Quand nous étions sorcières

Katla and her little sister Margit must flee their hometown after their mother is stoned to death for witchcraft. Katla's spell to find a husband nets them a new place to live, but comes with the emnity of the new husband's son. An independent American film shot in Iceland, the Juniper Tree is a beautiful interpretation of the brothers Grimm story of the same name. Fine performances, good costumes, and stunning landscapes bring this tale to life.

Filmed in Iceland and undoubtedly an Art film I expected it to have long lingering shots and be heavier on atmosphere than plot, but at the end of the day there was so little story that it basically kept repeating itself. Nice landscape not particularly captured well. Bjork was awesome but the other sister was wooden and unimpressive. The little boy was good, the father kind of tolerable. For a Grimm's fairy tale about witches it had the feel of neither type of film. I stuck it out but it shouldn't have been an effort, and it was. Needed a better script, something fleshed out.

The Juniper Tree is one of the grimmer of the classic folktales recorded by the Grimm brothers. This movie is a artfully rendered interpretation of that fairytale.

Scandinavian films have a tendency towards a slower, subdued style and this movie is no exception. The grainy quality of the black and white images and that slower pace creates a dreamlike experience for the viewer that suits the plot well.

I would not recommend this movie for everyone. It is not particularly scary or exciting. It is however a great movie for fans of surreal dramas. People who enjoy David Lynch and Lars Fontrier movies will probably enjoy The Juniper Tree.

Heavily experimental, with borderline confusing dialogue and narrative, the movie stands out for its exquisite imagery. The music is so calming, and the overall mood was pretty isolatingly chipper. One could say the movie tells a story about abandonment and selfishness in a trauma inducing reality, while I interpreted it as some quasi-spiritual drama about the place of women, and hope and reincarnation in times of pathlessness. The film feels pretty insubstantial for the most part and a lot of the runtime feels like it's stretched out to the max, with decorative and repetitive imagery and no meaningful moments of revelation that move you-except that one moment of death halfway through the film, that's just as it is. Even though the movie was a pretty feel good one with solid imagery and music, all of it felt like a huge excercise in ambiguous storytelling, with little substance that deserves your investment and that which has little rewards-except that soothing music during the end credits.

Overall, I liked it, but I doubt people looking for any real substance will find any here.

The Juniper tree is a tale based on whether or not witchcraft exists, and its also based on a tale by the same title written by the Brothers Grimm. It's a pretty nifty little movie, unknown by many, found by only Björk fans most likely, but its really good, and a great insight into Icelandic living. In fact, it was Bryndis Petra Gradadóttir who told director Nietzchka Keene that this movie captured pure and realistic Iceland culture.

Its a film about two daughters who flee their homeland after their mother is stoned and burnt for being a witch. Margit (Björk) and Katla (Bryndis Petra Gradadóttir) find a man by the name of Jóhann (Valdimar Örn Flygenring) and casts a spell on him that will make him fall in love with Katla. Jónas (Geirlaug Sunna Þormar), the son of Jóhann gets suspicious that Katla is a witch, and thinks Katla is trying to destroy the everlasting spirit of the deceased mother to Jónas spirit inside Jóhann. Meanwhile Jónas befriends Margit, and Margit is seeing visions of her mother's ghosts. Trust me, if the names were like John and Beth it would be a lot more coherent than what I just wrote.

Performances from the entire cast are great, well not astonishing but good enough for such a low budget film. Björk, Bryndis and Jónas particularly do great performances, of course the lovely Björk is a little weird in this movie, but isn't she always in real life too? So there is no difference between reality and this film when it comes to Björk's personality. Which is funny, because when asked about this she says it was much of a dream because she was just two weeks after pregnancy with Sindri, and her "out of it" self at the time works well with her character of Margot. So her character is somewhat incidentally made into a mysterious young, kind hearted witch because she was so deluded at the time.

It is also really well written, not so much the pacing but dialogue and characters are well placed in the film. I like the simple lines used when the entire cast has conversations with one another, as they are simple and atmospheric lines, and Björk does a great job on making her sad lines sound as they are supposed to "She didn't mean to hurt him, let her go" which is pretty eye watering.

The tale, in a way, ends in tragedy, but it doesn't leave you completely bleak. It is a confusing movie, it took me three viewings before I completely understood this film, but I love it either way. It's a bit muddled mainly because we as the western world are so unfamiliar to such culture and witchcraft like this. Either way, the movie is very good and works well with what it orbits around.

Although this is a quite film and its only recognition is Björk, it is a great movie, although will bore some with it's slow pace movement, but it is a very beautiful country it is filmed in, Iceland, and deserves everlasting shots on such a wonderful country. I highly recommend this film to anyone who likes Björk, because whether or not you're bound to like it with her acting.