Ajouter une intrigue dans votre langueAlex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 1 nomination au total
Teresa DePriest
- Lana
- (as Therese De Priest)
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I liked the fact that most of the people in this movie were pretty much unknowns to me. This eliminated the "superstar" factor; where I get so distracted by the person playing the character that the character doesn't develop. I loved the idea for their screenplay; the premise was so funny, the scenes they showed were hilarious. The scenes with the family at the restaurant were very realistic. Even the gay Christmas party was good. Elliott reminded me of a gay Woody Allen (which, if you think about it, would have saved Mia a lot of trouble). Alex, I couldn't quite pigeonhole that easily. Didn't seem very ethnic, ethereal; he seemed more like a jock than a writer. All in all, I think this was a really good movie. I came across it by accident and I hope you do too.
The main purpose of this comment is because I was so disappointed by the other review on this site. It completely misses the point of the movie and I would hate for someone to only read that one and then not see the movie. The story is very well put together. It begins with rough, thumbnail (almost stereotypical) characters and you are ready to be put off. Then the story gradually develops and we get to know the two main characters in a full, three dimensional way. Each comes forward through the story line as complete, reasonable, and likable. The message of the movie is presented in a systematic and approachable way, without being in any way obvious or predictable. I can highly recommend this movie to anyone who is halfway sensitive and open to seeing gay people beyond the usual four corners often found in gay pride parades. By the way, if you like this movie, you will really like The Big Eden, probably opening near you soon, if not already.
This movie really surprised me. I did not expect to enjoy this movie whatsoever. But it did. Wonderful story - I would of love to see this Straight guy fall for the little Jewish gay guy. It would of made one hell of an ending. Granted I felt the ending was sufficient. The jewish guy ended up happy and with someone, instead of alone in his apartment or dead on the street somewhere.
A very enjoyable movie for all.
A very enjoyable movie for all.
Hit and Runway has the same spirit of Good Will Hunting, and is done equally as well. Geez, movies where you come to know the characters, like them and care what happens to them -- individually and their relationship. What a concept! Sure, the urban setting of NYC is an easy mark for a story like this, but at least the main characters aren't yuppies and this movie shows real people living like real people. I thought this was going to be an indie film shot on a miniscule budget, but I never saw a shot that looked it. Everything seemed as well done as with a big budget throwaway (of which there are so many these days). I thought I might like this movie but didn't expect to love it. I loved it. Everyone involved should feel proud.
This movie is a wonderful variant on a traditional movie theme, the romantic comedy. Only in this variation it would be best to call it a relationship comedy. The two protagonists meet and although they are initially uncomfortable around each other, they are forced to work toward a common goal. In doing so they form a relationship. When that relationship ends, we see a parting scene that recalls many great parting scenes of the past.
Now for the twist, it is not a romantic relationship that ends but a friendship between a straight man and a gay man. This movie has been compared to `Kiss Me Guido' but folks that feel that way are missing the point. This story is about the development of an accepting friendship between a gay man and a straight man without the issue of sexuality. Yes, the straight man starts with the stereotypical panic that the gay man will somehow take advantage of him carnally. But he needs the gay man to help him write a screenplay and as they work together they form a bond as friends. As they collaborate on the screenplay they talk and learn important life lessons from each other. The gay man helps the straight man becomes a more insightful person and with the straight man's encouragement the gay man begins to develop some self-assurance.
At one point they are so comfortable with each other that they both get drunk and end up clinging to each other for stability as they walk through the writer's apartment. They end up passed out in the same bed and in the morning the straight man has an anxiety attack that shows he's not completely over his stereotypes.
Overall I found this to be a well-crafted and engaging film. I only wish that the relationship could have turned out differently in the end. And who knows, it might.
Now for the twist, it is not a romantic relationship that ends but a friendship between a straight man and a gay man. This movie has been compared to `Kiss Me Guido' but folks that feel that way are missing the point. This story is about the development of an accepting friendship between a gay man and a straight man without the issue of sexuality. Yes, the straight man starts with the stereotypical panic that the gay man will somehow take advantage of him carnally. But he needs the gay man to help him write a screenplay and as they work together they form a bond as friends. As they collaborate on the screenplay they talk and learn important life lessons from each other. The gay man helps the straight man becomes a more insightful person and with the straight man's encouragement the gay man begins to develop some self-assurance.
At one point they are so comfortable with each other that they both get drunk and end up clinging to each other for stability as they walk through the writer's apartment. They end up passed out in the same bed and in the morning the straight man has an anxiety attack that shows he's not completely over his stereotypes.
Overall I found this to be a well-crafted and engaging film. I only wish that the relationship could have turned out differently in the end. And who knows, it might.
Le saviez-vous
- AnecdotesWinner - Best screenplay at the 1999 Los Angeles Film Festival.
- GaffesWhen Alex confronts Eliot at the restaurant, he takes his spoon away so he cannot finish his ice cream drink. After a few seconds Eliot jumps up to reveal that the half-full glass has suddenly become empty.
- Citations
Elliot Springer: It's Hopeless.
Alex Andero: Hopeless is not a word in my vocabulary.
Elliot Springer: I suspect that there are a lot of words that aren't in your vocabulary.
- Crédits fousRecorded at Audio Paint, NYC If it can be imagined, it can be recorded www.audiopaint.com
- ConnexionsReferenced in Eating Out (2004)
- Bandes originalesAmerican Dream
Written by Lance McVickar
Performed by Slow Poke - Lance McVickar, Joel Finn & Mark Frankel
Engineered and Arranged by Lance McVickar
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Éxito y pasarela
- Lieux de tournage
- Manhattan, Ville de New York, New York, États-Unis(various exterior shots)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 200 000 $US (estimé)
- Durée
- 1h 48min(108 min)
- Couleur
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