Central do Brasil
- 1998
- Tous publics
- 1h 50min
NOTE IMDb
8,0/10
48 k
MA NOTE
L'aventure émotionnelle d'une ancienne institutrice, qui écrit des lettres pour les analphabètes et d'un jeune garçon dont la mère vient de mourir, dans leur quête pour retrouver son père, q... Tout lireL'aventure émotionnelle d'une ancienne institutrice, qui écrit des lettres pour les analphabètes et d'un jeune garçon dont la mère vient de mourir, dans leur quête pour retrouver son père, qu'il n'a jamais connu.L'aventure émotionnelle d'une ancienne institutrice, qui écrit des lettres pour les analphabètes et d'un jeune garçon dont la mère vient de mourir, dans leur quête pour retrouver son père, qu'il n'a jamais connu.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 44 victoires et 26 nominations au total
Avis à la une
A wonderful film, that works on several layers. This is a film about a cynical woman who becomes a "mother" to a young boy who has just lost his mother. Through the course of this film, this woman, Dora, learns to love. The young boy, Josue, learns to live again. Each is so clearly delineated and so clearly defined that the film is a pleasure from beginning to end.
Central Station actually beat "Life is Beautiful" at some of the world's top awards ceremonies for that year, and you can see why. Its acting is superb, and Walter Salles' direction is with a masterly touch. The cinematography, evoking that desaturated, golden world of Brazil is beautiful - it's a lesson in itself on how to make an apparently 'gritty' world very beautiful. Watch this film.
Central Station actually beat "Life is Beautiful" at some of the world's top awards ceremonies for that year, and you can see why. Its acting is superb, and Walter Salles' direction is with a masterly touch. The cinematography, evoking that desaturated, golden world of Brazil is beautiful - it's a lesson in itself on how to make an apparently 'gritty' world very beautiful. Watch this film.
'Central do Brasil' is basically a road movie about a boy Josué (Vinícius de Oliveira) who just lost his mother searching for his father. He does this with the help of Dora (Fernanda Montenegro). She writes letters for illiterate people in the central station of Rio de Janeiro. Dora has a secret, she doesn't mail the letters. She knows Josué because he and his mother used to write letters to Josué's father and when his mother dies she takes care of him, although she has other intentions at first.
The movie is mainly about the relationship between the boy and the woman. Of course they meet people on the road. Especially the part where they travel with a truck driver is very good. We also see a little of the life in Brazil. This is a movie with a good story that is very well directed. The acting is terrific. Montenegra as the older woman and especially De Oliveira as the boy is very good.
The movie is mainly about the relationship between the boy and the woman. Of course they meet people on the road. Especially the part where they travel with a truck driver is very good. We also see a little of the life in Brazil. This is a movie with a good story that is very well directed. The acting is terrific. Montenegra as the older woman and especially De Oliveira as the boy is very good.
Great movie, warm and bittersweet. It somehow reminded me of
My Life as a Dog (1985) because it more or less deals with the
same issues, but we move from the Swedish North to the sunny
Brazilian South. Beautiful colors, great acting--Josue and Dora
make a wonderful pair and they really foil each other out. Almost
starts dragging a little before the end, but it picks up again. I highly
recommend.
My Life as a Dog (1985) because it more or less deals with the
same issues, but we move from the Swedish North to the sunny
Brazilian South. Beautiful colors, great acting--Josue and Dora
make a wonderful pair and they really foil each other out. Almost
starts dragging a little before the end, but it picks up again. I highly
recommend.
Central do Brasil has everything. You come expecting a story of a woman who takes care of a child in a harsh social milieu. You sit in disbelief as this woman shows herself to be a heartless opportunist, and as your expectations are being confounded, you begin to realize how this villainess came to be such a person. The boy she begins to help is also no innocent movie cherub, he has an endearing slyness and a will to survive despite the horrible tragedy he has experienced.
Their road trip is an odyssey from bad to worse, and you begin to sympathize. The characters they meet and the landscape they traverse give us in the north a flavor of Brazil which I cannot confirm as being authentic. But they seem as complex and beautiful and full of contradiction as the Brazilian music that I love. And the final destination for the boy (you're on the edge of your seat hoping things will turn out right) is not a happily-ever-after, but seems to indicate a new direction for the character.
If I sound overly sentimental (I'm sure I do) it's because very few films have moved me like this one. I watched it through three times and cried at the scene of Dora on the bus every time. The use of religious imagery, from the modern evangelicalism of the truck driver to the more unfamiliar scenes with the pictures of the saints (incredible camerawork here) added dimensions of complexity in a medium where Christianity is often treated either in a saccharine fashion or with heavyhanded disdain. See Central Station.
Their road trip is an odyssey from bad to worse, and you begin to sympathize. The characters they meet and the landscape they traverse give us in the north a flavor of Brazil which I cannot confirm as being authentic. But they seem as complex and beautiful and full of contradiction as the Brazilian music that I love. And the final destination for the boy (you're on the edge of your seat hoping things will turn out right) is not a happily-ever-after, but seems to indicate a new direction for the character.
If I sound overly sentimental (I'm sure I do) it's because very few films have moved me like this one. I watched it through three times and cried at the scene of Dora on the bus every time. The use of religious imagery, from the modern evangelicalism of the truck driver to the more unfamiliar scenes with the pictures of the saints (incredible camerawork here) added dimensions of complexity in a medium where Christianity is often treated either in a saccharine fashion or with heavyhanded disdain. See Central Station.
This film is uncommonly powerful, with very dark tones but bursting with hope and love. The main character, a jaded and bitter letter writer working in Brazil's largest train station (Fernanda Montenegro), is suddenly burdened with a kid who eventually wins her over. But unlike the common feel-good comedies with the same setup, Central do Brasil takes the viewer on a sometimes hopeless, openly vulnerable, and powerfully emotional journey. You can really feel the connection between the boy and his new caretaker – you can feel all of her emotions, really, because her acting is just that spectacular. The acting, the camera work, the soundtrack, and the beautifully written story all come together to produce just an amazing movie, well worth watching, that may just jerk a tear from your eye.
Le saviez-vous
- AnecdotesVinícius de Oliveira , a shoeshine boy, beat out more than 1,500 other young actors for the role of Josué.
- GaffesWhen Dora gets off the bus leaving Josue behind, she enters a diner, and in the view of the wall off to the side are three stacks of plastic red crates containing empty soda bottles. Following a quick cutaway and return to the same view, there's only one stack of red crates; the others are replaced by two stacks of larger milk-style crates of different colors.
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- How long is Central Station?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Estación central de Brasil
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 900 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 969 553 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 708 $US
- 22 nov. 1998
- Montant brut mondial
- 5 981 999 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Central do Brasil (1998) officially released in India in English?
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