Deux frères catholiques irlandais deviennent des justiciers et se donnent pour mission d'anéantir, au nom de Dieu, la criminalité de Boston.Deux frères catholiques irlandais deviennent des justiciers et se donnent pour mission d'anéantir, au nom de Dieu, la criminalité de Boston.Deux frères catholiques irlandais deviennent des justiciers et se donnent pour mission d'anéantir, au nom de Dieu, la criminalité de Boston.
- Réalisation
- Scénario
- Casting principal
Dot-Marie Jones
- Rosengurtle Baumgartener
- (as Dorothy-Marie Jones)
Robert Eaton
- Officer Langley
- (as Robert Vernon Eaton)
Avis à la une
Not knowing anything about this movie before watching it, I found myself caught up In the story and characters.
If you like gunfights, good guys vs bad guys this is the movie for you. If you're looking for something to watch, I recommend Boodock Saints. It's well worth the watch.
If you like gunfights, good guys vs bad guys this is the movie for you. If you're looking for something to watch, I recommend Boodock Saints. It's well worth the watch.
Cool action scenes, good pacing and much funny entrateinment. A dark comedy in Irish world
Willem dafoe does a good job on the acting and it has a decent soundtrack. I don't see why critics hate this movie.
9ox95
A fourth year film student with a chip on his/her shoulder will probably tell you that this film is simple, uninspired, derivative, gratuitous..... ignore him/her just like you always do and see this genuinely funny movie. It has an inspired performance by Willem Dafoe and enough new ideas to keep you glued. The social commentary should probably be looked at as more of a plot device than intelligent thought, but I found myself watching this movie repeatedly and enjoying it more the second and third time around. This is definitely a naughty pleasure for the movie enthusiast.
I've always enjoyed non-linear storytelling. A number of people seem to have picked up on this aspect of the movie and thus dubbed it similar to Pulp Fiction (though no one mentions Reservoir Dogs) when this movie takes non-linear storytelling to a level beyond where Quentin Tarrantino was ever able to go.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
...albeit a little too proud of itself. I waited a long time before actually watching this film, then an ex-girlfriend loaned it to me telling me I wouldn't be disappointed. And I wasn't. Boondock Saints looks and feels like a fan film, and it is well done. The actors, I felt, were carefully chosen, did a wonderful job, and composed themselves well. The only real annoyances were Willem Dafoe's character being a know-it-all, and David Della Rocco who screams his head off throughout the whole movie. Its rare that a movie of this genre has a gratifying ending, and when the credits started rolling, I was a little sad that there wasn't more. This movie kept me entertained thoroughly, and I was happy that I finally watched it. For those who haven't seen it, sit back and enjoy the violent ride, for it's a fun one.
Le saviez-vous
- AnecdotesSir Billy Connolly was so stoked to be playing against type in the role of Il Duce, and having so much fun playing a psycho with guns strapped all over him, that they had to add the large cigar the character incessantly smokes because unless they stuck something in his mouth, he simply couldn't stop smiling.
- GaffesWhen the bar fight scene begins the brothers are telling the Russians some phrases in Russian, which are translated in subtitles. Actually the words that they are saying not only don't respond to the translation, they are mostly made up and make no sense at all.
- Crédits fousClips of people being interviewed about their opinions on "the saints" are shown while the credits roll.
- Versions alternativesThe so-called North American widescreen DVD release is cropped from a full-frame version that has aired on Canadian cable television.
- ConnexionsEdited into Les anges de Boston 2 (2009)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El quinto infierno
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 655 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 930 $US
- 23 janv. 2000
- Montant brut mondial
- 42 655 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Les anges de Boston (1999) officially released in India in Hindi?
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