Ajouter une intrigue dans votre langueAs WWII nears its end, female inmates endure unimaginable atrocities at a Nazi camp. Trapped in a nightmare of abuse and experimentation, they struggle to stay alive. With Soviet troops clos... Tout lireAs WWII nears its end, female inmates endure unimaginable atrocities at a Nazi camp. Trapped in a nightmare of abuse and experimentation, they struggle to stay alive. With Soviet troops closing in, their strength is pushed to the limit.As WWII nears its end, female inmates endure unimaginable atrocities at a Nazi camp. Trapped in a nightmare of abuse and experimentation, they struggle to stay alive. With Soviet troops closing in, their strength is pushed to the limit.
- Réalisation
- Scénario
- Casting principal
- Kapo
- (as Mariella Forgivele)
- Magda
- (non crédité)
- Nazi
- (non crédité)
- Elena
- (non crédité)
- Erika
- (non crédité)
Avis à la une
The Italian nazisploitation sub-genre is one that I have some interest in given that it still seems incredible that there was an actual cycle of these kinds of movies. Even today they are pretty notorious and are not necessarily the kind of thing you would tell everyone you had spent time watching. But the way I see it is that in the 40's if Adolf Hitler and Heinrich Himmler had envisioned that thirty-five years in the future a bunch of low budget Italian film-makers were to depict their beloved Nazi regime as compromising of badly dubbed sexually deviant sociopaths in a bunch of z-grade exploitation movies, I daresay Adolf and Heinrich would have been mortally offended. So for this reason, I say hooray for nazisploitation. In fairness, it's a genre which is decidedly ropey and with some entries that are particularly unpleasant. But they are a historical oddity now and so seem safer to prod and check out with the benefit of hindsight.
Like the genre in general, SS Camp 5: Women's Hell operates under the women-in-prison bracket of film. In this one, the women are immediately divided into two groups by the Germans. Those that will work as forced prostitutes and those who will be used for human experiments. To this end, both the soft-core and horror bases are covered right away. Of the latter there isn't necessarily a lot but what there is is pretty sleazy and violent – a group of escapees are burned in one of the camp ovens (very unconvincingly to be fair), while a grim torture scene follows on from this where we witness all manner of delights such as a tongue being ripped out, fingers being burned, a stomach being shredded by a metal knuckle-duster and a head being crushed in a vice. The camp experiments themselves restrict themselves to legs being set on fire. None of this stuff is particularly convincing but it's the thought that counts and its pretty mean-spirited throughout. The soft-core stuff compromises of lashings of nudity and some rape scenes – if you're looking for erotica it sure isn't to be found here! Despite all this depravity, the most offensive thing about the film is the decision to include genuine death camp footage in amongst all this sleazy movie exploitation. Now, that is bad taste in the truest sense of the word and definitely not in a good way. On the whole, I enjoyed this one though. It's basically another slice of successfully unpleasant Italian Nazi exploitation. Its neither in the bracket of the most extreme of this genre, nor is it one of the softer ones; I would say it falls slap bang in the middle and could accurately be described as a textbook example of this kind of thing.
Basically a delivery of about 12 female prisoners arrives at (what I presume is) SS Camp 5, and they are divided into two groups; some for experiments, and some for a brothel. Some plot an escape, while the others suffer in various ways. As usual with these films, there is a kind of climactic shoot out and a handful of people have a happy ending of sorts. It's absolute garbage, and as another reviewer has put it, it's nowhere near as shocking as it obviously thinks it is.
The threadbare budget is made apparent by the number of inmates (those 12 women are the only ones in the entire camp it would seem), the sets (the lamest prisoner cabins and medical labs I have ever seen in a movie), and the special effects (some isolated burns experiments and some really inept torture methods which don't look like anything bad is actually happening, such as the loose wobbly headband that is supposedly crushing a girls head, or the fake fingers on fire, and finally, two truly dire scenes of victims supposedly being set alight in a furnace.
There is a LOT of full frontal nudity, but none of the actresses who undress are very attractive, so you need to be really undiscerning to get a kick out of this movie even in that department. That just leaves...what? The script? the acting? Sorry, it's no-go there too.
The most offensive thing about the whole affair is the decision to use REAL concentration camp stills behind the opening credits, and then some actual movie clips of real atrocities are shown while an officer describes the use that prisoners can be to the army. These two moments made me feel angry, because there are real people's relatives and family in those images, and yet here they are being used for nothing more than entertainment. A very unpleasant decision in a film that otherwise has no capacity to shock whatsoever.
If you are curious about the Nazisploitation sub genre of films, then try the first Ilsa movie or maybe The Gestapo's Last Orgy, which both actually have some substance - or even The Beast In Heat if you just want a laugh - but please give this one a miss.
Having presumably made a tidy profit from his infamous video nasty SS Experiment Camp, director Sergio Garrone went and did it all over again with SS Lager 5, another tasteless concoction of sex and violence guaranteed to offend the sensibilities of all but the most jaded Nazisploitation fan.
This one has all the ingredients one might expect—evil Aryan doctors, a lesbian head guard called Greta (Patrizia Melega), a sadistic lieutenant (Serafino Profumo), group shower scenes, a botched escape plan, one particularly plucky prisoner (Jamaican babe Alina, played by Rita Manna), and the brutal torture of numerous naked women (fingernail-pulling, head-crushing and tongue-ripping, oh my!)—but what makes it REALLY objectionable is its use of genuine concentration camp photography during the opening credits (an eye-opener of an introduction if I've ever seen one) and, later on, authentic death camp footage depicting the unceremonious dumping of corpses in mass graves.
This shameless plumbing of the depths of taste and decency in the name of entertainment make SS Lager 5 one of the most effectively nasty films of its ilk.
Le saviez-vous
- AnecdotesFilmed back to back, on the same set as Horreurs nazies (1976) using most of the same principal cast. Some scenes are even copied shot for shot, such as where the female prisoners are driven into the camp in an Army truck.
- Citations
Dr. Carl: [addressing the newly arrived prisoners] You are here for science and for the comfort of our heroic soldiers. Your life as leeching parasites on the German Reich has placed you high on the list of undesirables. However, here you will be given the opportunity to be useful to the Fatherland and the honour to be of service to its glorious pursuit of its final victory. You will find that you'll be expected to show your gratitude with your complete and immediate obedience to orders. Hesitation or refusal to perform any task assigned to you will be considered a rebellious act and appropriate punishment will follow. Proceed, Kapo.
- ConnexionsFeatured in Nazithon: Decadence and Destruction (2013)
Meilleurs choix
- How long is SS Camp 5: Women's Hell?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- SS Camp 5: l'enfer des femmes
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 36 minutes
- Mixage
- Rapport de forme
- 1.85 : 1