Un commissaire-priseur anglais demande en mariage la fille d'un grand chef de la mafia, mais se rend compte que certaines « faveurs » lui seront demandées.Un commissaire-priseur anglais demande en mariage la fille d'un grand chef de la mafia, mais se rend compte que certaines « faveurs » lui seront demandées.Un commissaire-priseur anglais demande en mariage la fille d'un grand chef de la mafia, mais se rend compte que certaines « faveurs » lui seront demandées.
- Réalisation
- Scénario
- Casting principal
Avis à la une
The movie is about a conservative British fellow (Hugh Grant) that runs an auction house in New York. He decides to propose to his girlfriend (Jeanne Tripplehorn) but she has reservations about marriage as her father has connections to the mafia. In her opinion, this marriage will not work as Grant's character will invariably be sucked into the organized crime life. He assures her that he won't and they decide to go ahead with the marriage. As you guessed it, Grant does become entangled and what ensues is a humorous "fish-out-of-water" comedy as Grant tries to get himself out of a mess.
For the most part, the characters were well played. Hugh Grant does a good job, albiet familiar to other characters that he's played recently (and probably not too unlike his real self) but it was nonetheless well played. Most of the humor revolves around his character and his ability to deliver the lines and timing is very well done. The same cannot be said for Jeanne Tripplehorn's character. She seemed to overact some scenes and others it seemed that she wasn't quite sure how to portray the character. At times, it almost made me feel uncomfortable trying to watch her find her role. James Caan did a very good job of playing the father and in some cases, he stole some scenes. The rest of the actors played their roles fairly well although many of these actors have been typecast as the mafia type character.
Although the movie was fairly amusing, there were places that it seemed to drag a little bit. A sign of a good movie for me is how much my mind wanders and this did happen in some places. In my opinion it could have been even funnier but in general it was pretty good. Overall, I found it to be entertaining and genuinely funny...7/10.
Amiable and at times funny, Mickey Blue Eyes is the sort of safe comedy fodder to while away an afternoon with. Boasting a fine comic turn from Hugh Grant as the fop out of his depth, and boosted by James Caan kicking back and enjoying the fun, it's a film that could have been much better had it not run out of steam. The mob spoof picture is such a great premise to work from, but the main joke quickly wears thin. Just how long you can run with the normal guy in amongst the mob gag, will probably determine how much you eventually get from Kelly Makin's film. Grant is just about charming enough to keep the film on the decent side of average, and some well staged set pieces really hit the mark. But it's unlikely the ending will leave you anything other than unfulfilled. Mixed for sure, but hardly a crime against comedy. 6/10
This wasn't up to Four Weddings or Notting Hill standard. The story line let it down, but only slightly. You need to be of a certain intelligence level to find the satire & dry wit of these films, funny. Give me that anyday to the sex & masturbation gags in most films or the childish braindead crap from Adam Sandler or Jim Carrey that that mistakenly falls into the genre of 'humour.'
It's such an easy film to watch and enjoy. There's more humour at the beginning than the end of Mickey Blue Eyes, but it has at least half a dozen laugh out loud scenes and is worthy of a mark far superior than 5.8/10.
Highly recommendable, a very high ...
8/10
In this film, it's Hugh Grant who winds up in mobster James Caan's clan. The latter isn't known for his comedy but he's good at it. Sometimes just the facial expressions on Caan's face brought out big laughs with me.
Joe Viterelli is perfect for any Mafia-type story, as is Burt Young. It was a little strange, though, to see Young look like such a shriveled up old man. Jeanne Tripplehorn provides the romantic interest in here.
My only complaints were too much usage of God's name in vain, especially for a comedy, and the typical on again-off again marriage plans you've seen so many times in movies for many decades. Overall, however, a good lighthearted comedy that should please a lot of people.
Le saviez-vous
- AnecdotesThis movie was produced by Elizabeth Hurley, Hugh Grant's girlfriend at that time. They had a production company together, called Simian Films.
- GaffesIn the Chinese restaurant, Gina's fortune cookie plate jumps from being directly in front of her on the table to being in the middle of the table between shots.
- Citations
[Frank is trying to teach Michael to talk like a mobster]
Frank Vitale: Here, try this, "Hey, fuggeddabout it!"
Michael Felgate: Hey, forget about it!
Frank Vitale: No, like this, "Hey, fuggeddabout it!" Change you T's to D's.
Michael Felgate: Hey, fuggeddaboud id!
Frank Vitale: Id?
Michael Felgate: You said change Ts to Ds!
Frank Vitale: Not the last one! OK, forget that one, try this one, "Get the hell outta here." No Rs.
Michael Felgate: Get the hail outta hee.
Frank Vitale: Not hee! Heah!
Michael Felgate: Hee!
Frank Vitale: Here.
[Hands Michael a pistol]
Frank Vitale: Stick it in your pants, maybe you'll look the part.
- Crédits fousAs the movie ends, "THE THE END" is displayed on the screen. This refers to Frank's restaurant, The La Trattoria, which translates to The The Trattoria.
- ConnexionsEdited from Jeeves & Wooster (1990)
- Bandes originales(I Don't Know Why) But I Do
Written by Paul Gayten and Bobby Charles (as Robert Guidry)
Performed by Clarence 'Frogman' Henry
Courtesy of MCA Records under license from Universal Music Special Markets
Meilleurs choix
- How long is Mickey Blue Eyes?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Mickey Blue Eyes
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 75 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 33 864 342 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 178 289 $US
- 22 août 1999
- Montant brut mondial
- 54 264 342 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1