L'enlèvement secret par les États-Unis d'un terroriste présumé entraîne une vague d'attentats terroristes à New York, ce qui conduit à la déclaration de la loi martiale.L'enlèvement secret par les États-Unis d'un terroriste présumé entraîne une vague d'attentats terroristes à New York, ce qui conduit à la déclaration de la loi martiale.L'enlèvement secret par les États-Unis d'un terroriste présumé entraîne une vague d'attentats terroristes à New York, ce qui conduit à la déclaration de la loi martiale.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 2 victoires et 4 nominations au total
Lianna Pai
- Tina Osu
- (as Liana Pai)
Avis à la une
I remember hearing about this film before its release. It had caught a great deal of flack for its use of Arabs and Muslims in particular as violent extremists. Even at that time I knew that the protests against this film were nothing more than politically correct nonsense, as even then the only trans-oceanic terrorists that existed were of the fake-Muslim variety that today we hear about every hour.
When I saw the film, I was impressed by the fair nature of the film, in that it portrayed the truth: these extremists exist in the overwhelming minority of Muslims, and that it is unwise and unfair to paint them all with the same brush. With a very good script, excellent performances and exciting action pieces, I was impressed.
Jump ahead a few years, and we see what we have learned. This film was not just an intelligent story. It was a warning sign. It examined things that people did not want to talk about. It examined things that people thought it more politically correct to ignore. It portrayed events realistically and in fact far less devastating than what was possible. If there is one thing that can be learned by examining a film such as this in retrospective of recent events, it is that our species chooses to ignore that which it does not want to accept.
Those who do not learn from their history are doomed to repeat it. Perhaps there are other subjects we should stop being so PC about and actually talk about instead of worrying about "how it will look."
When I saw the film, I was impressed by the fair nature of the film, in that it portrayed the truth: these extremists exist in the overwhelming minority of Muslims, and that it is unwise and unfair to paint them all with the same brush. With a very good script, excellent performances and exciting action pieces, I was impressed.
Jump ahead a few years, and we see what we have learned. This film was not just an intelligent story. It was a warning sign. It examined things that people did not want to talk about. It examined things that people thought it more politically correct to ignore. It portrayed events realistically and in fact far less devastating than what was possible. If there is one thing that can be learned by examining a film such as this in retrospective of recent events, it is that our species chooses to ignore that which it does not want to accept.
Those who do not learn from their history are doomed to repeat it. Perhaps there are other subjects we should stop being so PC about and actually talk about instead of worrying about "how it will look."
I seem to remember that this film was looked down upon by the Arab Americans. I don't understand that considering the bombing of the World Trade Center in 1993 and some of the perpetrators who were eventually apprehended. My husband and I found The Siege frighteningly entertaining. Once more Denzel Washington gave a tour-de-force performance. The rest of the cast was excellent. The script was prophetic. The writer understood what might happen if the war on terror resided in New York City. Where is Lawrence Wright now?
The movie won't get any nomination or prize, but it's worth seeing if you want to meditate about a time when US talked about the 'Greatest Terrorist Attack in America' only in a movie.
The first time I saw this movie I really got immersed into the plot, it was a great drama displaying the deployment of Army forces to protect the US integrity versus the struggle of the reason and the law to protect it's citizens rights... evidently the Arab-Americans would be angry about the stereotypes displayed, but also the Hispanic have been portrayed at Hollywood with the same old stereotypes thousands of times (which BTW it's boring), anyway, at the end it's all for the show and to make the movie believable... however it was ALL fiction.
But in the morning of Sept 11, 2001. The first thought that came to my mind (yet in disbelief), as I saw on CNN, planes falling all over NYC and in DC, was.. 'that' movie!
Days after the WTC Attack I saw this movie again and obviously (to my regret) I found many new things to meditate about, this movie makes an interesting remark about what almost every US government have done at least one time, the so called 'shift of policy', and this is the key to the whole mess (in the movie and in real life), US government can't pretend to look after some 'groups, organizations or people' when they are useful to their interest and when they no longer need them just dispose then like trash, remember, 'what goes around, comes around...', sure, I totally condemn terrorism, but as we can learn from the movie, this kind of behavior gives birth to extreme hate and enemies, and this is (or was) NO fiction.
You can't develop relations on a double moral standard, like the character played by Bening, sooner or later the price has to be paid, so, it's better to stand beside those who help you always, not only for pure convenience, because no one wants a 'friend' like that, right? This can be the great moral of the movie.
Be honest, construct relations on loyalty, learn to be tolerant, please stop thinking that US is the world, and tear down to the stereotypes, but mainly, be humble!
Personally I think it's a great movie that sadly portrays some similar events that a few years later (2001) became real, one can't be blame if at one point it's mistakenly thinking that this movie was an inspiration to the WTC Attacks.
Mr. Denzel Washington's (FBI Agent Anthony 'Hub' Hubbard) performance is powerful (as usual), the rest of the supporting cast did a good job too, Annette Bening's (Elise Kraft/Sharon Bridger) seems a little 'old' for the role but does an excellent job though.
The first time I saw this movie I really got immersed into the plot, it was a great drama displaying the deployment of Army forces to protect the US integrity versus the struggle of the reason and the law to protect it's citizens rights... evidently the Arab-Americans would be angry about the stereotypes displayed, but also the Hispanic have been portrayed at Hollywood with the same old stereotypes thousands of times (which BTW it's boring), anyway, at the end it's all for the show and to make the movie believable... however it was ALL fiction.
But in the morning of Sept 11, 2001. The first thought that came to my mind (yet in disbelief), as I saw on CNN, planes falling all over NYC and in DC, was.. 'that' movie!
Days after the WTC Attack I saw this movie again and obviously (to my regret) I found many new things to meditate about, this movie makes an interesting remark about what almost every US government have done at least one time, the so called 'shift of policy', and this is the key to the whole mess (in the movie and in real life), US government can't pretend to look after some 'groups, organizations or people' when they are useful to their interest and when they no longer need them just dispose then like trash, remember, 'what goes around, comes around...', sure, I totally condemn terrorism, but as we can learn from the movie, this kind of behavior gives birth to extreme hate and enemies, and this is (or was) NO fiction.
You can't develop relations on a double moral standard, like the character played by Bening, sooner or later the price has to be paid, so, it's better to stand beside those who help you always, not only for pure convenience, because no one wants a 'friend' like that, right? This can be the great moral of the movie.
Be honest, construct relations on loyalty, learn to be tolerant, please stop thinking that US is the world, and tear down to the stereotypes, but mainly, be humble!
Personally I think it's a great movie that sadly portrays some similar events that a few years later (2001) became real, one can't be blame if at one point it's mistakenly thinking that this movie was an inspiration to the WTC Attacks.
Mr. Denzel Washington's (FBI Agent Anthony 'Hub' Hubbard) performance is powerful (as usual), the rest of the supporting cast did a good job too, Annette Bening's (Elise Kraft/Sharon Bridger) seems a little 'old' for the role but does an excellent job though.
This was a very strange film. Strange, because it had so many of its facts right for 9/11. Right city, right jihadists, right plot.
And the military's answer to the terrorist threats? Go in, plunder, pillage, torture, abuse and kill the bad guys. Moral? If we stoop to their level, we are no better than the enemy. The real irony is, Denzel's character had the CHARACTER to do the right thing.
Oddly, and presciently, Bruce Willis' general was about to do all the wrong stuff, and with a little help from Denzel, decided not to resort to all the things we really have resorted to. This movie is notable for several reasons, but the uppermost is showing us the future we shouldn't take, but took anyway.
The irony is not lost. What is confounding here is how much of this originally semi-corny movie got right. Washington, Benning, Shaloub, and Willis, all deliver in a big fashion, with some pertinent warnings. The road not taken was the moral. How scary that in the long run, when presented by a much larger threat, we one-upped this movie's punch line in reality. How much stranger can you get than that?
This was a fairly realistic portrait of the underworld, the intrigue, the terrorism, and gave us a scary view of our future. Hopefully, next time a movie like this one comes along, we might be better served by taking it more seriously.
And the military's answer to the terrorist threats? Go in, plunder, pillage, torture, abuse and kill the bad guys. Moral? If we stoop to their level, we are no better than the enemy. The real irony is, Denzel's character had the CHARACTER to do the right thing.
Oddly, and presciently, Bruce Willis' general was about to do all the wrong stuff, and with a little help from Denzel, decided not to resort to all the things we really have resorted to. This movie is notable for several reasons, but the uppermost is showing us the future we shouldn't take, but took anyway.
The irony is not lost. What is confounding here is how much of this originally semi-corny movie got right. Washington, Benning, Shaloub, and Willis, all deliver in a big fashion, with some pertinent warnings. The road not taken was the moral. How scary that in the long run, when presented by a much larger threat, we one-upped this movie's punch line in reality. How much stranger can you get than that?
This was a fairly realistic portrait of the underworld, the intrigue, the terrorism, and gave us a scary view of our future. Hopefully, next time a movie like this one comes along, we might be better served by taking it more seriously.
This film, made in 1998, is so close to the reality of Sept. 11, 2001 that it sends chills down your spine. Although events played out differently, so many elements in the film are near-mirror reflections of the reality. The attacks are carried out by Islamic extremists, whose core network were trained by the CIA, their attacks were dramatic and centered on New York City, there was little cooperation between, the FBI, CIA and military, and Arabs and Arab-Americans were rounded up in large numbers, or were subjected to harassment and violence. The images of bodies and debris are no less shocking than the sight of people jumping to their death from the World Trade Center. Torture was employed by US soldiers, in pursuit of terrorists. With all of that said, even had the attacks of Sept. 11th not occurred, this would still be a tremendous film.
Director Ed Zwick and actor Denzell Washington team up once again for a great one-two punch. Denzell brings great humanity to his role as an FBI agent, charged with counter-terrorism operations and investigations. He is aided by Tony Shalhoub, who delivers another great performance and some of the best lines. Annette Benning displays her talent as a CIA operative at the heart of the whole crisis. Roger Deacons adds his wonderful cinematography, and Bruce Willis turns in a fine performance as an over-zealous army general.
The film delivers a cautionary tale about extreme reactions to terror and the loss of freedoms that can result from acting in anger, rather than with reason and law. The rounding up of citizens, as depicted in the film, and the declarations of martial law, are not that far away from the provisions of the Patriot Act, which violates First Amendment rights, the right to privacy, and the right to due process. The film suggests that by giving up these rights, or stripping them away, we become the very thing that our enemies claim we are. It suggests that that may be the terrorists true aim.
This is not a crystal ball prediction of 9/11; but it is a fine thriller. The filmmakers did their homework and got quite a bit right. They also extrapolated things to an extreme, but not an implausible one. However, they delivered an excellent film, and one that should be seen and studied.
Director Ed Zwick and actor Denzell Washington team up once again for a great one-two punch. Denzell brings great humanity to his role as an FBI agent, charged with counter-terrorism operations and investigations. He is aided by Tony Shalhoub, who delivers another great performance and some of the best lines. Annette Benning displays her talent as a CIA operative at the heart of the whole crisis. Roger Deacons adds his wonderful cinematography, and Bruce Willis turns in a fine performance as an over-zealous army general.
The film delivers a cautionary tale about extreme reactions to terror and the loss of freedoms that can result from acting in anger, rather than with reason and law. The rounding up of citizens, as depicted in the film, and the declarations of martial law, are not that far away from the provisions of the Patriot Act, which violates First Amendment rights, the right to privacy, and the right to due process. The film suggests that by giving up these rights, or stripping them away, we become the very thing that our enemies claim we are. It suggests that that may be the terrorists true aim.
This is not a crystal ball prediction of 9/11; but it is a fine thriller. The filmmakers did their homework and got quite a bit right. They also extrapolated things to an extreme, but not an implausible one. However, they delivered an excellent film, and one that should be seen and studied.
Bande-son
Écoutez un extrait de la bande originale ici et continuez à l'écouter sur Amazon Music.
Le saviez-vous
- AnecdotesAccording to an interview that screenwriter Lawrence Wright gave to CBS in 2007, the film was a box-office failure upon its theatrical release, "but it was the most-rented movie in America after 9/11." Wright also claimed that the initial release bombed because "Muslim and Arab protesters picketed the theaters. They were furious at being stereotyped as terrorists."
- GaffesSheik Ahmed Bin Talal is shown the be abducted in Lebanon, and a desert is shown. Lebanon is the only Arab country without a desert.
- Citations
General William Devereaux: The CIA didn't know the Berlin Wall was coming down until bricks started hitting them in the head.
- Versions alternativesSome post-2001 versions have the World Trade Center digitally removed from the New York skyline.
- Bandes originalesFirst You Cry
Written by Buddy Flett and David Egan
Performed by Little Buster And The Soul Brothers
Courtesy of Rounder Records
by arrangement with Ocean Park Music Group
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Contra el enemigo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 40 981 289 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 931 285 $US
- 8 nov. 1998
- Montant brut mondial
- 116 672 912 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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