Supernova

It's not the greatest movie ever, no doubt. But it's not bad. As far as Science Fiction movies go, this is definitely one of the better ones, maybe the best in recent memory. It's science was dead on, having a NASA employee as a technical adviser certainly shows. As for the story, it's not out of the realm of science fiction, which is no more and no less than can really be expected. It keeps it's pace well and doesn't slow down to wax philosophic like a cheesy 50's Sci-Fi would have done. The plot progresses logically and doesn't tend to jump around (a thing that I HATE in a movie). It kept me entertained, which is more than I can say for a lot of movies today.

Ridiculous "loud & lazy" sci-fi thriller that makes ample use of Robin Tunney's willingness to disrobe but has little time for things like logic and characterization. The plot is that a search and rescue ship in deep space answers a distress beacon. For their trouble, they get Peter Facinelli. Oversexed, overly derivative mess of a film offers nothing you haven't seen before and better. Hell, just a few years before this was Event Horizon, with a very similar plot but a much better movie. A dark-haired and particularly buff James Spader gives the only performance worth mentioning with a straight face. How about that laugh-inducing ending? You wouldn't think a movie that has the names of both Francis Ford Coppola and Walter Hill attached to it could be this bad but it just goes to show I guess.

A deep space "ambulance" ship receives a distress call from a mining outpost on a rogue moon (it's been removed from its orbit) 3 thousand light years away. Normally, that wouldn't be so unusual, but the distress signal was specifically hailing this particular ship (like calling someone inside an ambulance directly instead of dialing 911) and when the source is revealed, female crew member Kaela Evers (Angela Bassett) realizes that she knows the person who sent it. Worse, it's someone whom she's had an extensive personal history with and whom she considers a walking nightmare. Before she can warn Captain A.J. Marley (Robert Forster), they're in hyper drive on their way to the moon and unwittingly headed into trouble.

This film was plagued with problems--the originally attached director, Geoffrey Wright, quit. The replacement director, Walter Hill, had creative differences with the studio, which demanded re-shoots and new cuts from none other than Francis Ford Coppola and Jack Sholder. Hill ended up requesting that his name be removed, and used the new version of the infamous "Alan Smithee" designation--"Thomas Lee".

And that wasn't the end of it. Upon its release, Supernova received a critical drubbing. Rotten Tomatoes, for example, a website that collates professional and semi-professional reviews on films, showed a 90% negative reading on Supernova. The reaction from everyday viewers mirrored this reception, with mostly negative comments right here on IMDb.

But Supernova isn't that bad of a film. It's no gem, but it does a lot of things right: The premise is certainly stimulating. The transition from a stock, Alien (1979)-like sci-fi film to a thriller in space is well done. The characters are interesting. The suspense level gradually increases until the very end of the film.

There are thoughtful subtexts about giving oneself over to a "feel-good" substance, "survival of the fittest" evolution, and cyclical regeneration. The "fountain of youth" device is intriguing, and even though the "Ninth Dimension" stuff is gobbledy-gook, it's good gobbledy-gook--it makes some sense as fantasy material, and it provides a lot of suspense. There is a subtle social commentary/criticism on attitudes about violence in the media, population problems and eugenics.

A lot of the cast is also good--I like Robert Forster a lot, although unfortunately he disappears from the picture too soon. I'm also a fan of Lou Diamond Phillips, even if his presence more often than not signifies a "C", "D" or lower film. James Spader's characterization of Nick Vanzant is nice and complex. And the rest of the cast is at least decent, even if Peter Facinelli overacts a bit towards the end--but the role calls for that.

However, as a 7, Supernova has its share of problems, too. I don't usually subtract points for a film being clichéd, but it's difficult not to do so in this case. The beginning of the film is right out of Alien--with the ship waking up a crew member unexpectedly, after running some "tests". This is saved a bit by funny dialogue at the end of the scene. The computer, "Sweetie", is reminiscent at times of "Hal" from 2001: A Space Odyssey (1968). The holographic chess game is right out of Star Wars (1977). The distress signal scenario is again out of Alien, and the exploration of the abandoned mine on the rogue moon is similar to Aliens (1986).

The dialogue in the opening of the film is also a bit too jargonistic and quickly delivered for its own good. It can be difficult to get the gist of it without subtitles. There are a number of editing problems, most prominently during the "near miss" of the out of control ship with the moon--shaky cam cinematography doesn't help, either. And for so many directors being involved, the direction, while not incompetent, comes across as primarily "flat".

Is Supernova worth seeing? If you're a huge sci-fi fan (meaning that you watch and like most sci-fi films) and you do not mind familiar material that's slightly clunky at times, yes. There are enough positives to make it worthwhile. Like usual with 7s, the film is best approached with lowered expectations. Given the reputation of this film, that should be no problem.

People who have badmouthed this film totally missed the point. Supernova was a terrific, and (gasp!) an original sci fi movie. It may have been a little cheesy, but wasn't that what made the Star Wars films so great? The story was very well developed and the characters' relationships were constructed almost flawlessly, especially between Benj's and the ship's computer, Sweetie. The bond between the two gave the film a a kind of sweetness and light-heartedness that's rarely seen in a lot of big budget sci fi thrillers these days. The technical aspects of the film have to be seen to be believed. The film has an almost magestical look to it, and some of the shots are just dazzling. How this film was passed up for visual effects in the Oscar race is unbelievable. The only problem I had with the film was the fact that it was so short. It has a running time of only 91 minutes. The DVD features 20 minutes of wonderful footage was that was cut from the final film for reasons I cannot understand. They really fleshed out the characters and added a lot of understanding to the film's story. There's also an "alternate ending" which adds a lot to the film's overall depth, but it makes the movie more of a downer that it already is. But all in all, the movie is great, and if you are looking for something with a great story, nicely developed characters, and amazing visual effects, Supernova is the movie for you. My grade: B+

Supernova was the beginning of the Downfall for Lou Diamond Phillips if you ask me. Anyway, the movie is about a traveling hospital rescue spaceship, that moves about the cosmos to save stranded vessels and what not. They come across a distress call, and zip off in some sort of warp travel.

After arriving there they come across a stranded miner and some strange material, that turns out to be pieces of the 5th dimension. And then the movie finally collapses under its own stupidity.

Mediocre acting, nice special effects, REALLY stupid plot, all create a nice mixture to cause minor insanity in the viewer. Some people even lose all conscious memory of having ever seen this movie, confusing it with Red Planet or some other such film.

In other words, Run!