Bowfinger, roi d'Hollywood

Steve Martin has made some fine comedy movies - 'The Man with two Brains' 'All of Me' 'Dirty Rotten Scoudrels' and 'Planes, Trains and Automobiles' to name just few. He has also made some wonderfully touching movies like 'A Simple Twist of Fate' where his acting ability really shows through. Unfortunately he does have a knack of making too many films that are merely mediocre or worse; films like 'Mixed Nuts' 'Sgt. Bilko' 'Bringing down the House' and 'Cheaper by the Dozen'

I am pleased to say that Bowfinger shows us Steve Martin close to his best; he plays the lead role and he also wrote this totally crazy, unbelievable and madcap comedy; and it is genuinely funny for all the right reasons. It is cleverly written and has a really interesting storyline. I thought it was brilliant fun, and well worth watching.

Steve Martin Fans will love this one 7/10

Given Tom Cruise's recent unstable behavior, it might be the right time to revisit 'Bowfinger,' Steve Martin and Frank Oz's highly under-appreciated satire of the side of Hollywood we mere mortals aren't supposed to see.

In Hollywood, there are no secrets--everyone knows who's secretly gay or insane, and who's slept with who, when, where, and what they got out of it. But no one wants powerful enemies, and in the quickly shifting landscape of stardom, where one can transform almost overnight and with no apparent or predictable logic from b-list character actor or teen idol into a-list mega-star and Oscar-caliber actor who can open hundred-million dollar movies and make or break the careers of his/her friends and acquaintances, no one wants to be the one who spills the scandalous beans.

For this reason, 'Bowfinger'--the 'Spinal Tap' of contemporary Hollywood--was barely made, and upon its release was greeted with a politely, barely restrained gasp of horror from everyone on the inside who recognized Martin's unusually liberal borrowings from the gossip files to construct this smart, dry, tastefully executed comedy about a has-been-before-he-ever-was actor/director who concocts a scheme to sell his hopelessly bad sci-fi action film project to a major studio by surreptitiously following and filming a major action film star, manipulating his behavior when able, and then later patching a film together with the clandestine footage and a few shots with a body-double. Little does Bowfinger (the loser, played with typical charm and intelligence by the great Steve Martin) know that the film star he means to exploit--Kit Ramsey (Eddie Murphy)--is a paranoid, delusional basket case of psychological problems barely being held together (though, one suspects, also being held at the edge of sanity) by his mentors at MindHead, a bizarre, cultish, mind-controlling religion obviously meant to stand in for the Church of Scientology, the increasingly infamous faith/life method of numerous Hollywood stars, most notoriously Tom Cruise and John Travolta (musician Beck has allegedly also recently joined the ranks of Scientology, at the behest of his father and his girlfriend, the sister of actor Giovanni Ribisi, also a Scientologist).

Bowfinger assembles a motley crew of Hollywood wannabes, which include the fabulous Christine Baranski as Carol, an aging stage actress who drives around town listening to old recordings of herself singing show tunes; Heather Graham as Daisy, a presumably naive young beauty who steps off the bus in L.A. and immediately sets about trying to sleep her way to the top (Daisy is based on nutso actress Anne Heche, who exploited Martin before moving up the food chain to a public lesbian affair with Ellen Degeneres, whose sit-com was then at peak popularity); Adam Alexi-Malle as Afrim, Bowfinger's corpulent Pakistani accountant and the author of 'Chubby Rain,' the ludicrous alien invasion script which Bowfinger believes will catapult him to fame and respectability; Jamie Kennedy as Bowfinger's camera operator, who smuggles equipment out of the studio lot where he works as a low-level crew man; and Kohl Sudduth as Bowfinger's sweet but vapid excuse for a heart-throb. This gang of misfits works well together in various gags lampooning the film industry.

But the film is stolen entirely by Eddie Murphy, first as Kit Ramsey, whose paranoid rants include the observation that a script his agent has offered him must be racist because the letter 'k' appears in it a number of times divisible by three ('KKK' appears in this script 111 times!) and the twisting of a remark made by the agent about a script--'it's not Shakespeare'--into a racist slur ('Shakespeare?!? Shake-a-Spear! You callin' me a spear-chucker!?!), and later as Jiff, Kit's nerdy and socially inept twin brother, who unwittingly stumbles into Bowfinger's scheme and agrees both to serve as a stunt/body double and errand boy for the film ('Running errands would be a real boost for me!' he gleefully remarks).

One of the great things about 'Bowfinger' is the opportunity to see Eddie Murphy create two ridiculous characters the way he once did so frequently on Saturday Night Live, before 'Bevery Hills Cop' send his ego to Mars. He looks like he's having the time of his life, and the fabulous talent he has wasted so frequently on mediocre to painfully bad star vehicles like 'Coming to America,' 'Harlem Nights,' or 'Vampire in Brooklyn' is once again apparent, and triumphant. Together, Martin and Murphy remind us how comedy should be made: with intelligence, humility, generosity--and, most importantly, scathing wit.

Scientology gets fairly merciless treatment in the form of MindHead, a cult-like corporate religion led by Terry Stricter (Terence Stamp), who soothes the paranoiac Kit with new-agey acronym lessons (K.I.T=Keep It Together) and chastens him not to 'show it to the Laker Girls' when he hears the voice of Teddy Kennedy instructing him to 'bring the Laker Girls down a peg or two.' Given Tom Cruise's recent weirdness and the fact that he openly travels with a cadre of Scientologists who function like a Secret Service detail, it's not hard to suspect that Kit Ramsey was written with Tom Cruise in mind (the role was originally written for Keanu Reeves but was ultimately changed and offered to Murphy).

Murphy's presence, ironically, may have undermined this film in its initial release, as audiences many audiences left theaters disappointed, having expected more of a traditional slapstick comedy with Murphy in a larger role (his scenes are easily the funniest, but Kit and Jiff or secondary characters). But it's well worth revisiting for its quality and its scathing critique of the business of Hollywood.

Bobby Bowfinger (Steve Martin) is a Z-list producer who lies, steals and schemes to make a movie out of a script written by his accountant. He gets A-list Hollywood producer Jerry Renfro to greenlight the script if he could get superstar Kit Ramsey (Eddie Murphy) to do the movie. Kit kicks Bobby out of his car but Bobby promises his crew that Kit agrees to do the movie. His idea is to shoot the movie without telling Kit. Soon his actors are approaching Kit on the street with strange dialog. He hires hungry newcomer Daisy (Heather Graham), actress Carol (Christine Baranski), Kit lookalike Jiff (Eddie Murphy) who turns out to be Kit's brother and the cheapest crew possible. Kit is a crazed narcissist who finds counsel from Mindhead leader Terry Stricter (Terence Stamp). When actors keep approaching him with weird dialog, he starts to suspect that aliens are really after him.

This is simply a brilliant satire. Bowfinger is sleazy but with a heart. He just wants so badly to make a movie. Steve Martin is such a charming lead. I love Daisy sleeping her way up the Hollywood ladder. This is two of Eddie Murphy's best performances. The movie is hilarious. Every other scene hits it with big laughs.

Bowfinger How does Bobby Bowfinger, Hollywood's least successful director, get Kit Ramsey, Hollywood's biggest star, in his ultra low-budget film? Anyway he can. With an ingenious scheme and the help of Kit's eager and nerdy brother, Jiff, an ambitious and sexy wanna be actress and over-the-hill diva. Bowfinger sets out to trick Kit Ramsey into the performance of a lifetime.

To describe Bowfinger, it is a stupid idiotic film, which works. I thought it was terrific. Steve Martin (who wrote the film) plays the part of a hopeless director perfectly. While the other main star Eddie Murphy, again pulls off another great double as both Kit and Jiff Ramsey. Is there an end to this guys talent? i look forward to seeing Nutty Professor 2 soon. Heather Graham was again at her sexy best as Daisy. The other stand out actor for me in this film was Terrence Stamp. Can you remember him from Superman 2? That's right he was General Zod and in Bowfinger he is Terry Stricter, Kit's Councillor. His role was also well done. A final mention to one star, but with four legs, Mindy (aka Betsy) who was used perfectly. Animals who star on any movie or TV show have a special talent, this dog is no exception. Bowfinger is also a movie within a movie, which at any time must be hard to shoot, but thanks to Aussie director Frank Oz, Bowfinger comes out beautifully. Bowfinger Scores 3.5/5 Stars or 7/10. If you want a laugh see this wild, funny comedy!

Steve Martin, the funniest man alive in the 80s, lost his way in the 90s with the likes of "Leap Of Faith" and "A Simple Twist Of Fate". Now, after sterling work in David Mamet's "The Spanish Prisoner", Martin's return to writing and acting in straight-up comedy is surprisingly, reassuringly good. "Bowfinger" is a movie about movies, with all the potential for in-jokery and self-indulgence that brings, but for the most part dispenses with the clever-clever, isn't-Hollywood-shallow stuff to deliver laughs.

Martin's Bobby Bowfinger, a struggling producer desperate for a hit before he reaches the 'unemployable' age of 50, hits on the idea of putting action star Kit Ramsey (Eddie Murphy) in his new sci-fi film "Chubby Rain" without the star knowing anything about it. Consequently, Bowfinger's inept crew follows Ramsey around in increasingly crazy and surreal fashion, utilising everything from 'Will Work For Food' signs made of foil to cranes mounted on trucks to get the shot they need. When Bowfinger stumbles across a Kit double (Murphy again) who will do anything the director asks including fetch the coffee, he starts to think all his birthdays have come at once. Meanwhile, the neurotic Ramsey, never that stable to begin with, begins to lose it altogether as he becomes convinced that sex-crazed pod people are stalking him.

It's a simple plot and, while the script throws a few barbs at Hollywood, it's played mainly for big laughs - and gets them. Heather Graham is spot-on as the ingenue literally just off the bus from Ohio who is prepared to sleep with anyone to get longer scenes, and Jamie Kennedy is all laconic wit as Bowfinger's long-suffering assistant. Really, though, it's Martin and Murphy's show. The original wild and crazy guy shows he hasn't lost all his manic energy in the title role, nor his wit with the sharp script. Surprisingly enough, though, the standout performance is Murphy's; he is brilliant as both the paranoid, highly-strung Kit and his dumb-but-sweet double Jiff. This might even be a career-best.

It's simple, lightweight and throwaway of course, but comedies that try to SAY something, even if they're good, often just don't make you laugh that much. Bowfinger will.