Ajouter une intrigue dans votre langueA mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.A mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.A mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.
- Réalisation
- Scénario
- Casting principal
John Cowell
- Wilson
- (as Jack Cowell)
George Ball
- Ted Wallington - Adagio Dancer
- (non crédité)
Ed Cassidy
- Detective
- (non crédité)
Lane Chandler
- Policeman
- (non crédité)
Eddie Dunn
- Policeman Kelly
- (non crédité)
Olin Francis
- Insurance Investigator
- (non crédité)
Robert F. Hill
- Reporter
- (non crédité)
Avis à la une
Bizarre little mystery with no budget, but the story is pretty good and there are several interesting actors here at the zenith of their careers. A murderer called "the fiend" is killing show people but no one knows how they are being killed except that they are being poisoned. No one ever comes near the victims. And then there's that hunchback.
June Collyer (her last film) plays a meddlesome reporter who claims she can recognize "the fiend" because she saw his face in the fog (in a mirror). She becomes his target. Fellow reporter (Lloyd Hughes) tries to protect her, along with a ditzy photographer (Al. St. John). After there is a murder in a theater, the playwright (Lawrence Gray) pitches in to help solve the case.
St. John had been in silent films in the teens with Keaton and Arbuckle. Hughes was also a silent film start (THE LOST WORLD), and Gray was a big star in silent films and early musicals with the likes of Gloria Swanson, Marion Davies, and the Duncan Sisters.
Worth a look.
June Collyer (her last film) plays a meddlesome reporter who claims she can recognize "the fiend" because she saw his face in the fog (in a mirror). She becomes his target. Fellow reporter (Lloyd Hughes) tries to protect her, along with a ditzy photographer (Al. St. John). After there is a murder in a theater, the playwright (Lawrence Gray) pitches in to help solve the case.
St. John had been in silent films in the teens with Keaton and Arbuckle. Hughes was also a silent film start (THE LOST WORLD), and Gray was a big star in silent films and early musicals with the likes of Gloria Swanson, Marion Davies, and the Duncan Sisters.
Worth a look.
My copy of this film is very difficult to watch (lots of vertical wavy lines), so it was tough to stick with this film, but it was an interesting 1930s murder mystery. It was fun to see lots of old cars with running boards all over the street scenes. The acting was competent, & the plot involved a novel idea (of "frozen" bullets). You have to forget about the fact that the killer carried these "frozen" bullets around for hours in his pocket, but that's a mere insignificant detail in a "Poverty Row" film such as this one. I rate it 5/10.
A reporter claims to have seen the face of "the Fiend", a hunchbacked killer dressed in black that is terrorizing a city and a theater in particular by poisoning people by some unknown means. The Fiend naturally makes her his next target and she has to go on the run. Hooking up with a reporter she attempts to find out the killer and remain alive.
Fast moving and making almost no real sense whats so ever this movie is as artificial a mystery as you can get. Its best described as taking a 1930's mystery and stripping it of anything other than the mystery mechanism (Murderer is on the lose killing people) while throwing in cliché characters, comic relief and making any revelation either a red herring or more likely a twist out of the left field of a ball park two cities over just to keep things going.
In any real sense its a mess, however as a pure machine it works. As totally mindless mystery time killer it can entertain you. Its the type of thing where you can pretty much guess the killer the instant he appears, but you don't care and can't be sure because the film is making so many odd turns that nothing makes sense even though you're hoping it will.
I don't know if you should search it out, but if you run across it an want to see as nonsensical and stripped down mystery as you can get its worth a shot. (I just don't recommend this if you need things to make and real linear sort of sense)
Fast moving and making almost no real sense whats so ever this movie is as artificial a mystery as you can get. Its best described as taking a 1930's mystery and stripping it of anything other than the mystery mechanism (Murderer is on the lose killing people) while throwing in cliché characters, comic relief and making any revelation either a red herring or more likely a twist out of the left field of a ball park two cities over just to keep things going.
In any real sense its a mess, however as a pure machine it works. As totally mindless mystery time killer it can entertain you. Its the type of thing where you can pretty much guess the killer the instant he appears, but you don't care and can't be sure because the film is making so many odd turns that nothing makes sense even though you're hoping it will.
I don't know if you should search it out, but if you run across it an want to see as nonsensical and stripped down mystery as you can get its worth a shot. (I just don't recommend this if you need things to make and real linear sort of sense)
A Face in the Fog is a very derivative 1930's mystery movie. We have many of the staples of the genre – a mysterious black cloaked villain, a bubbly and inquisitive female journalist, a cowardly comedy character, a ridiculous murder method, etc etc. So it isn't exactly breaking the mould to say the least. However, it isn't too bad as these films go either. Unlike many mystery movies of the time, this one actually remembers to include some suspenseful moments. OK, it's hardly a white knuckle ride but it does have a reasonable villain and a good enough final confrontation; while the mystery is reasonably diverting enough. And last, and by no means least, it's very short so it never really outstays its welcome. These old Poverty Row films are for the most part extremely limited and lacking, and while this one doesn't entirely break away from that generalisation, it's one of the more entertaining ones.
I've always been a fan of films where the killer is disguised in some way.....usually hunchbacked, a long cloak, a hat pulled down over his face, and a decided limp. That's why i LOVE this film! :)
(Other films with "disfigured murderers" are The Bat Whispers, Miss Pinkerton & the Cat & the Canary).
This film also uses a stock music track that was most noticeably used in "The Clutching Hand" serial...........viewing this film, it's difficult to believe that this film is a LATE 30's entry!!!
A weird-looking killer, known as "The Fiend" is out to murder the members of a Broadway show, with a most unusual weapon (no spoiler here!).
The lites go out, and the person is dead....they've been poisoned, but without a mark on them!
Two newpaper employees try to track 'em down (to get the scoop and the reward money for their honeymoon----they do, of course!).
Despite what the "trivia" says, this film IS NOT "LOST" !!!!!!!!!!!!! I have a copy of it, and i imagine that there are others out there somewhere.
This is a MUST SEE........IF you're lucky enuff to find it!
Norm
(Other films with "disfigured murderers" are The Bat Whispers, Miss Pinkerton & the Cat & the Canary).
This film also uses a stock music track that was most noticeably used in "The Clutching Hand" serial...........viewing this film, it's difficult to believe that this film is a LATE 30's entry!!!
A weird-looking killer, known as "The Fiend" is out to murder the members of a Broadway show, with a most unusual weapon (no spoiler here!).
The lites go out, and the person is dead....they've been poisoned, but without a mark on them!
Two newpaper employees try to track 'em down (to get the scoop and the reward money for their honeymoon----they do, of course!).
Despite what the "trivia" says, this film IS NOT "LOST" !!!!!!!!!!!!! I have a copy of it, and i imagine that there are others out there somewhere.
This is a MUST SEE........IF you're lucky enuff to find it!
Norm
Le saviez-vous
- AnecdotesThis film's earliest documented telecasts took place in Chicago Monday 30 January 1950 on WENR (Channel 7) in Los Angeles Saturday 25 March 1950 on KNBH (Channel 4), in New York City Wednesday 2 August 1950 on WABD (Channel 5), and in Philadelphia Sunday 15 October 1950 on WFIL (Channel 6).
- Citations
Harrison - Newspaper Editor: The coroner is so confused he almost did a post mortem on himself.
- ConnexionsReferenced in They Came from Beyond - Sam Katzman at Columbia (2023)
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Détails
- Durée1 heure 1 minute
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was A Face in the Fog (1936) officially released in Canada in English?
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