Ajouter une intrigue dans votre langueThe adventures of two female superheroes.The adventures of two female superheroes.The adventures of two female superheroes.
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The only episode of this show I remember involved a female bad..uh...woman who had lots of spiders at her command. I know she was referred to as "queen of the spiders" and I think her name was Cleopatra, or some other historical name that really doesn't go very well with the title of arachnid all-mother.
That episode became the basis of many a Saturday afternoon. My sister and I would pretend we were trapped like Electra Woman and Dyna Girl were in this huge web with tarantulas everywhere (we were actually in a walk in closet with a tangle of old jump ropes and a smattering of plastic spiders from the dollar store).
Bout the only other things I remember about Sid and Marty Krofft is Dr. Shrinker and of course Land of the Lost. Really horribly cheesy stuff, and really strange...which probably explains why I can't remember very much of it.
That episode became the basis of many a Saturday afternoon. My sister and I would pretend we were trapped like Electra Woman and Dyna Girl were in this huge web with tarantulas everywhere (we were actually in a walk in closet with a tangle of old jump ropes and a smattering of plastic spiders from the dollar store).
Bout the only other things I remember about Sid and Marty Krofft is Dr. Shrinker and of course Land of the Lost. Really horribly cheesy stuff, and really strange...which probably explains why I can't remember very much of it.
This show will always be to me a female version of "Batman". The only difference was that the two leads were not a rich millionaire and his teenage ward, they were a pair of reporters and their version of Alfred was the scientist who invented the special bracelets they wore. I'm just surprised that Howie Horwitz, the producer of "Batman" didn't sue over this show because of its similarities to it, especially Dyna Girl's use of phrases like "ELECTRA WOW" which could have easily been a version of Robin's "HOLY'S". Also, it is very ironic that Judy Strangis was cast in this show. Her father, Sam Strangis, was one of several directors used for the Batman series. In fact, Judy once had a cameo appearance in one episode. This was definitely one of the Krofft brothers wildest creations.
Of all the various Sid & Marty Krofft endeavors, "Electra-Woman and Dyna Girl" is the one that sticks out in my mind as the grooviest. By total coincidence, it's also the only one to feature foxy babes in tight costumes, unless you count that one Bugaloo. The titular heroes are two gals who fight all evil deeds. They work for a magazine, hiding the life they lead. They don't have any super powers, save for the various Electra-gadgets designed by their lumpy live-in scientist Frank. Electra-Woman and Dyna Girl live together with Frank, who never leaves their basement. Their adventures don't make any sense. They're like fever dreams, with no logic to guide them. Each episode will have Frank introducing some new invention, and then a silly-beyond-words villain (like Glitter Rock, an incredibly annoying wannabe rock-star with a green afro and hypnotic music) shows up and the only thing that can stop them is? Frank's new invention. The bad guys always hide in abandoned theaters. Dyna Girl constantly uses "Electra" as a prefix, like "Electra-wow!" or "Electra-sneaky!", which makes me wonder why she isn't called Electragirl, or at least say "Dyna-wow!" Everybody acts like they're on drugs.
But for all it's pitfalls, it's great TV. I figured out why Sid & Marty Krofft are far superior to other live-action kids programming giants like Saban: They loved what they were doing, they weren't in if for the money. They might have had crappy effects, but they loved their crappy effects! They were proud of those shots of the Electra-Car taking off- so proud that they used it in every episode! They probably thought that optic flash when the gals changed into their costumes was the coolest effect ever. It didn't matter that their stories made no sense and they used the same sets over and over. They loved this sub-Batman camp. They loved Electra-Woman, Dyna Girl, and Frank. They even loved Glitter Rock.
In fact, now that I think about it, my respect for the Krofft Empire spans their whole body of work, except for maybe "Pryor's Place". I love the nutty drug-filled antics of H.R. Puffnstuff. I love Hoo-Doo, and Sigmund, and Dr. Shrinker, and I like Magic Mongo and the Far Out Space Nuts as friends. So the next time one of your high-minded contemporaries scoffs at the oeuvre of S&MK, you can tell them that they're scoffing at love, baby, and they can scoff all they want but they'll scoff alone! Those philistines! They'll never know the touch of a felt hand puppet, the passion of an over-the-hill child star, or the fragrant odor of sweaty, under-paid dwarf in a dumb looking sea monster costume. They'll never know about back when TV was good and every show summed up it's premise in the theme song lyrics. I weep for them.
Or not. Whatever. Never mind.
But for all it's pitfalls, it's great TV. I figured out why Sid & Marty Krofft are far superior to other live-action kids programming giants like Saban: They loved what they were doing, they weren't in if for the money. They might have had crappy effects, but they loved their crappy effects! They were proud of those shots of the Electra-Car taking off- so proud that they used it in every episode! They probably thought that optic flash when the gals changed into their costumes was the coolest effect ever. It didn't matter that their stories made no sense and they used the same sets over and over. They loved this sub-Batman camp. They loved Electra-Woman, Dyna Girl, and Frank. They even loved Glitter Rock.
In fact, now that I think about it, my respect for the Krofft Empire spans their whole body of work, except for maybe "Pryor's Place". I love the nutty drug-filled antics of H.R. Puffnstuff. I love Hoo-Doo, and Sigmund, and Dr. Shrinker, and I like Magic Mongo and the Far Out Space Nuts as friends. So the next time one of your high-minded contemporaries scoffs at the oeuvre of S&MK, you can tell them that they're scoffing at love, baby, and they can scoff all they want but they'll scoff alone! Those philistines! They'll never know the touch of a felt hand puppet, the passion of an over-the-hill child star, or the fragrant odor of sweaty, under-paid dwarf in a dumb looking sea monster costume. They'll never know about back when TV was good and every show summed up it's premise in the theme song lyrics. I weep for them.
Or not. Whatever. Never mind.
I have almost no recollection of any episodes of this show. Having said that I do remember that stirring feeling that my seven year old body underwent on those 8 odd Saturday mornings when Croft Supershow wasn't running Wonderbug. I didn't understand at the time why I was transfixed to the TV when it usually just provided background noise while I played with Legos. Those skin tight costumes even today shape my ideal of the female form. Well that and Linda Carters Wonderwoman. I don't know how I'd react to seeing repeats today. Perhaps I'd see them as Gatsby saw Daisy. The pale light of memory shadows all flaws. I'd probably think of them as cheesy. But damn those girls were hot!
Sid and Marty Krofft have been really criticized and even ridiculed in some circles for the shows that they created during the 1970s. However, I have many fond childhood memories of the happiness they gave me with shows like Lidsville and H. R. Puff and Stuff (I don't think I spelled that correctly). They even had a special on the E channel a couple years ago about Puff and Stuff and tried to say that there was a hidden message about marijuana use in it. In fact with their colorful use of puppets, wild colors and psychodelic ambiance, you could say the Krofft brothers were like Mister Rogers on Captain Kangaroo on LSD. People have said that the Krofft's were like Ed Wood. Their projects were so campy and bad that they were almost good in a sort of way. Let me come to their defense and say that even though their shows might be laughable by today's standards, what kind of standards do we really have today I ask? Especially when it comes to entertainment for our kids. Maybe when you watched Land Of The Lost and other shows you laughed at the crude special effects, cheesy costumes and sets and dialogue, but you could at least let your kids watch it. It brought them joy what is wrong with that. I was so happy when the wonderfully nostaglic TV land channel had a Sid and Marty Marathon recently. I loved watching Lidsville, Sigmund and the Sea Monsters and Land Of The Lost Again (boy the special effects were just like Jurassic Park ha ha). However, finding Electra Woman and Dyna Girl was to me like Howard Carter finding King Tut's tomb. It was a lost treasure. I have always loved Diedre Hall, my favorite show with her was Our House, I had no idea she had starred in this one as well. EWADG has a tremendous cult following, its amazing because only eight episodes of this show were ever filmed. Its worth it because it reminds me so much of the Batman show I loved as a kid. Right down to the colorful villians like the Sorcerer (a wonderfully hammy Michael Constantine) to Professor Frank who was really like Alfred the Butler. Yes folks just but your brain on hold and open the heart to the inner child. Sid and Marty did a really fine thing and have nothing to be ashamed of. I cannot think of her name but the young actress who played Dyna Girl did an amazing job. She reminded me so much of Robin especially with her "Electra" phrases, the way Robin used "Holy" phrases on Batman.
Le saviez-vous
- AnecdotesThe series was originally aired as 16 serialized installments on The Krofft Supershow (1976). They were later re-edited as eight standalone episodes, which went on to air sporadically on TV and blip on home video. The original "Supershow" edits are generally longer, but there are a few extended shots in the standalone versions. Only Empress of Evil: Part 2 (1976) is unchanged.
- Citations
The Sorcerer: Your attention, my kilowatt cuties!
- Crédits fousAbout 35 seconds into the show's titles the episode's villain is briefly seen, meaning there are six different opening credit sequences.
- ConnexionsFeatured in Land of the Lost: Dream Maker (1992)
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- Aussi connu sous le nom de
- Electra Bella y Dyna Chica
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By what name was Electra Woman and Dyna Girl (1976) officially released in India in English?
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