. The most notable sequence occurs when a Nazi Destroyer is dropping depth charges to try and kill the US Navy Crew. One second the viewer is watching a depth charge mercilessly head for the submarine and the next moment the viewer is watching the reaction of the Navy Crew. Sequences like this truly bring a realistic touch to the film.
The acting is just as brilliant as the directing. This is mostly because the cast were out at sea in a fully working submarine while filming U-571. Actors such as Matthew McConaughey are truly brilliant. Fear and stress is ever present on their faces and highly emotional times come across brilliantly. Other actors such as Harvey Keitel are brilliant but Jon Bon Jovi is the biggest surprise of the film. He does a brilliant job with this film and you're left wondering whether or not that was truly him.
My main disappointment in the film was the musical score by Richard Marvin. Don't take that the wrong way, the score was good. However, at times it could have been just that little bit better. There were scenes where the music was raging but dead silence would have had a better effect on the audience.
I was also disappointed with the end of the film. As a fan of 1981's Das Boot I don't think the ending of any submarine film could ever be as good. However, that's not to say that the U-571 was bad.
All in all U-571 is a brilliant film that is well worth seeing. You'll be left on the edge of your seat as you wonder what is coming next. Twists and turns will at times leave you a tad confused but just add to the emotion that you have for the characters. This is the sort of film you have to truly see in the cinema with surround sound, however, I can imagine that the DVD will be superb! I give it 4/5 stars.
I saw U-571 last Friday.
I loved every second of it. Throughout the movie, I don't know who's knuckles were whiter; mine clutching the theatre seat, or the actors who grabbed whatever they could while being depth-charged.
This movie was pure non-stop action, from beginning to end. You are there, really there, experiencing the gripping fear of submarine warfare.
I believe that was the intention of the movie and if so, accomplished that superbly. I think the acting, camera work, and sound was excellent.
Now, regarding other issues.
The movie is NOT historical; it is fictional. It is based (loosely) on history (history being that there once were German and Allied submarines that fought in a war known as World War II, and that there was a German code machine the Allies called the "enigma").
Not only is it not historical regarding the event (the capturing of U-571 and the enigma code machine by Americans) but in many other areas such as what submarines of that era and their weapons could and could not do (such as dogfighting underwater with torpedo's).
Don't look for character development either. There isn't much. It's more like the first 1/2 hour of "Saving Private Ryan" (the landing on the beach episode ) throughout the length of the movie.
Thankfully, in my opinion of what a "war" movie should be, it was not muddled up with "love" scenes or anything stupid and mushy like most are. And also, thankfully, there wasn't "angel music" playing all the time. The second "trailer" was misleading in that it showed a ball-room dance, leading the viewer to believe there was some "love" interests, and played angel music, of which there was neither in the movie. It was just man-to-man combat and basic survival.
I hope everyone who sees it will enjoy it for what it is and not concentrate on, or blame it for what it isn't.
Enough analyzing -- Go see it! I suggest choosing a modern theatre with a big-screen and digital sound system.
Salut!
JG2"FireCat!
I loved every second of it. Throughout the movie, I don't know who's knuckles were whiter; mine clutching the theatre seat, or the actors who grabbed whatever they could while being depth-charged.
This movie was pure non-stop action, from beginning to end. You are there, really there, experiencing the gripping fear of submarine warfare.
I believe that was the intention of the movie and if so, accomplished that superbly. I think the acting, camera work, and sound was excellent.
Now, regarding other issues.
The movie is NOT historical; it is fictional. It is based (loosely) on history (history being that there once were German and Allied submarines that fought in a war known as World War II, and that there was a German code machine the Allies called the "enigma").
Not only is it not historical regarding the event (the capturing of U-571 and the enigma code machine by Americans) but in many other areas such as what submarines of that era and their weapons could and could not do (such as dogfighting underwater with torpedo's).
Don't look for character development either. There isn't much. It's more like the first 1/2 hour of "Saving Private Ryan" (the landing on the beach episode ) throughout the length of the movie.
Thankfully, in my opinion of what a "war" movie should be, it was not muddled up with "love" scenes or anything stupid and mushy like most are. And also, thankfully, there wasn't "angel music" playing all the time. The second "trailer" was misleading in that it showed a ball-room dance, leading the viewer to believe there was some "love" interests, and played angel music, of which there was neither in the movie. It was just man-to-man combat and basic survival.
I hope everyone who sees it will enjoy it for what it is and not concentrate on, or blame it for what it isn't.
Enough analyzing -- Go see it! I suggest choosing a modern theatre with a big-screen and digital sound system.
Salut!
JG2"FireCat!
First, don't call me crazy for the 7/10 rating. I over-rated this movie a bit, I figure I enjoyed it enough from a screenplay and acting prospective to give it only 4. I kept waiting for Bon Jovi to break out in song! However, I like Matthew M. and Harvey K. a lot (Bill P. not so much) and I thought in my mind they propelled (mind the pun) movie a bit for me. Also, my opinions on a film are based on the complete experience - story. screenplay, acting, effects, sound, etc. I find the soundtrack was great and so were the sets, camera angles etc. This created an enjoyable experience in my opinion. It's funny to observe, but if you read ratings on this title from home theater buffs - everybody thinks this is a great movie. But critics such as those on this site hate it. I'd like to think I appreciate films from all sides, therefore my 7/10 score.
As far as thrillers go, U-571 is a well made film. Although it's historical inaccuracies are awful, it still serves as a great theater experience. It won a well deserved Oscar for it's sound, which, in the right theater, makes the film well worth the admission. Sound is the key essential to U-571.
The characters are simple, the plot is simple, and the film probably won't haunt you long after you've seen it, but that's OK. Just sit back and enjoy the claustrophobic sets, the deafening sound effects, and the non-stop action for what it's worth.
The characters are simple, the plot is simple, and the film probably won't haunt you long after you've seen it, but that's OK. Just sit back and enjoy the claustrophobic sets, the deafening sound effects, and the non-stop action for what it's worth.
Le saviez-vous
- AnecdotesThe caption before the end credits, detailing the fact that the Royal Navy captured the first Enigma machine, was only added after an outcry in Britain, where it was believed that Hollywood was trying to claim the credit for the Americans (whose forces captured no German Naval Enigma material until 1944).
- GaffesAt the beginning of the movie when the U-571 is under depth charge attack from the British destroyer, the order is given to surface the sub due to damage. When they surface, the Captain reports "All clear!" and orders lookouts to the bridge. What happened to the British destroyer that was just attacking them? It should have still been nearby and would have seen them surface.
- Citations
Chief Klough: You're the skipper now. And the skipper always knows what to do whether he does or not.
- Versions alternativesAt least one version of the theatrical release contained no subtitles for the opening scene aboard the German submarine. This was possibly to increase dramatic effect, placing emphasis on the acting and visuals rather than the dialogue.
- ConnexionsEdited into Entre les mains de l'ennemi (2004)
- Bandes originalesLover, Come Back to Me
Written by Sigmund Romberg, Oscar Hammerstein II
(performed at the wedding reception while Dahlgreen is talking to Tyler)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- U-571: La batalla del Atlántico
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 62 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 77 122 415 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 553 310 $US
- 23 avr. 2000
- Montant brut mondial
- 127 666 415 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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