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K-9 and Company

  • Téléfilm
  • 1981
  • 50min
NOTE IMDb
6,0/10
729
MA NOTE
John Leeson and Elisabeth Sladen in K-9 and Company (1981)
MystèreScience-fiction

Ajouter une intrigue dans votre langueOne time companion of the Doctor, Sarah Jane Smith returns to Earth and carries on with her journalist career. Now, in 1981, she has managed to rebuild her career and has come, a matter of d... Tout lireOne time companion of the Doctor, Sarah Jane Smith returns to Earth and carries on with her journalist career. Now, in 1981, she has managed to rebuild her career and has come, a matter of days before Christmas, to her aunt Lavinia's (a famous scientist) house in the sleepy Engli... Tout lireOne time companion of the Doctor, Sarah Jane Smith returns to Earth and carries on with her journalist career. Now, in 1981, she has managed to rebuild her career and has come, a matter of days before Christmas, to her aunt Lavinia's (a famous scientist) house in the sleepy English village of Moreton Harwood to write a book and to rest after her world-travelling assig... Tout lire

  • Réalisation
    • John Black
  • Scénario
    • Terence Dudley
  • Casting principal
    • Elisabeth Sladen
    • John Leeson
    • Bill Fraser
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    729
    MA NOTE
    • Réalisation
      • John Black
    • Scénario
      • Terence Dudley
    • Casting principal
      • Elisabeth Sladen
      • John Leeson
      • Bill Fraser
    • 15avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux25

    Modifier
    Elisabeth Sladen
    Elisabeth Sladen
    • Sarah Jane Smith
    John Leeson
    John Leeson
    • K-9
    • (voix)
    Bill Fraser
    • Commander Bill Pollock
    Ian Sears
    • Brendan Richards
    Colin Jeavons
    Colin Jeavons
    • George Tracey
    Sean Chapman
    Sean Chapman
    • Peter Tracey
    Mary Wimbush
    Mary Wimbush
    • Aunt Lavinia Smith
    Linda Polan
    • Juno Baker
    Gillian Martell
    • Lilly Gregson
    Neville Barber
    • Howard Baker
    John Quarmby
    John Quarmby
    • Henry Tobias
    Nigel Gregory
    Nigel Gregory
    • Sergeant Vince Wilson
    Stephen Oxley
    • P.C. Carter
    Sally Ann Wright
    • Coven Member
    Susie Brown
    • Coven Member
    • (non crédité)
    Barbara Carey
    • Party Guest
    • (non crédité)
    Diane Collett
    • Market garden extra
    • (non crédité)
    Sue Crosland
    • Covern Member
    • (non crédité)
    • …
    • Réalisation
      • John Black
    • Scénario
      • Terence Dudley
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    6,0729
    1
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    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8JeffG.

    Too bad this didn't become a series

    I rather enjoyed this pilot episode of this proposed "Doctor Who" spinoff series. Too bad the BBC didn't pick it up as a series because I think it showed promise.
    6Theo Robertson

    Hardly Brilliant But Not That Bad

    Hmm some people really have it in for K9 AND COMPANY the first - And to date - only spin off from DOCTOR WHO . I guess if there was any potential spin offs from the legendary fantasy show then two would spring to mind . The first one obviously being a series featuring the Daleks . Terry Nation actually approached American television studios in the late 1960s seeking funding for the metallic meanies but since America never experienced Dalekmania you can see why they wouldn't want to invest in a concept they have no knowledge of . It would have probably been too expensive anyway and almost certainly unfilmable . The recent series of DOCTOR WHO contained breath taking Dalek sequences but that's because television technology has moved on in the last 40 years . The other obvious spin off would have been a show featuring Brigadier Lethbridge Stewart and UNIT but again the amount of military hardware involved would probably have made it prohibitive on financial grounds ( though THE X - FILES isn't a million miles removed from this premise when you think about it ) so instead of what we might have got we ended up with a former journalist and a robotic dog !

    I was never keen on K9 during the fourth Doctor's tenure . Every time Tom Baker would be chained to a wall about to be tortured you just knew that K9 was going to appear out of the shadows and shoot the villains with his blaster . So in other words he was a plot device used by very lazy writers during the poorest period of the show seen at that time . As for Sarah Jane Smith I always thought she was slightly overrated as a companion ( She wins every single poll as favourite companion ) possibly because she was the Doctor's sidekick when the show achieved its highest ratings and most critical acclaim in the mid 1970s . I guess John Nathan Turner thought he was onto a winner by resurrecting two popular companions in a pilot for a proposed series

    What is very clear by watching this pilot is how self limiting the format is . It's set on present day Earth with no monsters with the villains being pagan worshipers . If it had gone to a full series we'd have seen Sarah and K9 and girlie boy Brendan tackle mad scientists and .. and .. and ... maybe they'd have brought back pagan worshipers for a rematch . Or maybe JNT could have had an alien invasion every third week to break up the monotony of mad scientists and pagan worshipers . No doubt Sarah could have tackled the aliens with her karate ( Where did she learn that ? ) and if that wasn't enough K9 could zap the aliens with his laser - As long as the aliens didn't run up a flight of stairs or hide behind a greenhouse or were able to run faster than three miles per hour .

    Despite the poor format there are some good points to this pilot . It contains some impressive night filming which lends itself to some atmospheric moments such as the policeman gingerly walking down a lonely country lane and it's nowhere as badly acted as some people claim , I mean try watching some DOCTOR WHO from the mid to late 1980s to see what bad acting is . Sean Chapman as Peter Tracey has a scene where he bursts into tears of despair and I often think that crying must be difficult for an actor to portray convincingly but here Chapman manages it . I'm not saying he deserves an Oscar but think of all the scenes you've seen on television and in movies where an actor is supposed to be crying and you're asking yourself if their character is laughing or crying ? As for the really crap title sequence or more appropriately the music that goes with it blame Ian Levine , someone who would later produce records for Take That , aka Robbie Williams and those other blokes

    Hardly brilliant but not as bad as some people claim K-9 AND COMPANY gets six out of ten
    10gregoryshnly

    K-9 and Cmpany

    I think K-9 and Company was a good idea,and Elisabeth Sladen always gives a great performance although Sarah-Jane seems a bit more grumpy than her normal self in this spin-off. John Lesson's voice gives K-9 a life of his own and he makes K-9 very endearing,the opening credits are very bizarre and I am sure not meant to be as funny as they come across. Thngs do seem to take a long time to start,there is a lot of running around until Sarah-Jane opens the box containing K-9. Having recently saw the pilot of The Sarah-Jane adventures,at least K-9 and company wasn't full of annoying kids! and people overacting. It was a good idea,it wasn't a failure,it got respectful viewing figures and K-9 remains a very popular character of DR.Who even today.
    kmoh-1

    A typical misjudgment from John Nathan-Turner

    John Nathan-Turner's time as producer of Dr Who (1980-9) was a frightful mess. Clearly out of his depth, his period at the helm was characterised largely by thrashing around with gimmicks to compensate for small budgets, miscasting, poor scripting and uncertainties of tone, whose accumulation had begun during Graham William's tenure, but which accelerated dramatically from Nathan-Turner's first season (season 18) onwards.

    One problem that Nathan-Turner faced was that the audience was ageing, and sci-fi nerds were beginning to define the show to the detriment of its universal qualities. It was therefore potentially a shrewd move to develop the one-off TV movie K9 and Company, coupling Dr Who's favourite companion, Sarah Jane, who still lingered in the memory, with his most asinine, for younger viewers. If this reached fruition as a series, maybe a new younger audience could be cultivated?

    Of course, he muffed it. The filming does not appear to have been a happy experience, at least for Elisabeth Sladen, according to her memoirs. But the appalling script, the embarrassing public school nephew Brendan, the weedy attacker Peter, a goodly set of well-known character actors reduced to oo-arrr dialogue, and a set of unintentionally comic pagans all combine to kill it anyway. The wonderful support actress Mary Wimbush is particularly wasted. The execrable title sequence is a microcosm of the failure of the whole enterprise.

    Lots of people watched it; I was one of them. I wanted to love it, especially as it came shortly after the very disappointing season 18. I hated it. I assumed I was just growing too big for Dr Who, but, now we can watch these shows again on DVD, it is clear that Dr Who was leaving its audience, not the other way round.
    zedthedestroyer

    K9!...K9!...K9!...K9!...K9!...

    After wading through several ideas for Doctor Who's one `official' spin-off (including a UNIT series I believe), John Nathan-Turner decided to base a series on K9. After all, there were times when the metal dog had received more fan mail than Tom Baker.

    In short, the pilot episode has an older and wiser Sarah Jane Smith returning to her home village. She finds a box that the Doctor sent her years ago containing K9 Mark 3. Being the nosy investigative journalist she is, Sarah Jane soon become involved in stopping the activities of a coven of witches. Thank goodness she has K9 and her geeky cousin Brendan helping her.

    It doesn't look promising from the first second of the theme song (something I'm sure Nathan-Turner wrote during lunch one day), and the plot is not all that engaging. In fact, there are times it seems you're watching bits of some of the Earthbound Doctor Who episodes cobbled together. Perhaps because of these factors, K9 & Company didn't make it to Episode 2.

    For completists only.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was the pilot for a never-realised spin-off of Docteur Who (1963). Elisabeth Sladen's character of investigative journalist Sarah-Jane Smith had been the Doctor's travelling companion from 1973 to 1976, whilst K-9 had been introduced in 1977. This version of K-9 was mark III. The first had stayed with Leela on Gallifrey, the second stayed with Romana in E-Space, and the Doctor made this version as a gift to Sarah-Jane Smith.
    • Gaffes
      The 'witches' use masks which resemble goat's heads. However, goats hold absolutely no significance whatsoever to Hecate and her worship. The animal Hecate is most associated with are dogs.
    • Citations

      Brendan Richards: Who is the Doctor?

      K-9: Affirmative.

    • Connexions
      Featured in TV's Finest Failures (2001)
    • Bandes originales
      K-9 and Company
      Composed by Fiachra Trench and Ian Levine

      Performed by the BBC Radiophonic Workshop and Brian Hussey (drums)

      Arranged by Peter Howell

      [theme tune]

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    Détails

    Modifier
    • Date de sortie
      • 28 décembre 1981 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • К-9 и Компания: Лучший друг девушки
    • Lieux de tournage
      • Miserden, Gloucestershire, Angleterre, Royaume-Uni(Morton Harwood)
    • Société de production
      • British Broadcasting Corporation (BBC)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 50min
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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