Eldorado

I was never a fan of Eldorado but I can remember the blaze of publicity and hype that greeted the Beeb's flagship soap opera - Sean Connery, apparently, at one point, provided the voiceover (this was untrue).

Although it had a better hook than ITV's miserable 'Albion Market', Eldorado was beset by a legion of problems - technical, legal, logistical, administrative and financial - that overwhelmed an overstretched and vaguely defined production. Crucially, it had no central character - no Bet, Den, Charlene or even a Mandy for the viewer to root for.

The BBC were probably right to bring the axe down on an expensive, woodenly acted, muddled white elephant but as Britain totters towards a new phase in our fraught relationship with Europe it makes you wonder what storylines we would be watching today if Eldorado had managed to thrive and survive.

Watching recent repeats of Eldorado on cable tv brings back great memories. How many of us looked forward to our twice weekly transportation to the sunshine of Los Barcos? I did. Yes, it had some teething problems. (Tho' looking back, it doesn't seem half as bad as at the time!). And it got better. The storylines and the characters were good, if not always entirely believable. But hey, this is soapland! The Beeb made a big mistake by listening too closely to those telling them that they had a made a big mistake comissioning the programme in the first place, (work that one out!). What say they get back to Los Barcos, pick up where they left off and give us our winter sunshine back?

When in 1992 the BBC decided it needed a second soap to relieve the burden on 'Eastenders' to be the networks solo rival to ITV'S 'Coronation Street' and 'Emmerdale' the novel idea of setting it in the sunnier climes of Spain amongst British ex-pats seemed to give the show a unique selling point. Many shows come and go but the fatal blow to this soap opera may have been the original fanfare with which it was launched. The BBC spent £10,000,000 on preliminary sets and production but upon first glance the hugely anticipated drama seemed to have little in the way of story lines or characterisation. There were production problems with the sound that made the show at times impossible to watch.

The hype that the show had been given and the fact that it was funded by the licence payer meant that the British press leapt upon it and it became a favourite object of derision. Initially encouraging viewing figures tumbled to only 3 million per episode and ten months after its fanfare debut the BBC pulled the plug and cancelled the show.

It is well known that the quality of the show and the viewing figures were climbing towards and the end and that perhaps the show was finally starting to catch on. However, the damage had long been done. The media had slated it and tainted it as a joke and from this there was no return for the BBC. The massively expensive sets were mothballed and are now a museum for intrepid tourists and curious TV fans. The shown came to an end satisfactorily and somewhat gracefully (for otherwise see Crossroads #3) but one can only imagine how devastating it was for the actors (other victims of the shows bad initial production) and we can only estimate how much money was poured down the drain on the massively hyped and massively expensive white elephant.

Not a bad soap. However, the BBC, in its wisdom, decided to pull the plug when it seemed to be getting off the ground. This decision has always seemed a puzzle when programmes of questionable quality are screened by the same organization. It was sad to lose this programme, and how much public money was thrown away?

This series should have done better, it could have done better, but was never given the chance. It was a soap based around British ex-pats that had found a haven and mixed with the locals. The storylines were ok, but some of the early acting was poor, but as time went on the production changed beyond recognition. However, after all the effort the cast and crew put into the series, the BBC bosses pulled the plug and watched £10million pounds waste away instead of trying to help it out. Viewing figures were up and the series was selling well around Europe, but all there is left now is an empty studio village and repeats. Nothing more...