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IMDbPro

Like It Is

  • 1998
  • Not Rated
  • 1h 37min
NOTE IMDb
6,4/10
1,8 k
MA NOTE
Like It Is (1998)
DramaRomanceSport

Ajouter une intrigue dans votre langueA tough young boxer struggles to come out in England. Having travelled to London, from his smaller town, he meets and falls for a twenty-something music producer. But love doesn't come easy.A tough young boxer struggles to come out in England. Having travelled to London, from his smaller town, he meets and falls for a twenty-something music producer. But love doesn't come easy.A tough young boxer struggles to come out in England. Having travelled to London, from his smaller town, he meets and falls for a twenty-something music producer. But love doesn't come easy.

  • Réalisation
    • Paul Oremland
  • Scénario
    • Robert Gray
    • Paul Oremland
    • Kevin Sampson
  • Casting principal
    • Steve Bell
    • Dani Behr
    • Ian Rose
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,8 k
    MA NOTE
    • Réalisation
      • Paul Oremland
    • Scénario
      • Robert Gray
      • Paul Oremland
      • Kevin Sampson
    • Casting principal
      • Steve Bell
      • Dani Behr
      • Ian Rose
    • 29avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos9

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    Rôles principaux48

    Modifier
    Steve Bell
    Steve Bell
    • Craig
    Dani Behr
    Dani Behr
    • Paula
    Ian Rose
    • Matt
    Tony Van Silva
    Tony Van Silva
    • Fight Loser
    Paul Broughton
    • Minto
    Chris Hargreaves
    Chris Hargreaves
    • Tony, Craig's Brother
    • (as Christopher Hargreaves)
    Sean Simpson
    • Jack
    Suzy King
    • Amy
    Ursula Lea
    • Sonya
    Charlie Caine
    • DJ Terry
    Suzanne Hall
    • Train Girl
    Stephen Burke
    • Luke
    Dickon Tolson
    • Dirty Dave
    Roger Daltrey
    Roger Daltrey
    • Kelvin
    Paul Doust
    • Doctor
    Jude Alderson
    • Gloria
    Emile Charles
    • Aylon
    Bill Davey
    • Man in Bar
    • Réalisation
      • Paul Oremland
    • Scénario
      • Robert Gray
      • Paul Oremland
      • Kevin Sampson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    6,41.8K
    1
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    9
    10

    Avis à la une

    mermatt

    Choppy but interesting

    I found the plot of this film very choppy, even unbelievable. For example, a stolen car plot thread is brought up and then dropped. There is also some awkward staging such as bright lights in bedroom shots where people are supposedly asleep.

    The story of a young bare-knuckles fighter who has to deal with the fact that he is gay is interesting. The point is that love wins out over money and macho. The performance by Steve Bell is what makes the movie worth seeing because he is able to project a sweet, winning personality beneath his tough-guy exterior.
    guilfisher

    Well acted and directed movie

    I did like this movie. Directed by Paul Oremland, hopefully not his last, he brought truth and fine acting by a not so famous cast, to the fold. It was a low budget made film, but the writing, by Robert Gray, was top notch. It proves you can tell a beautiful love story without the glitz and millions of dollars. I think Mr. Oremland was in love with his story and his cast. He gave it such beautiful and heartbreaking moments. His interview on the DVD explains why he did the film and why he had such a strong connection in filming it. He also explained how he found the leading man, Steve Bell. Bell is perfectly cast as Craig, a young boxer from the skids who is not only fighting in sleezy matches but fighting his coming out as a homosexual.

    He seemed so natural, they claim he actually had done some boxing in real life, you believed him from the start. Watching his opening up in his relationship with a pick-up, played by the beautiful Ian Rose. Rose also gave a truthful and lovely performance as he too found himself in his relationship with Craig. They played their scenes together quite well, including their nudity scenes.

    Other cast members were Dani Behr, who played such a selfish girl-friend to Rose, I wanted to slap her. What a witch, and I use the term lightly. Then there's Craig's brother, well played by Chris Hargreaves,

    who learns his brother is gay and supports him and his choice. Kind of brother every gay guy wishes he had. Roger Daltrey played another sleezy character in this film. I'm not quite sure whether I disliked his acting or his role the most. I didn't like him in this. I'm one who didn't know who he was. Not a THE WHO fan obviously. So I can't compare him to anything, but what he did in the film. Maybe Mr. Oremland felt he needed a name? I thought Daltrey overacted. But, that's a minor flaw in this wonderful movie. The story, acting and directing all make it worthwhile in renting the DVD. Go and do it like it is.
    pkeets

    Paul Oremland shows a lot of talent in this debut.

    Paul Oremland shows signs of being an excellent director. There are some awkwardnesses in this film that should have been reshot, but also many of the scenes are excellent, and especially the street scenes seem true to life and very atmospheric. Except for the fight scenes, this movie could cross over and be enjoyable for women. I'd love to see what Oremland can do with a larger budget.
    7JackH

    Enjoyable 'coming-out' tale set in the Blackpool's violent underworld.

    This surprisingly good debut from director Paul Oremland follows the story of bare-knuckle fighter Craig (impressively acted by British amateur featherweight champion, Steve Bell) as he abandons his violent life in Blackpool's underworld and finds love and disillusionment in London's gay clubland.

    As with many debuts, part of the fun of this film is trying to trace Oremland's influences. There are heavy reworkings of the "Breaking Glass" scenario (1980: Brian Gibson), with the action of "Like It Is" relying on the same devices: the buying of records from particular stores in order to make a record enter the music charts (a hideously corny nineties style boy -band); the predatory boss-figure (played with worrying believability by Roger Daltrey); and the casual drug-taking. Elsewhere, the relationship between Ian Rose's record producer and the naive Bell reminds us of that between the Gordon Warnecke and Daniel Day Lewis characters in "My Beautiful Launderette" (1985: Stephen Frears) although, like all Oremland's 'borrowings' this is given a powerful nineties twist, concerning itself not with a racial divide between the lovers, but a cultural one in the macho, 'don't call me queer' stance of the Northerner and the 'glad to be gay' hipness of the Londoner.

    This is a slightly awkward film but Oremland cleverly sidesteps the usual cliches that so often marr well-intentioned yet cringe-worthy gay drama. The performances of both Bell and Daltry are absolutely first-rate, whereas Rose is satisfactory even if I couldn't quite believe someone throwing up their life to follow him across the country after a one-night stand. Behr is just plain annoying -- although, it must be said, her character is anything but likeable, so how much of this lies with the actress herself is open to debate.

    As a coming-out tale, "Like It Is" is a little too sugar-coated for my tastes: I found the reaction of Bell's elder brother, on finding out his predilections ("Thank God!") rather unbelievable -- as was Rose's telling him in the first place. Surely, as an experienced gay-man, Rose would have more sense than to go into a strange man's home and out his brother -- especially when the aforementioned stranger is standing between him and the door.

    But these are minor niggles -- as a debut film, this is a highly enjoyable effort and well worth seeing. Contains swearing, drug-taking, nudity and sex scenes. 3½ out of 5.
    10dutchtom1

    One of the better 'gay' themed 90s movies

    Early on into the movie one becomes interested in the story and what will follow. The actors give charming performances and their conflicting interests are dealt with credibly. The film consists of a well balanced blend of drama, humour, fast paced action, and gentler quiet moments. Blackpool is visualized as bleak in comparison to brightly lit London; which symbolizes an environment of repression and brutality in contrast to a more liberal and sophisticated environment. The effect this change of setting has on the main character, is the red thread of the movie. He wants that change but, his character is still very much rooted in the Northern village mentality, albeit combined with a very appealing innocence. A straight audience that criticizes the film because the main characters are gay, and therefore cannot identify with these characters and declare it flawed, only reveal their limited imagination and intelligence. Also one must not ignore other important themes such as jealousy, the North / South divide, fast love against long term relationships.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Citations

      Matt: Go fuck yourself, Kelvin.

      Kelvin: I frequently do! And I fucking enjoy it!

    • Bandes originales
      Do I
      Stealth Club Mix

      Performed by Denise Gordon, Gifted

      Written by Carl Turner

      Published by Gut Music / Hit and Run Publishing

      Mixes - Radio Edit, Necromonic, Distant Drum

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    FAQ15

    • How long is Like It Is?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 avril 1998 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Olduğu Gibi
    • Lieux de tournage
      • Old Compton Street, Soho, Londres, Angleterre, Royaume-Uni
    • Sociétés de production
      • Fulcrum Productions
      • Channel Four Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 94 943 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 69 426 $US
      • 11 déc. 1998
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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