Le tripot clandestin

Scheming Gamblers' Paradise, The (1906)

** (out of 4)

aka Le Tripot clandestin

I've always found this to be one of the weaker Melies films out there even though it's still got a fair number of fans. The film takes place inside a gambling house that can quickly be turned into a clothing store whenever the police are about to enter. Seeing how the set was built in order to change like it does is clever the first time you see it but then it just keeps on happening and to me it's never really funny or fresh. I doubt this was the first time the trick gambling house was done so I can't even give this film points for that. The entire technique behind the changing of the room is nice but that's about it.

Damn, early 20th century France must've been a police state or something! Two police raids in one night?! One might think half of the population works in law enforcement agencies. Sadly, no whacky dancing Devil were present, and the all too famous movie magic were absent too, so I have to cut a few points, but still, yet again a very nice and clever short movie from Méliès. Well done!

Watching this film, I was reminded of the classic scene in 'Sgt. Bilko (1996)' when Steve Martin, with a few minor readjustments, instantaneously transforms a gambling house into a busy-looking army motor pool garage. 'The Scheming Gambler's Paradise (1905)' works along the same lines: a busy casino, warned of the arrival of police, neatly folds itself a clothes store. There don't seem to be any in-camera effects here, only clever use of film sets. This absence of cinematic effects is a little disappointing, since that is why one usually watches a Méliès film, but nevertheless this is still a mildly amusing comedic skit. As always, the director can't resist a bit of stage showmanship, occasionally gesturing directly at the camera, as though to say: "watch this!"

This is certainly fun. Some people are running an illegal gambling house. They have made their gaming equipment so it can be neutralized because they are subject to frequent raids by the police. Such a raid takes place and everything goes according to plan, but, unfortunately for gamblers, the police come rolling back in shortly after an initial raid. This time they don't have time and the people run away (except for one man). But there is an interesting conclusion.

This short comedy is pretty clever, and it represents something of a change of pace from Georges Méliès, in terms of its method. Rather than the assortment of camera tricks that you see in most of his features, this one just uses the props very creatively to tell a simple but amusing story. The story and the technique both work well, and the visual effects make it fun to watch.

The story is set in a gambling house whose management expects to endure frequent raids from the police. Their elaborate devices for protecting themselves are very creative, and they work so smoothly that you almost don't notice how detailed everything is. It's well worth watching it a number of times so that you can catch all of the details in the transformation scenes.

The visual effects are the highlight here, rather than the story, but it does have an amusing final sequence that, in addition to comedy, provides a bit of rather tart commentary from Méliès as well.