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Slam

  • 1998
  • Tous publics
  • 1h 40min
NOTE IMDb
7,0/10
2,5 k
MA NOTE
Saul Williams in Slam (1998)
Home Video Trailer from Trimark
Lire trailer0:31
3 Videos
17 photos
Drame

Ajouter une intrigue dans votre langueGrand Jury Prize, 1998 Sundance Film Festival. A talented youth (Saul Williams) copes with urban crime and despair by competing in poetry slams. Sonja Sohn of "The Wire" costars.Grand Jury Prize, 1998 Sundance Film Festival. A talented youth (Saul Williams) copes with urban crime and despair by competing in poetry slams. Sonja Sohn of "The Wire" costars.Grand Jury Prize, 1998 Sundance Film Festival. A talented youth (Saul Williams) copes with urban crime and despair by competing in poetry slams. Sonja Sohn of "The Wire" costars.

  • Réalisation
    • Marc Levin
  • Scénario
    • Marc Levin
    • Richard Stratton
    • Sonja Sohn
  • Casting principal
    • Saul Williams
    • Sonja Sohn
    • Bonz Malone
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    2,5 k
    MA NOTE
    • Réalisation
      • Marc Levin
    • Scénario
      • Marc Levin
      • Richard Stratton
      • Sonja Sohn
    • Casting principal
      • Saul Williams
      • Sonja Sohn
      • Bonz Malone
    • 53avis d'utilisateurs
    • 20avis des critiques
    • 73Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 4 nominations au total

    Vidéos3

    Slam
    Trailer 2:20
    Slam
    Slam
    Trailer 0:31
    Slam
    Slam
    Trailer 0:31
    Slam
    SLAM - official 2024 US re-release trailer
    Trailer 2:20
    SLAM - official 2024 US re-release trailer

    Photos16

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Rôles principaux33

    Modifier
    Saul Williams
    Saul Williams
    • Ray Joshua
    Sonja Sohn
    Sonja Sohn
    • Lauren Bell
    Bonz Malone
    • Hopha
    Lawrence Wilson
    • Big Mike
    Beau Sia
    Beau Sia
    • Jimmy Huang
    Andre Taylor
    • China
    Momolu Stewart
    • Bay (Jail Rapper)
    Ron Jones
    • Do Wop Cop
    Reamer Shedrick
    • Do Wop Cop
    Allan E. Lucas
    • Chief C.O.
    Dominic Chianese Jr.
    • Officer Dom
    Jerome Goldman
    • Jail Class Poet 'Why'
    DJ Renegade
    • Party Poet 'Diminuendo in Blue'
    Liza Jessie Peterson
    Liza Jessie Peterson
    • Slam Poet 'Ice Cream'
    Taylor Mali
    • Slam Poet 'Like'
    Bob Holman
    • Slam M.C.
    Rhozier Brown
    • Public Defender
    • (as Rhozier T. Brown)
    Richard Stratton
    Richard Stratton
    • Prosecutor
    • Réalisation
      • Marc Levin
    • Scénario
      • Marc Levin
      • Richard Stratton
      • Sonja Sohn
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs53

    7,02.5K
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    Avis à la une

    9drhym

    A Film Not Afraid to Tell the Truth

    I happened upon Slam quite by coincidence one evening. I just got an updated cable system with all of these channels and movies and music. So I was surfing and I came upon Slam. I had no idea what it was. I had never heard of the movie before, but I was familiar with Saul Williams and his work. I had seen him on a documentary a few years ago. I thought the film was brilliant in the sense that it took a familiar topic and refreshed it. Slam was intense and real. It was preachy without being trite, redundant, cliche, or just plain corny. The actors were totally believable. I bought it. I bought it all, hook, line, and sinker. And in the end, that's all I can ask of a film, to take me somewhere I want to go, but haven't been before. This film was not afraid to tell the truth. And again, more importantly it was not afraid to also tell us that there are no easy solutions or easy roads out.
    liljohn12171

    Slam movie review from Blackstone student

    In the remarkable racial film Slam by Mark Levin shows firsthand how other forces define us. In the movie a young man named Ray Joshua gets caught up in this stereotypical generation, while gang violence and drug dealing causes Ray to become another statistic in his society. This inspirational tale lets the viewer see how people in different surroundings can be faulted so easily based on their race, neighborhood, and level of threat to society. Ray makes the best of it when he stumbles upon a passion for slam poetry which changes his whole perspective on life.

    When Ray participates in a drug deal gone bad and is arrested for possession of a controlled substance and suspicion of homicide, he starts to realize the odds of him fighting this and winning his freedom back is slim to none. While in jail he is defined as a typical African American drug dealer but he begins to fight back when he finds a way to resolve a fight between to gangs by blessing them with his free written poetic rap which talks about the forces that try define him. Ray fights back and attempts to change the way he lives his life by trying to end the revenge between the people that shot his friend in a drug deal gone bad. Not even the violence can define Ray as he uses his imagination to express all his feelings through poetry. He begins to go down the right path when he gets out of jail and does everything in his power to live above society's definition of him and try to better his surroundings. He does this when he stands up to his enemies and explains that revenge is pointless and they should just squash their beef.

    Extra Credit One theme I saw replay itself in the movie is how the public views people like Ray and how these people fall right into societies trap because it's the only way they know. Nobody expects for these Washington D.C. punks to ever grow out of the ghetto and make something better of themselves. Ray really proves his society wrong when he shows everyone that he can be a good person and he expresses this through his poetry which opens up a whole new group of people who teach him the typical or expected way isn't always the way to go. Society views Ray and his community as "public enemies number one" because everyone assumes they will all just become drug dealers or killers and end up in jail. This is a horrible stereotype that is seen everywhere in the world and can define the people in the ghetto. It takes a strong man to live above this definition and try to make something better of himself.

    My favorite part in this movie is when Ray attempts to stop or delay a fight about to break out in the jail yard. I loved this part because anyone can write a poem and make it rhyme, but it takes a strong motivated individual to use his poetry as a way to make people think about the decisions they make and ultimately put a stop to a deadly situation. I can relate to when Ray was meeting with his public defender and he was given the ultimatum of either going to trial and fear losing or pleading guilty for less time even if he was guilty. When I was in eighth grade I worked at a concession stand at a football field where I was accused of stealing money. I denied stealing the money and I was told either I admit to stealing the money and giving it back or they were going to call the cops. I told them to call the cops because I knew I was innocent. About a week later I got a call from the woman who runs the concession stand and she explained that another worker and her own son had admitted to stealing the money. I felt helpless when I was given an ultimatum because I realized that when people don't believe you, you could be paying the consequences for another person's wrong doing. I could tell that Ray felt helpless and trapped in between two negative outcomes. This film sends the viewers a message that if you don't try to better yourself from the people around you, then you will fall into societies definition of a typical ghetto troublemaker. I would recommend this film because it urges the importance of living above what's expected of you and I think a lot of young kids these days don't realize that.
    Maverick-63

    Moving, thought-provoking

    The best films, in my opinion, are those which challenge your conventions and beliefs and really make you think. Slam did that in Spades. I was completely lost in it. The cinema-verite style (the film was shot remarkably like a documentary) completely drew me in. Slam will stick with me for a long time to come.

    Also, anyone who knows Washington, D.C. will recognize that this was a great use of D.C. as the setting for a movie. Usually D.C. is used as just a pretty backdrop, but in this movie you saw real sites like the Projects of Southeast and Capitol Hill's Eastern Market, and recognized that D.C. is a city of real people and not just a place aliens blow up.
    10BeirutWedding1

    Something Old is New Again

    This movie is responsible for a lot of things and after finally seeing it I now know why. What it lacks in polished film making it more than makes up for in honesty, passion and ambition. From the performances through to the writing and cinematography everything is raw and beautiful and vibrant with life in a way that we never see in Hollywood films. And I'll be damned if the subject isn't poetry and how it exists in and what it makes of real life. How it is real life. In many aboriginal cultures there is no separate category for art that differentiates it from the rest of life and this movie hearkens back to that cultural tradition. A young Saul Williams defines his life, takes action, heals himself and saves others through his poetry. All of the acting is fresh and real but Saul Williams and Sonia Sohn especially shine, as they should. There is something real going on that is being captured here and the rest of America better know what it is.
    jessica_abel16

    Review

    When growing up in the ghetto one of the hardest things to do is find yourself. "Slam" written and directed by Mark Levin, is the story of a man named Ray Joshua (Saul Williams). Being surrounded by gangs and drugs he gets sent to jail when a drug deal goes bad. While in jail he realizes his passion for poetry. This inspiring story of a man overcoming the ghetto, turning his life around, and discovering his passion is a story that shows if you have a good head on your shoulders you can do anything you put your mind to.

    In the movie there are many things that try to define Ray: society and race and the justice system are some of the major ones. Somehow with all the forces against him through expression and poetry Ray defines himself. After getting arrested for a small charge of possession of marijuana because of the justice system he is forced to either confess or go to court and fight it which would wither way get him 3-10 years. There was no winning for him.

    With the themes of race, drugs, gangs and jail this movie makes it easy for people to connect to. One of the best parts of the movie was at the end when Ray finally finds his way and performs in a poetry slam. It was a powerful scene full of emotion. This movie sends many different messages. One of which is when you find something you are passionate for you should find a way to show others and express yourself through it. For example when Ray performed at the poetry slam; it wasn't his usual scene but he got out of his bubble and went for it.

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    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film was restored by the Academy Film Archive and the UCLA Film & Television Archive. Funding was provided by the Academy of Motion Picture Arts and Sciences, Sundance Institute, UCLA Film & Television Archive, and the restoration premiered in 2024 at the UCLA Festival of Preservation.
    • Gaffes
      When Ray is on his way to the poetry night, he gets on the metro at the Cleveland Park station, rides, and gets off at the metro at the same station: Cleveland Park.
    • Citations

      Ray Joshua: The wind is the moon's imagination wandering. It seeps through cracks, ripples the grass, explores the unknown. My love is my soul's imagination. How do I love you? Imagine.

    • Bandes originales
      Galactic Funk
      (Live from the Black Hole Mix)

      Performed by DJ Spooky (as DJ Spooky That Subliminal Kid)

      Written by DJ Spooky (as Paul D. Miller)

      DJ Spooky appears courtesy of Outpost Recordings

      Under license from Asphodel Ltd.

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    FAQ19

    • How long is Slam?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 novembre 1998 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Слэм
    • Lieux de tournage
      • Washington, District de Columbia, États-Unis
    • Société de production
      • Off Line Entertainment Group
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 009 819 $US
    • Montant brut mondial
      • 1 009 819 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40min(100 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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