NOTE IMDb
6,8/10
7,3 k
MA NOTE
Ajouter une intrigue dans votre langueA teenager copes with his sexuality on the last day of school in 1984. It shows him coping with being gay and being with friends.A teenager copes with his sexuality on the last day of school in 1984. It shows him coping with being gay and being with friends.A teenager copes with his sexuality on the last day of school in 1984. It shows him coping with being gay and being with friends.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 2 nominations au total
Jason Lockhart
- Steve
- (as Jason Scheingross)
Kevin Joseph Kelly
- Chuckie
- (as Kevin J. Kelly)
Craig H. Shepherd
- Irate Customer
- (as Craig Shepherd)
Avis à la une
One of the better "coming of age" films about gay youth. Especially effective in this movie is Tina Holmes, who plays Maggie, Eric's best friend/girlfriend. She brings a true sense of innocence to the film, and when she discovers the truth about Eric, her pain is real. This is a young woman to watch! The film doesn't flinch in its look at the wonder, confusion, and deception associated with the coming out process, and despite some awkward direction, Edge of Seventeen succeeds at opening the eyes of its audience, both gay and straight.
The film is a coming-out story set in Sandusky, Ohio, in 1984. It moves a bit slowly, but it is nevertheless sweet. The characterizations and performances are genuine and provide sincere laughs and tears. The film is amazingly accurate in showing the whole gamut of coming out.
The talented cast is wonderful, and the story ultimately is a healing experience.
The talented cast is wonderful, and the story ultimately is a healing experience.
I honestly did not think I would like this movie. Something about the fact that it was based in the eighties made me a little edgy about seeing it. But I was actually pleasantly surprised.
Chris Stafford, who I would very much like to see in bigger roles, presented an incredible portrayal of a young man struggling with his sexuality in a very bias environment. Not only did I enjoy the way his character gradually came out of his shell and embraced this part about him that he had tried so hard to deny for so long but I was just so entranced and surprised by his performance throughout the film.
Anderson Gabrych as Rod was equally amazing. I was a little put off by him at first and I was extremely wary of that stereotypical gay he seemed to be at first introduction but I really enjoyed his performance, as well. And Tina Holmes was wonderful as Eric's best friend and her difficulty with the fact that the man she was in love with didn't love her that way was incredibly believable.
I enjoyed each actor's portrayal of their character and the flawless acting and the sexy (but tasteful) love scenes and just about everything about the film. The only thing I did not enjoy was the end. It felt awkward and cut short and if the director was aiming for a cliffhanger, he certainly succeeded - but a little too much was left unsaid for a completely successful closing.
Overall, the movie was one that I will watch many, many more times. It's an emotional, realistic insight into the struggles of coming out and embracing one's sexuality. Definitely worth the watch.
Chris Stafford, who I would very much like to see in bigger roles, presented an incredible portrayal of a young man struggling with his sexuality in a very bias environment. Not only did I enjoy the way his character gradually came out of his shell and embraced this part about him that he had tried so hard to deny for so long but I was just so entranced and surprised by his performance throughout the film.
Anderson Gabrych as Rod was equally amazing. I was a little put off by him at first and I was extremely wary of that stereotypical gay he seemed to be at first introduction but I really enjoyed his performance, as well. And Tina Holmes was wonderful as Eric's best friend and her difficulty with the fact that the man she was in love with didn't love her that way was incredibly believable.
I enjoyed each actor's portrayal of their character and the flawless acting and the sexy (but tasteful) love scenes and just about everything about the film. The only thing I did not enjoy was the end. It felt awkward and cut short and if the director was aiming for a cliffhanger, he certainly succeeded - but a little too much was left unsaid for a completely successful closing.
Overall, the movie was one that I will watch many, many more times. It's an emotional, realistic insight into the struggles of coming out and embracing one's sexuality. Definitely worth the watch.
7=G=
"Edge.." takes on a huge challenge as it takes the audience on an compromised guided tour of homosexuality in bloom while maintaining its entertainment value. The film features some excellent acting by some very unfamiliar faces and strikes an appropriate balance between gay sex and gay love. Kudos.
EDGE OF SEVENTEEN is by far the more realistic and enjoyable "coming of age/coming out" films to hit cinemas in a while. On a thematic par with the Brit import GET REAL, this film touches on the reality of coming of age in 1984 mid-America, though I suspect it is pretty much the same in any American suburb. The competition must discount Britain's BEAUTIFUL THING which is really an out and out romance. But it beats the cardboard contrivances of DEFYING GRAVITY, a collegiate scenario of similar ilk.
The awkward flirty moments building up to the first boy/boy coupling have an air of sexy familiarity. Film's presumption that "all some guys want is sex" is (unfortunately) dead on real. Chris Stafford plays the leading teen with immense charm. We'll see more from Stafford, surely. His studly co-star is suitably entrancing and is fine to look from the back during their love scenes. We certainly understand why our hero falls for this college-age cad.
Naturally there's a gal pal, too, who here is underplayed nicely but a little too Winona-like for comfort. Broadway uber-dyke Lea DeLaria is onboard for yuks but is just a little too odd and urban to blend in a Sandusky supermarket. Gay men will get teary as Stafford fesses up to Mom that he's queer. Film's only flaw is some obviously clipped editing. At least two scenes are confusing in continuity leading us to wonder whahappened???
But EDGE OF SEVENTEEN is a winner. Gay or straight, first love and coming of age are themes that hit home.
The awkward flirty moments building up to the first boy/boy coupling have an air of sexy familiarity. Film's presumption that "all some guys want is sex" is (unfortunately) dead on real. Chris Stafford plays the leading teen with immense charm. We'll see more from Stafford, surely. His studly co-star is suitably entrancing and is fine to look from the back during their love scenes. We certainly understand why our hero falls for this college-age cad.
Naturally there's a gal pal, too, who here is underplayed nicely but a little too Winona-like for comfort. Broadway uber-dyke Lea DeLaria is onboard for yuks but is just a little too odd and urban to blend in a Sandusky supermarket. Gay men will get teary as Stafford fesses up to Mom that he's queer. Film's only flaw is some obviously clipped editing. At least two scenes are confusing in continuity leading us to wonder whahappened???
But EDGE OF SEVENTEEN is a winner. Gay or straight, first love and coming of age are themes that hit home.
Le saviez-vous
- AnecdotesMuch of the filming took place in Sandusky, Ohio, with the amusement park scenes filmed at Sandusky's Cedar Point, the amusement park where the writer actually worked when he was in high school.
- GaffesAlthough the movie is set in 1984, the shots of Cedar Point Amusement Park clearly show "The Raptor", which was not built until 1994, a decade later.
- Crédits fousDelaria is seen still on stage after the credits briefly telling the audience to "go home."
- Versions alternativesThe version shown on TV has been cut down to 78 minutes.
- ConnexionsFeatured in Indie Sex: Teens (2007)
- Bandes originalesThe Cherries
Written and Performed by Dominic Glynn and Martin Smith
Published by Jim Long Music (ASCAP)
Courtesy of Zomba Music Services
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Edge of Seventeen?Alimenté par Alexa
Détails
Box-office
- Budget
- 700 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 871 759 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 302 $US
- 2 mai 1999
- Montant brut mondial
- 871 759 $US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant