Lors de son premier jour en tant qu'officier des stupéfiants à Los Angeles, un policier novice dépasse les limites d'une journée de travail en formation bien remplie au sein de la division d... Tout lireLors de son premier jour en tant qu'officier des stupéfiants à Los Angeles, un policier novice dépasse les limites d'une journée de travail en formation bien remplie au sein de la division des stupéfiants du commissariat de Los Angeles avec un détective qui n'est pas ce qu'il sem... Tout lireLors de son premier jour en tant qu'officier des stupéfiants à Los Angeles, un policier novice dépasse les limites d'une journée de travail en formation bien remplie au sein de la division des stupéfiants du commissariat de Los Angeles avec un détective qui n'est pas ce qu'il semble être.
- Réalisation
- Scénariste
- Stars
- Récompensé par 1 Oscar
- 18 victoires et 23 nominations au total
- Sara
- (as Eva Mendez)
- Mark
- (as Jaime P. Gomez)
- Moreno
- (as Noel Guglielmi)
- Letty
- (as Samantha Becker)
Avis à la une
The movie isn't the fastest paced one around - there are some slow moments but they are played out meaningfully due to some great acting talent which gels the scenes together well. The more you watch it, the more subtle lines and actions you will pick up which make this movie authentic.
Overall, to each his own. I have found this to be one of my favorite movies due to great acting, great directing, great casting (Hawk, Washington, Scott Glen etc) and an interesting storyline.
I hate to break the news to you guys but cops like Alonzo ARE OUT THERE and need to be acknowledged. Acting like the problem doesn't exist does not solve it. You don't have to go that deep to know that Alonzo was once a good cop who just got fed up w/ 'police procedures.' If you acknowledge that Jake's shallow-mindedness at the beginning of the film only allows him to look at the perks of making detective and how the progress of the day transforms him, you can really appreciate Ethan's portrayal of him. Let's face it, a bad day at the office when you're a narcotics detective differs greatly from that of an office executive and the different stresses can warrant different results.
Even the street rhetoric was authentic. Maybe you guys need to get out of the 'burbs more. You guys didn't actually expect eloquent dialogue with little or no profanity, did you? The only part of this movie I struggle with is Dr. Dre's terrible overacting and that isn't nearly enough to take away from the overall result.
Next time you guys bash a movie, make sure to try to be objective and rate what you see and not what you're used to seeing!!
This is all Denzel all the time. It's his relentless power. There's no logic or plot worthy of following. That's not the point of this movie. The audience is Ethan Hawke as he tries at first to submit to the Denzel hurricane. Then we're trying gather our feet in the storm. Finally we have to make a decision about his character. This is a tour-de-force performance from Denzel and nothing less.
From the moment you set eyes on him you can relies that Alonzo is a feisty character, who will stop at nothing to get what he wants.
Ethan Hawke provides excellent backup but Denzel steals the show. I don't want to give an plot lines away but there are only three movies in cinema history I have given 10/10, and this one was so close to being number four.
I sincerely hope to see Denzel put in another performance like this one.
Plot is excellent as it leads you into false sense of securities and even shouting at the TV set.
I loved every breathtaking moment of this film and I am sure you will too.
Quite extraordinary.
Le saviez-vous
- AnecdotesThe line "King Kong ain't got shit on me!" was ad-libbed by Denzel Washington.
- GaffesWhen Alonzo's car is wrecked, it hits two cars - one in the rear and one head-on. When he is seen later driving the same car, it is completely repaired.
- Citations
Alonzo Harris: [to the residents of The Jungle] Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me.
- Crédits fousThere are no opening credits after the title is shown.
- Bandes originalesCry Freedom
Written by Franky Perez
Performed by Franky Perez
Courtesy of Lava/Atlantic Recording Corp.
By Arrangement with Warner Special Products
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Día de entrenamiento
- Lieux de tournage
- 1031 Everett St, Los Angeles, Californie, États-Unis(Rogers' house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 76 631 907 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 550 788 $US
- 7 oct. 2001
- Montant brut mondial
- 104 876 233 $US
- Durée
- 2h 2min(122 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1






