Tre uomini e una gamba

The three (four with Mrs. Massironi) best actor-comedians in the Italian performing arts scene decided to make a movie. And it is a blessing. It is just as if you were at one of their live performances: exhilarating. It almost work as a movie (and not only as an excuse for the trio to perform), and the additional possibilities of the new media are used (along with their performance and excellent lines) to create more and more fun.

Nobody thought the first film of the three comedians could be so amusing and technically good. Nobody thought three comedians coming from TV can make film so well. In my opinion this film reaches peaks that remind Tarantino (!).

If we add to this that the humor of this trio is irresistible we have one of the greatest Italian films of '90s. I love it.

This movie was a hilarious movie if you understand the Italian language and culture! If you are merely watching it and relying on the subtitles you will not find it as funny since a lot is lost in the translation. I sat watching this movie with some friends and I was howling! They were sitting there just starring at me wondering what I found so funny. The difference between them and I....I understand the language and they don't! So if you have a friend that can translate it for you correctly then I say go for it, you will find that you will get some laughs in! The actors chosen to play each role were a good choice.....they all feed off of each other and this makes the movie even more better.

So if you have an understanding of the language then this is a funny movie to watch!

It's a rare kind of humor, very nice! The problem is that is just in Italian, and even if it was in english it's not possible to taste Aldo, Giovanni and Giacomo's speeches in other languages than their own ones. :)

As a recent Italian emigrant, I was able to fully enjoy this wonderful, sunny movie that has brought back to mind a lot of innuendos and down-to-earth jokes that, certainly, are not meant to be racist: quite the opposite, actually: every joke is firmly tongue-in-cheek.

The authors-actors also dare to play themselves, using their real names: this allows them to freely play with several styles of direction, always from their point of view, which somebody may define iconoclastic. The truth - in my personal opinion - is that they have full confidence in their own sense of humour and thus they have created a homage to more serious movie genres - from neorealism, to westerns, to 50's horror.

This is like Carl Barks when painting with oil: using a formal medium to portray less serious things.