Premutos

I enjoyed the previous Ittenbach movie that I'd seen, "Burning Moon". But while that movie was rather grim and nasty, "Premutos" seems to mostly play it for laughs. While its admirable how Ittenbach made this movie with no money in his spare time (and the DVD documentary is worthwhile to see this), I found myself constantly battling not to fast-forward to the next gore scene. Sure, there's gore, and if that's all you want then go ahead and enjoy. But be warned: there's an inordinate amount of lame comedy and tedious story exposition. Many are comparing this to Peter Jackson's movies, especially "Braindead". But looking at what Jackson did on a similar budget in "Bad Taste", it's clear Ittenbach is lacking one thing that Jackson has - talent. 3/10 (for pretty good and plentiful gore effects, and for getting the most out of limited resources - but not worth the money I paid for it)

Ever Wonder what could have happened if Peter Jackson and the legendary, Andreas Schnaas had gotten together to co-direct an outgageously morbid splatter-piece (with humorous dubbing) that would impress, if not shock even the most hardened of gorehounds? Me either, but if such a thing had ever happened, such a love-child of exploitation would have no doubt, been named Premutos: Lord Of The Living Dead.

As it would turn out, Lucifer is not the only fallen Angel, in fact, he's not even the first. There have been two others. This apocalyptic tale revolves around the first to get a swelled head and turn on God. The Lord of the living-dead, Premutos has been summoned to wreak bloody havoc on humankind, off and on throughout history.

Then there's Matthias. This poor guy has been plagued with traumatizing visions all week. Every time Matthias gets banged up, he's temporarily transported to certain era's involving Premutos, including the middle ages, the crucifixion and World War II. And considering how much the hapless Matthias gets banged up, it's been quite a week.

These flashbacks also speak of atrocities of the future, and when Matthias's homeless-looking/military-enthusiast father throws some book into the equation, Premutos's, somehow, is able to return to Earth (I never said it was coherent), along with the living dead, leading to the ultimate apocalyptic bloodbath, or at least something similar.

Then there's the gore, let's talk about that for a second. I, for one, am extremely impressed. We're talking non-stop, jaw-dropping gore, not quite as gory as Dead Alive, but what is? Actually, Premutos ain't all that far off. Probably the 4th or 5th goriest movie I've seen. Cheap, and excessive to the point of cheesiness (not unlike the acting), and I wouldn't have it any other way. If you consider yourself a gorehound, your collection will never be complete without Premutos.

What a swell little movie. Really, just a pitch-black delight, no matter how you look at it. As a long-time collector of the gory and the obscure, finding something this hardcore makes all that searching well worth it. As far as 90's B-horror goes, Premutos is just about as good as you're going to find, not that that's saying much, considering the 90's was the worst period in B-history, (the dark ages) if you will. For more morbid apocalyptic Horror, Burial Ground or Leif Jonker's Darkness should do just fine, although, neither are near as much fun as Premutos. I can't recommend this inept gore-fest enough. 7/10

While I love Dead Alive, Premutos is clearly better in the splatter dept. While the English overdub is pretty bad, gore-hounds will be blown away. Dead alive may actually have more bloodshed, but Premutos has more brutality and grit. Everything about Premutos just has a filth to it unlike anything else. Olaf Ittenbach is a master makeup fx genius. Wrap your face in barbed wire and add tension until your lips are ripped back over your gums revealing your skull, that's Premutos. Clean the beer vomit off the coffee table then wipe your face with the same rag, that's Premutos. Unrelenting epic masterpiece of Splatterrific mayhem and carnage. Peace.

After watching so many German horror films that haven't been good like Melancholy Der Engel, Ostermontag, and Nekromantik, this movie... I can not say it's terrible, but it's not good either. A lot of people say that this movie is very similar to BRAINDEAD, and to a degree they are right. The gore scenes are spot on Braindead. However, Braindead was much better done, quality-wise. This was an amateur movie low-budget film. I can say that the first half of the introduction wasn't that good, but the second half gets fun, also the ending was an extreme downer.

The acting was okay I suppose, the camera work it's a low-budget movie. Plot, I can sit here all day and say how the plot makes barely any logic, but it still is a fascinating movie. It's in the same boat as PINK FLAMINGOS. Everything isn't good, but it's still fun to watch. My biggest issue with this movie is the historical scenes. They seem so out of place, and pointless. They ruined the whole movie for me. Why do we have to have a scene of the Scottish War or the Stalingrad War??? I understand why because it shows that PREMUTOS existed forever, but those scenes should have been way shorter. That's my negative, because it's completely leftfield, and the intro to this movie is completely out of the globe. Everything else to me works. The main story of this dad that's an army veteran, and the birthday party was a fun watch. However, I'd prefer if I could watch this movie without the Historical events, they are completely needless in the movie in my opinion.

This movie well if you liked GRINDHOUSE films, BRAINDEAD and SHAITAN's WARRIOR you'll enjoy this,

Olaf Ittenbach's low budget splatter-fest Premutos often crops up in discussions about 'the goriest movie ever', but whilst it is certainly no slouch in the bloodletting department, with mucho heads-a-popping, limb tearing-a-plenty, and absolutely gallons of the red stuff, it definitely isn't the title holder (that honour goes to Peter Jackson's Braindead, in my humble opinion).

The film, which spans centuries, and includes biblical reconstructions, battle scenes (both medieval and WWII), and bucket-loads of gore, is certainly an impressive achievement on a tight budget, but unfortunately, for the most part, it is also pretty unwatchable—an impossible to decipher tale of ancient fallen angels and black magic that unwisely mixes awful comedy in with the violence (and, in the version I saw, is very badly dubbed). Only towards the end of the film, when a horde of zombies attack the guests at a birthday party, does the film really kick into gear delivering a barrage of bloody FX to satisfy even the most demanding gore-hound.

If, like me, you're a fan of ultra-gore and underground German splatter, then you will probably want to check out this film purely because of its reputation. If, however, you would rather sample a decent Ittenbach movie, try The Burning Moon or Beyond the Limits, both of which actually make sense.