Our Mutual Friend

This adaptation of Our Mutual Friend is on a par with the BBC 's Bleak House, which was very impressive indeed. As with all of Dickens novels, a ninety minute movie can do them little justice. It was therefore wonderful to see how the director used the six hours to great affect in 'Our Mutual Friend'. The adaptation has no weak or flat spots, and the actors are without question perfect for every character, my own favourites being Mr Boffin, the loch keeper and the 'one legged man. Without detracting from the acting or plot line,the director gives us a sumptuous visual feast, without becoming too 'Dickensian'. I am biased by believing there is no greater creator of story lines and characters than Charles Dickens, and had he been alive today he would have undoubtedly been very heartened at this attempt to bring his genius to the screen.

I saw this as soon as it came out on Masterpiece Theater and loved it! All the actors did a wonderful portrayal of the characters. (one of my particular favorites is Mr.Venus) The Boffins were superb, Lizzie was fabulous, everyone had the BEST facial expressions! . . . I could go on forever! :o) If you haven't seen it, you definitely should. It is really worth the full 6 hours.

Our Mutual Friend is mostly about stalkers (there are seven). And not only dudes obsessed with beautiful women, but greedy rogues tracking down any embarrassing secrets in the lives of rich public figures, or jealous rivals shadowing their opponents.

Dickens was already fascinated by the idea that we cannot really know what goes on inside the hearts of our fellow men, and Our Mutual Friend further complicates this theme by incorporating the devious facades of high society and its occupants. From a pair of sycophantic social climbers to a one-legged man of letters, no one is what they seem.

As an adaptation, this six-hour TV film is near-perfect, cutting only the most superfluous subplots (Fascination Fledgeby, for instance). The minor characters almost steal the show, providing a coterie of wonderfully mad Dickensian eccentrics (it's hard to pick, but I think my favorite is Timothy Spall's lovelorn Mr. Venus, closely followed by David Bradley's hawkish Rogue Riderhood.)

But the main characters win the day. Our Mutual Friend contains several of the most beautiful relationships I've seen in period drama, thanks chiefly to the talent and charm of the principle actors. The sublimely beautiful Bella Wilfer is a splendid mix of pettiness and elfin charm. Lizzie Hexam is a bit too idealized and posh, but I'm sure old man Dickens would approve. Rokesmith combines mystery and ambiguity with an appealingly quiet dignity. Eugene Wrayburn, on the other hand, is wildly self- destructive and irresponsible, barely pardoned by his waggish charm. Perhaps the best performance of all is Mr. Headstone's, the passionate schoolmaster crippled by insecurity and pride.

The complexities of the plot are also fascinating to negotiate...romance, drama, and obsession thread their way through a ridiculously tangled web of inheritance, blackmail, and murder.

Also, Bella Wilfer's dresses are about the most gorgeous thing ever. If you're a period drama fan, this, my favorite Dickens adaptation of all time, isn't to be missed.

Longer review here: http://www.longview95.blogspot.com/2014/07/our-mutual- friend-review.html

Our Mutual Friend is my favourite on-screen adaptation to date, and there are obviously some weighty contenders.

I appreciate that some people think there are too many characters, but most Dickens books are full of many and varied, wonderful characters and I think that Sandy Welch mastered the quantity in adaptation, without cutting out important characters and then sewing the plot closed around them (I still mourn the loss of Orlick from Lean's 'Great Expectations').

The casting and acting in Our Mutual Friend is superb and I feel slightly guilty to pick out certain actors above the rest so I will choose only one to shower with praise, David Morrissey, who performed with such convincing emotional rawness that I hoped for some kind of redemption for Bradley Headstone.

The opening scene gave me goosebumps when it first came on the BBC in 1998 and it sometimes has had that effect since, despite repeat viewings. The atmosphere captures the murk and mystery of the Thames and illustrates the ghoulish occupation of the boatmen.

This murk is matched with some scenes of great beauty, lavish outdoor scenes which celebrate the English countryside, great houses, colourful costumes and the chocolate box cottage. This serves to contrast against the stench of the dust heaps and the grime of Mr Venus's home.

Dear BBC, can you have Sandy or Andrew adapt Dombey and Son sometime soon?!

Fine adaptation of a powerful Dickens novel, full of the frustrating spectrum of strengths and weakness inherent in every Dickens story; from the powerful rage he expresses in documenting social injustice, to his goody-two-shoes pedestal-bound heroines. It's about class, love, the river, London, and it's full of great scenes and haunting visuals: witness a tormented Bradley Headstone stalking Eugene Wrayburn through the streets of the City at night. The length of the series does the work justice; the casting is outstanding – expect no less from any good BBC adaptation. The always excellent, underrated Stephen Mackintosh brings complexity and delicacy to his John Rokesmith; Paul McGann gets the best lines; and the entire cast brings the writing to life in a good-looking production - who cares if perhaps it all looks just a tad better than it should. A staple in my DVD collection, highly recommended.