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LateLine

  • Série télévisée
  • 1998–1999
  • 30min
NOTE IMDb
6,6/10
188
MA NOTE
LateLine (1998)
SatireComédie

Ajouter une intrigue dans votre langueThis sitcom on NBC stars Al Franken as Al Freundlich, a vain reporter for the fictional news program "Lateline." Robert Foxworth stars as Pearce McKenzie, the anchor of "Lateline." Vic Karp ... Tout lireThis sitcom on NBC stars Al Franken as Al Freundlich, a vain reporter for the fictional news program "Lateline." Robert Foxworth stars as Pearce McKenzie, the anchor of "Lateline." Vic Karp is the show's executive producer. This spoof of "Nightline" showcases numerous real life p... Tout lireThis sitcom on NBC stars Al Franken as Al Freundlich, a vain reporter for the fictional news program "Lateline." Robert Foxworth stars as Pearce McKenzie, the anchor of "Lateline." Vic Karp is the show's executive producer. This spoof of "Nightline" showcases numerous real life politicians, and real Washington bigwigs.

  • Création
    • Al Franken
    • John Markus
  • Casting principal
    • Al Franken
    • Megyn Price
    • Miguel Ferrer
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    188
    MA NOTE
    • Création
      • Al Franken
      • John Markus
    • Casting principal
      • Al Franken
      • Megyn Price
      • Miguel Ferrer
    • 9avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Épisodes24

    Parcourir les épisodes
    HautLes mieux notés

    Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Al Franken
    Al Franken
    • Al Freundlich
    • 1998–1999
    Megyn Price
    Megyn Price
    • Gale Ingersoll
    • 1998–1999
    Miguel Ferrer
    Miguel Ferrer
    • Vic Karp
    • 1998–1999
    Ajay Naidu
    Ajay Naidu
    • Raji Bakshi
    • 1998–1999
    Sanaa Lathan
    Sanaa Lathan
    • Briana Gilliam
    • 1998–1999
    Catherine Lloyd Burns
    Catherine Lloyd Burns
    • Mona Guillingsvard
    • 1998–1999
    Robert Foxworth
    Robert Foxworth
    • Pearce McKenzie
    • 1998–1999
    Caroline Aaron
    Caroline Aaron
    • Amy Freundlich…
    • 1998
    G. Gordon Liddy
    G. Gordon Liddy
    • G. Gordon Liddy
    • 1998–1999
    Judah Friedlander
    Judah Friedlander
    • Techie
    • 1999
    Dana Carvey
    Dana Carvey
    • Senator Crowl Pickens
    • 1998–1999
    Christopher Durang
    Christopher Durang
    • Expert
    • 1998–1999
    Bob Glouberman
    Bob Glouberman
    • Prompter Techie
    • 1998
    Natasha Pavlovich
    Natasha Pavlovich
    • Yelena
    • 1998
    Vinny DeGennaro
    Vinny DeGennaro
    • 1998
    Michael McKean
    Michael McKean
    • Dick Obermeyer
    • 1998
    Mark Moses
    Mark Moses
    • Jack Hunter
    • 1998
    Robert Prosky
    Robert Prosky
    • Boone LeGarde
    • 1998
    • Création
      • Al Franken
      • John Markus
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs9

    6,6188
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    Avis à la une

    7redryan64

    What have we here? It could only be called "Art Imitating News". I guess that it's possible!

    INTENSITY of contemporary occurrences and strong feelings on the part of all of us about such happenings has contributed to our becoming a divided United States. That we all have the right to hold opinions and even more so, the First Amendment Right to express same, is a most familiar American expression and untouchable God given right.

    STRONG feelings on both the Left (Liberal) and Right (Conservative) sides of issues has proved to be a catalyst in making ours a nation divided into the "Blue" States and the "Red" States; "Blue" States meaning those traditionally Liberal (being more of a Democrat State)and "Red" being a designation for those generally voting with the more conservative political party (the Republicans, the "Grand Old Party", or "G.O.P." for short.).* Oddly enough, many a political pundit believes this puts our voting populace at just about a 50-50 mark, politically speaking. Others have maintained that we have a population of approximately One Third staunch Conservatives, One Third die-hard Liberals with the remaining people being the non-committed "swing vote"; falling somewhere in between.

    SUCH intense beliefs could tend to take anything funny out of a political satire show; but the production team who brought us LATELINE (Markus/Frankin Productions/Paramount Television/NBC Television Network, 1998-99) ever so skillfully avoided any such problems with careful attention to content and management of any situations that were touched on.

    CREATOR and Series Star, the very talented Al Franken had the wisdom to avoid making it a spoof of the American Political scene; but rather a parody of the Network News Magazine Program; you know, shows like DATELINE, HANNITY & COLMES, 60 MINUTES, 20/20 and the like. Parodies or "Spoofs" are always a sure-fire laugh getter; with some built in fodder for providing send-ups of persons or regular practices that always seem to please audiences.

    ONCE again, the main concentration is focused on the FORMAT and the foibles of a most pompous, conceited and arrogant TV Newsman, Al Freundlich (Mr. Franken) and a whole veritable menagerie of characters as portrayed by a fine group of players, such as: Megyn Price, Miguel Ferrer, Ajay Naidu, Sanaa Lathan, Catherine Lloyd Burns and Robert Foxworth.

    SOME very amusing episodes were presented using certain Guest Stars to very good advantage. Our favourite guest was Mr. G. Gordon Liddy (Himself), who displayed a real talent for that which is comic; in doing a self deprecating parody of his famous tough personality and very masculine life style.** We also had enjoyed the talents of Al Franken, both on this series; as well as before its being first broadcast. We just never have agreed with Franken's decidedly Left leaning Politics.

    FRANKEN & Company kept things from being offensive to anyone by concentrating on the show, with obvious contrast of the on screen TV show with the uncanny happenings occurring off camera, behind stage. This was somewhat similar to the oft used plot device in THE LARRY SAUNDERS SHOW (Billsten-Grey Entertainment/Columbia Pictures Television/Home Box Office, 1992-98) with Garry Shandling.

    LATELINE, at times, looked so very much like a real TV News Magazine, that it was hard to differentiate between the real and the lampoon. That may have contributed to its being assigned to a premature home in the Graveyard of Network Series. It would seem that the "Suits" in the Board Rooms in New York have little sense of humour when it comes to their industry.

    AND that, my dear Schultz is really too, too bad; for LATELINE deserved a better fate and a longer run than its part of 3 seasons.

    NOTE: * We are somewhat amused that the Red (Republican, Conservative) and Blue (Democrat, Liberal) designations were placed on the subjects that they were. Somebody in charge of the Eastern Establishment News establishment definitely didn't want their "New Left" being designated as "Red".

    NOTE: ** Need we mention that this is the true life hero of his autobiographical book, WILL, which was adapted into made for TV Movie, WILL: THE AUTOBIOGRAPHY OF G. GORDON LIDDY (A Shane Company, National Broadcasting Company, 1982) with Robert Conrad in the title role.

    SPECIAL NOTE: It is interesting to see that right now, in A.D. 2008, that Al Franken is now a candidate for the U.S. Senate from the Great State of Minnesota. We look ahead with great anticipation to our National Elections on November 4, 2008 to see if Mr. Franken can match the success of former Minnesota Governor, Jesse "the Body" Ventura and connect with the voters.

    Poodle Schnitz!!
    chrisb-31

    A spectacularly funny sit-com

    Being Canadian, we appreciate satire. My spouse and I think it was one of the best satires of TV news shows since Max Headroom. We watched all the episodes over a few days on DVD and we constantly found ourselves laughing out loud at the crazy situations and lines. The show had just the right level of restraint and a stellar cast. We loved all the actors, but especially Megan Price, the Associate Producer. We were constantly amazed and delighted by the appearance of so many different special guests playing themselves. The comic timing was ideal for us and the humour really suited our "auslander" sensibilities.

    There is a reason Canada sends so many comedy writers and actors to the States and that is because we can see our American friends in a slightly different light than they see themselves and we can appreciate them for their attitudes and motives. We are alike but not....and we just loved Lateline.
    pauly-22

    Megyn Price was the real selling point

    Megyn Price was the selling point for me on LateIine. She was smart, witty, sassy, not to mention incredibly sexy. She was a fantastic dresser, had a terrific figure, and exreamly attractive. I was very sorry to see this funny, entertaining show cancelled so early on, but I was especially sorry to see Megyn Price's character go. We wouldn't see her on TV's major running for a few years until she became a young mother on Fox's GROUNDED FOR LIFE. However, her costume department wasn't nearly as talented as her old one on LateLine. As far as female office characters go, she was one of the best. Forget Mary Tyler Moore's character, Price's Gale is the finest comedic women on TV. One to put in TV's history books.
    7james362001

    Ajay Naidu shows great comedic talent in "Lateline".

    Ajay Naidu is the only reason why I watched Lateline. And he is very funny. He delivers his lines perfectly. I have been a fan of Mr. Naidu since I first saw him in No Greater Gift, followed by Touch & Go, Lady Blue, and Where The River Runs Black. Thanks to IMDb.com, I can print a list of the work Ajay Naidu has done and try to find and watch all the movies he has been in. He was hilarious in Subway Stories and had a good dramatic role in SubUrbia.
    tgibbs279

    Another Great Show Cancelled Too Soon

    "Lateline" was a well-written, wonderfully-acted sitcom that assumed the audience had a brain. And unlike just about every OTHER sitcom on TV, "Lateline" was about more than just sex. For those reasons, it didn't last.

    I guess the thing that really made the difference was the show's tone. It had funny situations and dialogue, not one-liners. That separated it from everything else on TV. The cast was fantastic: Al Franken, Robert Foxworth, Miguel Ferrer, and the gorgeous Megyn Price. They all acted and sounded like REAL PEOPLE, not sitcom characters shouting jokes. The show had a laid-back tone sorely missing on TV today.

    If you didn't already know, "Lateline" was a spoof of network TV journalism. I work in TV news myself, and I can tell you: In addition to being funny, it's easily the most realistic depiction of journalism I've ever seen on a TV sitcom. ("Murphy Brown" isn't even CLOSE to getting it right.)

    Fantastic show! NBC was crazy to cancel it. The network should have slipped it into its "Must See TV" Thursday lineup, and it would have run for years. Why does junk like "Suddenly Susan" last for years, while "Lateline" gets the shaft?

    Please, TV Land and/or Comedy Central: rerun "Lateline"!

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    Centres d’intérêt connexes

    Peter Sellers in Dr. Folamour ou : comment j'ai appris à ne plus m'en faire et à aimer la bombe (1964)
    Satire
    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The show is meant to be a parody of the ABC news program, Nightline.
    • Citations

      Gale Ingersoll: [they enter the studio, and stand next to the desk Pierce sits in. Andy is, for some reason, clad only in a bathrobe] Pierce should be on his way, but um... In the meantime you guys maybe could rehearse for the cameras?

      Conan O'Brien: Yeah, uh, Andy, maybe you should rehearse naked, so the lighting guys can prepare for your glare?

      Andy Richter: Okay.

      [takes off his bathrobe, revealing that he is wearing very little]

      Andy Richter: [explaining to a surprised Gale] Oh, see, the network won't let me work totally naked any more, so I wear a flesh-colored jockstrap, and we'll pixilate out the genital area later.

      Conan O'Brien: Andy, she's a professional. 'Sure she's pixilated genitals before.

      Gale Ingersoll: [smiles and pauses for several seconds] ...See you in a minute, guys...

      Andy Richter: Do they always keep it so cold in here?

    • Connexions
      Featured in Late Night with Conan O'Brien: Al Franken/Veronica Webb/Big Bad Voodoo Daddy (1998)

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    Détails

    Modifier
    • Date de sortie
      • 17 mars 1998 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Lieux de tournage
      • Kaufman Astoria Studios - 3412 36th Street, Astoria, Queens, New York City, New York, États-Unis
    • Sociétés de production
      • Markus/Franken Productions
      • Paramount Television
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 30min
    • Couleur
      • Color
    • Mixage
      • Stereo

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