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For those who can make the necessary suspension of disbelief and contend with the depressingly dark ugliness of this drama, "Buddy Boy" will prove to be a captivating and disturbing look at the troubled life of a homely, introverted, socially inept, stammering young man who dutifully tends to a disabled, alcoholic, and abusive mother while window peeping at a beautiful neighbor. Somewhere between quirky and surreal, "Buddy Boy" is a compelling character study which waxes doggedly toward a somewhat anticlimactic conclusion. Not for everyone, this flick is most likely to be appreciated by those who are into quirky dramas for quirkinesses sake.

The stutterer Francis (Aidan Gillen) is a lonely religious man that works processing photos and lives with his abusive stepmother Sal (Susan Tyrrell) that is invalid in a gloomy apartment. Francis has a dreadful solitary life and he works, takes care of Sal and goes to the Catholic Church and his relief is his faith in God. Francis is also a voyeur and spends his nights watching a beautiful neighbor in another building through a hole on the wall from the back stairs of his building and masturbating later.

One day, Francis stumbles with the woman that is being robbed by a thief on the street and he helps her. She introduces herself as Gloria (Emmanuelle Seigner) and invites him to have dinner with her. Gloria explains that she is vegan and soon they have a love affair and Francis loses his virginity with Gloria that loves him. But Francis becomes obsessed to watch Gloria and he believes that she has other men and is cannibal, eating the flesh of her lovers. The schizophrenic behavior of the delusional Francis makes him see weird things in Gloria's apartment.

"Buddy Boy" is a bleak tale of schizophrenia, with a dark story of a religious man that becomes insane and delusional. The director and writer Mark Hanlon makes a weird independent movie following the style of David Lynch and makes a tribute to "The Tenant", "Rear Window" and "Blue Velvet". It is unbelievable that "Buddy Boy" is the only work of this promising director. Aidan Gillen, Susan Tyrrell, Emmanuelle Seigner and Mark Boone Junior have exceptional performances. Emmanuelle Seigner is still in the top of her beauty and is difficult to find a reasonable reason for her love for the weird Francis. The colors in this movie are very dark, especially in the dingy apartment where Francis and Sal live. My vote is seven.

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A bumpy story, but this is a good thing. I found myself saying, "What the....?" several times. After a slow start, the plot adds new ingredients which steer us into the muddy waters of a man's wild delusions and his equally bizarre reality. The lines blur without warning and the film securely carries us out of the normal boundaries and trappings of life. Well acted and written while the directing lacked nothing. To see Emmanuelle Seigner again (Ninth Gate) was a pleasant surprise. I'd probably need to see this one again. I liked it. 7 of 10

1st watched 4/5/2007 - 7 out of 10(Dir-Mark Hanlon): Disturbing and fascinating story of a recluse who does nothing except take care of his ailing step mother until he meets his next door neighbor who he happens to be peeping at thru a hole in his basement on a daily basis. The peeping continues despite the fact that she falls in love with him and they spend many evenings together. She openly confesses to being a vegan, but Francis(the recluse) starts seeing things thru his peep hole that makes him think otherwise. Francis's life has been mixed up for awhile. His real mom&dad are dead -- his step mom is crazy & crippled, he lives a mundane life where he goes to work on the same bus everyday and doesn't really interact with people and knows very little about women until his next door neighbor comes along and disrupts his simple boring life. There is also a religious aspect to his life that does nothing but confuse him and gives him somewhere to confess his sins, but does nothing to help him in real life. Despite this, everything is going along OK until his step mom accidentally kills his boyfriend and Francis suspects his neighbor is killing men in her apartment and having a little snacky-poo from the remains(which is technically not being a vegan). OK, now that I've said this much, I still hope you will see this well done independent movie. It's compelling, creepy and a nice study on human existence for a few mixed up people.

This disturbing and hilarious film achieves a delicate balance of the macabre and the absurd. At times it approaches satire, but its ultimate dramatic intensity belies a more serious study of faith and alienation. The performances of Aidan Gillen, as Francis, the lonely introvert voyeur, and Susan Tyrrell, his abusive mother, are exceptional. The production design and cinematography together create a strange and haunting world. One particularly interesting element is the use of sound to convey the protagonist's changing psychological perspective. Overall, this film has the unusual characteristic of staying with you long after you've seen it. I would highly recommend it.

Buddy Boy is a psychological thriller on the same scale of Roman Polanski movies. While seeing Buddy Boy it immediately reminded me of a particular Polanski movie, The Tenant. Both stories deal with men looking abroad to the windows of others and noticing bizarre happenings. Thus causes the men to slowly go insane and therefore indulge themselves within their own insanity.

The story deals with a stuttering young man who is very reclusive and lives with his stepmother. He spends most of the time locked in his room. A perverse pass time of his is to look inside the apartment of a beautiful woman, played by Polanski’s wife, Emmanuelle Seigner. He falls in love with the woman’s image without knowing her. As the story develops they eventually meet and become friends. The young man continues to spy on the woman due to his lack of trust in her. As he peeps into the woman’s apartment, he begins to notice that she cooks human flesh and eats it raw. He goes over the woman’s apartment, only to discover that she is eating vegetables, I forgot to mention the woman is a vegetarian. The young man begins to think God hates him for making him see terrible things. Apparently the only time he sees the acts of cannibalism is when he is at his Peeping Tom area. This is the beginning of one man’s decent into madness.

I expected to see a particular type of stylish psychological film, instead I witnessed something more disturbing than what I usually see. Nevertheless it was an interesting movie. The style is ugly, its not elegant it’s simply ugly. So far I have not learned to like this particular style, I prefer something more elegant, meaning I dislike movies that take place in the rural areas of a metropolitan city. Despite the settings I thought the film was decent. It’s definitely a change of pace horror film instead of watching the typical teenage slasher Hollywood flicks. Which I don’t see but I’m sure they are terrible. Buddy Boy is a film that allows you to have your own conclusion, it doesn’t give you the ending, you create it yourself by what you saw from the flick.

Dark and quirky film about a real introvert that stays home to take care of his mother. He's extremely lonely and frustrated by his life and spends his time spying on his attractive neighbor. Sounds like a creepy film and it is but Susan Tyrrell who plays his mother is just terrific. Her performance elevates this film from a throw away to a real curio! Tyrrell has made a career out of playing these incredibly offbeat roles and no one does it better. One of the frustrating things about the story is when Emmanuelle Seigner's character is somehow attracted to Aiden Gillen and he doesn't seem to appreciate it. Then his paranoia starts to take over and he thinks she's a cannibal. Film has one of those ambiguous endings and its up to each viewers taste as to how you'll react to this. But Tyrrell is a standout. Former child actress Linda Manz (Days of Heaven, The Wanderers) appears in the film as well.

A dark and disturbing film about Francis (Aiden Giillen), who lives a lonely introverted holy life with his bed-ridden stepmother Sal. But all is not what it seems, and the twisting plot of this story manages to make you feel very uneasy. Most of the time you find yourself on the edge of your seat trying to map out the film, but the unexpected twists and turns and the addition of odd and frightening sub plots make this film addictive from the first minute. This is a film that will stay with you for a long time after you have watched it. It is quite frankly terrifying and spooky at times, when Francis' neighbour, a strict self-proclaimed vegan, who he grows to love, is not all she seems when she is seen hacking away and eating raw meat, which is concerningly similar to a piece of human flesh. The film leads to an underlying and alarming suspicion of cannibalism, violence and murder. At the same time, freaky sub plots emerge and a startling shock appears when Francis' stepmother Sal becomes involved with a plumber, and after an incident emerges, Sal is not all she appears to be. The further involvement of another curious subplot about an abducted girl who Francis keeps seeing, adds even more suspense. The Plot thickens when you're left with the feeling that Francis may be imagining things, but is he? I loved this film and the ending is a brilliant and extremely scary, and leaves you wondering. I found myself asking everyone I knew if they had seen it just to hear their theory's about what was going on. Without a doubt a must see film.

Buddy Boy has been somewhat forgotten over the years, but it's worthy of a look for art film fans.

A stuttering anti-social man named Francis spends his days working at a photo shop and caring for his invalid mother, but when he becomes obsessed with the neighbor he spies across the street, his life begins to make a change for the surreal and nightmarish.

While the performances are strong all around and the visuals are interesting, Buddy Boy can be a bit of a slog to get through with its slow pacing and nonsensical plotting. It's somewhere between kitchen sink melodrama and David Lynch mind bender and it doesn't always balance it as well as it should.

Things get stranger as the film goes along, but it leads to a bizarre, anti-climactic conclusion that'll leave most viewers with more questions than answers.

I really enjoyed the film. I loved the repetition of shots and the plot twists. At first the film looked like it was going to be somewhat normal but then it turned into a darker, more twisted view of human nature. I felt that I was guessing what was going to happen next and had theories in mind before the ending came. And what an ending it was! I have a feeling I'm going to have to watch it again at least once more before I can come up with any solid theory. I give it an 8-9 out of 10.

Buddy Boy is strange film to get a hold of. It has very stylised production design and cinematography, and is quite slow to start but once it gets going, it becomes a very unique film. Francis is the main character. An introverted guy with a stutter who goes to a catholic church, works in a photo developers and lives with an old woman called Sal. Towards the beginning of the film, it builds up our information about the character using cinematic technique, rather than dialogue. The main crux of the film is formed when he meets a woman, Gloria and gets involved in a relationship with her. The film continues with a subplot about a missing child and a man who came in to fix a leaky pipe that keeps coming back and hanging out with Sal. The relationship between Francis and Gloria being the main plot, it takes a darker twist and we get lots of religious imagery, talk of God, hypocrisy and vegans. This is comes together to make quite an intriguing film, that whilst it doesn't quite seem to all gel together, is a worthy effort, and results in a better than average film.

Writer/director Mark Hanlon's first film is a quirky little that that is unpredictable.

Francis (Aidan Gillen) works in a photo-mart during the day and takes care of his semi-invalid mother at night. Is it really his mother? I'm not so sure.

He finds a peephole to spy on Gloria (Emmanuelle Seigner) and his masturbatory acts increase. Soon, he has many more sins to confess as Gloria somehow falls in love with him.

Now, Gloria is supposedly a vegan, but she has this nasty secret that Francis finds out about, but can't prove.

But, there is more strange things going on as a missing girl keeps popping up, and a dead body even ends up in Francis' apartment.

What is real? What is imagined? You'll definitely have to decide that for yourself.

This film offers such a vivid depiction of mental illness that I found myself slightly disturbed after I had done watching it (I'm OK now, though!!) It will appeal to those who are fans of unsettling psychological horror that explores one person's mental state. Other films that I'm sure this one carries the influence of, include: "The Driller Killer", "Psycho", "Bad Boy Bubby"...

I'm no psychiatrist, but it struck me how it might be possible to get so wrapped up in one person, that you begin projecting your issues onto them once they've let you down; because up until then they'd been the only reliable, stable figure in your life. Throw in religious crises, which have the ability to make you even more uncertain, and you've got the recipe for one seriously messed-up individual. There is imagery contained within to turn your stomach and make your head spin. Take a chance on "Buddy Boy" if you're in the mood for a walk on the wild side; I just hope you come back unscathed... !

Buddy Boy is an amazingly twisted and brilliantly written piece. Hanlon is obviously a man possessing exceptional skill and an enviable creative mind. The film requires that its audience possess the intelligence and acumen in order to appreciate its complicated, dark beauty. One can only hope that he continues to provide the movie-going community with such wonderfully challenging material.

I know there are not many votes on this film but if there were it certainly would have a higher rating then a 6.0. The acting is excellent all the way around, the numerous plot twists and turns keep the viewer enthralled from beginning to end, and it leaves one with many questions to ponder afterward.

As Francis' (Aidan Gillen) emotions begin to unravel it will blow your mind into the unavailing that comes about in the end. If you are a simple minded individual that enjoy movies for the loud explosions and eye candy this one may not be for you. This is in a class of maybe about a dozen movies that I couldn't get out of my head for days after viewing (Requiem for a Dream, Mysterious Skin, There Will Be Blood, American History X, The Machinist, The Wrestler, The Shawshank Redemption, Road to Perdition, The Green Mile, The Prestige, Unbreakable, Revolutionary Road, Amores Perros, Happiness) Also Emmanuelle Sieigner may have the sexiest voice/accent that I have ever heard. She's a real babe in this one.

Highly Recommended: 9.5/10

Seen it 3 times. As deep and disturbing reality gets in the underbelly of the lower class. A true gem if you like psychological thrillers... Enjoy!

This is an uncomfortable movie to watch. Not because of any of it's artistic qualities, but because of the viewer's immersion into a greasy, sickly environment that becomes real enough to smell. Aidan Gillen and Susan Tyrrell are both great. I'm wondering why I haven't seen him in big budget films unless it's because he does remind one of Edward Burns (not a bad thing). I very rarely enjoy what might be considered a horror film because the characters often do things that are so stupid that I am often relieved when they finally meet their ultimate demise. Not so here. In addition to the acting, it is well directed, written, and filmed. As my summary line hints, this seemed to be bits of other movies combined pretty gracefully, and is well worth seeing.

Loved it. Sensitive depiction of schizophrenia. And, of course, a multitude of other subjects that keep us wondering about the existence of God and the role of religion. Superb acting by all. Susan Tyrrell is simply amazing as Sal, and so is Aidan Gillen, as Francis, the protagonist, who cannot differentiate between what is real and what is not, and his eventual acceptance of that. Emmanuelle Seigner (who is married to Roman Polanski) is also terrific, with a subdued performance. Beautiful sets and lighting. Lush scenes of healthy food will make you hungry, and contrast beautifully with visions of cannibalism. We are forced to face our beliefs in God, and whether you believe in God or not, what we see is a depiction of a God that is cruel and selfish. What else could it be? Brilliant.

Good atmosphere, acting, plot.

interesting theme. felt like a really candid, genuine film, where the director's narrative and intentions are mysterious and the content engaging.

wish i got to know more in the end, but i'd recommend this movie.

Having just finished seeing this film I came to the message boards for answers, and only found others seeking the same thing. A vivid hallucinatory dream can feel like reality, with the imagery powerful, but undecipherable even to the dreamer.

I conclude that this film was of this genre, a nightmare made into a public event, a film to be seen by all who can take it. Given the genre, given that it is valuable for someone to be into someone else's nightmare rather than their own, it is an admirable work of art. We go wrong when we ask for real world logic, where the bodies of large dead men do not disappear, and may not be taken away piece by piece on a bus. Dreams follow no such logic. They are there to allow a reconfiguration of reality into some kind of a resolution.

The central riveting element for me was Francis' love affair with Gloria. She was luscious, kind, accepting, admiring and always there for him. (If that's not a clue that this is a dream fantasy, then what is?) His sexual pleasure was best when at a distance, through a telescope, only to be made flesh onto flesh with fear and reluctance on his part.

There is a great word "verisimilitude" that describes the degree that a dramatic presentation approximates reality. It is usually considered a necessity, even though each work is allowed a degree of poetic license to vary from this for the purposes of dramatic effect.

"Buddy Boy," gets zero on the verisimilitude scale of actual life, as Francis is right not to believe that a girl like Gloria could actually love him. But this scale of realism has a different set of rules in nightmare films such as this. The only reality that must be sustained is emotional engagement, a working out of some unknown outside existence through the flashes of imagery that both intrude upon and advance the dream work.

Francis, whoever he is when awake, is a suffering human being forsaken by God, family and the world around him. He also has come to believe that Jesus, whom he says gave his life for love of humanity, actually despises him. It is a world of kidnapped children whom he can not save, and vegans who kill and eat human beings.

And yet, in the midst of all of this horror, he found someone to love him. No wonder he is reluctant to wake up.