Dans la chambre de Vanda

Vanda Duarte is a heroin addict in Lisbon. She and her family live in a crumbling building in the slums. It's a fictional story filmed in the documentary style. It's as realistic as fake gets. I would wonder if I didn't know the truth of the fictionalization. Maybe I would think that this is the real thing. It is rather long at almost three hours. It's basically an experimental film but it's a really good one. I'm willing to sit through the three hours but some of this is a bit too dark. The filmmaker obviously did not want to use too much artificial lighting. There is some great shadow use. The biggest trade-off is that some of this film comes off as a black blank. The setting is terrific. They are using the real places. The drug use looks real although I don't have the experience to judge. All in all, this is good work.

Pedro Costa´s «No Quarto da Vanda» is a dramatic picture of our present reality with real people that live day after day trying to find a way to explain their actual state, as drug addicts. It is also a film about generations full of addictions and social problems that don´t have any solution yet... Powerful, contagious and extremely real this is «No Quarto da Vanda» , an absolute masterpiece! 10/10

I found myself wondering, 'what is real in this film, and what did the director add, if anything?' It is a portrait of everyone, not just 'lowly' drug users. And no, the reviewer who claimed a 'well trained dog' could film a movie such as this is probably a 12 year old, especially since many scenes do not take place in a)a structure being demolished, b) many characters depicted are not using drugs, and etc etc... just a terrible review from someone whose favorite movie is probably 'Thor'. I also loved the soundscapes - all of the noise of commerce, music, and yes, demolition. I think it is interesting to witness the visual transformation that occurs within this trilogy of films. Very poetic and empathetic; loving, almost.

Dark and intriguing as a hidden meandering well and beautiful like Venus on the half shell, this portraiture of humans living seamlessly in the safety of their adopted home had no real future in mind as they struggle to make ends meet day to day with a grace perhaps given by God himself. Their acceptance of unwavering need to support each other and eventually their need for altering the reality of being dug out of their lair-like homes seems to squeeze the youth and humor out of their souls and sadly transports it to the mysterious parchment they so avidly smoke as the ruination begins outside.

Oddly, it reminds me of certain times in my own childhood.

This movie follows somehow in the wake of the Eye Cinema or Cinema of Truth (Dziga Vertov, Jean Rouch etc.) though with a much different and unusual subject: the everyday life of a group of drug addicts living in a degraded quarter of the outskirts of Lisbon. It's performed almost entirely by non-actors I mean by the drug addicts themselves who live before the camera as if it was not there, in a remarkable and genuine display of realism which impresses deeply our minds and feelings. These people whom we see verging slowly towards their own moral and physical ruin move before our eyes like ghosts still endowed with conscience and sentiments, capable of reasoning about their own disgrace in a very lucid way which makes us feel that we are in front of human beings after all, worth of our comprehension and compassion not to mention the fact of our own responsibility for that situation in this strange society we live in. This is the best movie about drug addicts I've ever seen and it should be seen mainly by those who persist in ignoring this problem or who think that it can be solved by fighting production and distribution of drugs instead of trying to fight consumption I mean deviating people chiefly youngsters from the inclination to consume drugs which will allow them to evade hardship and dullness of life. Although if it will be necessary to reform society for that purpose. The camera has apparently no leading role in this movie almost limiting itself to show us those people living (?) before our eyes. Their gestures, words, looks and above all their silences have so much weight on our hearts and minds that they are almost unbearable. After seeing this movie we can but feel that we all must do something and quickly.