Rasen

Set almost immediately after the events of Ringu (1998), Rasen/Spiral tells us the story of Mitsuo Ando (Koichi Sato), a forensics doctor who gets wrapped up with the "Ring curse" when his the body of an old friend, Ryuji Takayama (Hiroyuki Sanada, reprising his character from Ringu), makes its way onto his autopsy table. Will the curse continue?

Series Note: There are many different films, television series, books, comic books, etc. based on the "Ring Universe", and it's very complicated trying to sort them out. Rasen/Spiral was the original "Ringu 2". As such, it should be watched after Ringu (1998) (which you can choose to watch after Ringu 0: Basudei (2000), which is a prequel) and before or after the now official Ringu 2, made in 1999, which was made when audience reaction to Rasen/Spiral was less than favorable.

Like the other Japanese Ring films, Rasen/Spiral is a mixed bag. For much of its length it is a relatively slow moving drama, with only subtle horror elements. Yet, much of it is very atmospheric and when the horror material arrives, it is as effective as anything else in the series. In fact, if the film had continued with the tone of the first ten minutes, this would easily be my favorite Japanese Ring film--a far cry from the travesty that many claim. As it turned out, writer/director Joji Iida doesn't sustain that level of excellence, but he periodically returns to it. Rasen/The Spiral is also notable for the bizarre sci-fi turns it takes, which gradually become more absurdist (a good quality in my book) until the climax. If you're a fan of that kind of material, and you do not mind sequels with vastly different tones and foci, you should like this film a lot. For some others, the attempted scientific explanations of the "Ring curse" are a turn-off that saps some of the supernatural creepiness out of the rest of the series.

At the end of Ringu, scripter Hiroshi Takahashi and director Hideo Nakata suggested that the Ring curse operated something like a paranormal, deadly chain letter. In one of the better moves of Rasen/Spiral, Iida quickly trashes that idea. He pulls the rug out from our expectations and dispatches characters who were the focus in the previous film. On Iida's account, and possibly in the Koji Suzuki novel (also called Spiral) upon which Rasen/Spiral's script is based, The Ring curse is much less benign than such an easy solution would have it. Of course, audiences often feel alienated when their former heroes are so wantonly disposed in a sequel (and I'm guessing that's part of the reason for making an alternate reality Ringu 2 where the characters Reiko (Nanako Matsushima) and Yoichi Asakawa (Rikiya Otaka) return), but it's a move I love. I'm definitely a fan of nihilism in films, especially in light of its relative rarity. An American film that alienated audiences in a similar way, and which I also loved, is Alien 3 (1992).

Suzuki and Iida make Rasen/Spiral nicely parallel symbolically to the overall metaphors of the series. "Ring" is called ring for many reasons. The ring of the phone, the circle of the well, the moon, the shape of the mirror, the chain letter aspect, Sadako's eye, the circuitous route the curse takes via its video instantiations, and even the temporal period between encountering the video and the curse coming to its resolution, if one takes a cyclical view of time (as is more the case in many Asian cultures). Spiral is an extension of a Ring, figuratively and literally. The sci-fi aspect of the story this time around has the curse as more of a virus, which under the microscope looks ring-shaped with a "bruised" side, corresponding to the crack in the well. The path of the curse is more complex and spiraling this time around. And of course, a strand of DNA is a spiral.

DNA is important in this film. Ryuji first gives Ando an indirect clue to DNA via a piece of paper that Ando finds in Ryuji's stomach, and which he translates as "dada" (or "father", or "parent/parentage"), then "DNA". This thread of the plot eventually supplies the outrageously strange climax, which is just as much in the genre of "rubber reality" films as sci-fi, and keeps with the admirable nihilism evidenced earlier on.

Except for one small episode, and a few flashbacks or expository "fill-ins" to get new viewers up to speed, Sadako (Ringu's villain) is barely present in this film in her "normal" instantiation (she also happens to be portrayed by a different actress--Hinako Saeki, rather than Ringu's Rie Inou or Ringu 0's Yukie Nakama). The nature of the curse has changed. The subtext of the film makes Rasen/Spiral easily interpretable as an allegorical doom-harbinger for eugenics. Past evils have produced a quick, contagious and deadly mutated virus, only conquerable by genetic manipulation, which could just result in a new species supplanting Homo sapiens. The scientists--all doctors in this case--are both the saviors and the villains. Appropriately, Iida has physician supporting characters mysteriously vacillating from helpers/heroes to the infected/untrustworthy.

Unfortunately, some of this heady nightmare and ghost-fueled reality twisting is dampened by extended forays into "serious drama-land", and even a touch of an obligatory romance, ala Ringu 0. But it's never too long before the next supernatural occurrence, and to keep you entertained on the way, Rasen/Spiral has some of the better cinematography of the series.

I'm not someone who finds any films scary (even as a kid I never did) so I can't compare Rasen/Spiral to the rest of the series in that respect, but as a quality artwork touching on serious, important themes, this film deserves to not be missed, especially if you're at all a fan of the Ring series.

I recently rewatched the third film in the Ringu series, Spiral (1998), on Tubi. The story follows a friend of the mother and child who die after watching the infamous tape. Seeking answers, he watches the tape himself, unknowingly unleashing the spirit within. As he grapples with this, his friend's spirit attempts to protect him until the curse can be broken.

Directed by Jôji Iida (Dragon Head), the film stars Kôichi Satô (When the Last Sword is Drawn), Miki Nakatani (Ringu 1 & 2), Yutaka Matsushige (Princess Blade), and Hinako Saeki (Godzilla, Mothra and King Ghidorah).

This film offers an interesting take on the Ring universe, but it didn't quite work for me. It felt like they were trying to blend elements from Ringu and Ju-on, which didn't mesh well. The mother and child storyline has always been part of the Ringu lore, but here it's played out in a more dramatic fashion, losing the horror elements I typically enjoy in this series. While the film opens with a strong autopsy scene, that ended up being the highlight for me. The romantic subplot felt cheesy, and the "full-circle" ending failed to land as intended.

In conclusion, Spiral takes the series in a direction that had potential, but it lacked the horror elements needed to keep it engaging. I'd score it 4.5/10 and recommend skipping it.

Spiral is direct sequel to Japanese cult horror movie Ring and both movies were released simultaneously which underlines the franchise's experimental, fresh and groundbreaking approach right from the start. While Ring has been met with critical acclaim at home and abroad, Spiral has been met with mixed to negative reviews and has almost been completely ignored abroad. As a matter of fact, an alternative sequel titled Ring 2 was hastily shot and released one year later. Spiral was criticized for its unusual scientific approach to the genre, the introduction of completely new characters and the fact that the lead character of the first film and her son die off the screen and have no significant role in this sequel.

The movie focuses on suicidal pathologist Ando Mitsuo who examines the body of his deceased colleague Takayama Ryuji. He has mysterious visions while examining the body and finds a cryptic note in his colleague's stomach. He starts investigating and soon learns about the cursed tape that his colleague watched a week before his demise. Soon enough, his colleague's ex-wife and son perish in a mysterious automobile accident. Obsessed with the case, Ando Mitsuo contacts the shady boss of the deceased investigative journalist. He also gets in touch with his colleague's former student and secret lover Takano Mai. The two solitary souls soon develop a sexual bond. They are determined to destroy all existing copies of the cursed tape. However, they soon realize that things might be more complicated than they had initially anticipated.

While Spiral wasn't met with critical acclaim, it's certainly an underestimated entry in the franchise that innovates instead of repeating patterns of its immediate predecessor. The film finds the right balance between new scientific approaches explaining the cursed tape and supernatural elements that conclude the movie on an otherworldly tone. The idea to develop the quiet student Takano Mai into the professor's secret lover and sidekick of the pathologist adds much depth to the story. The protagonist is also quite intriguing and turns out to be a haunted soul who attempts to commit suicide in the very first scene of the film which is quite shocking.

Spiral has the same gloomy atmosphere and sluggish pace as the predecessor but differs in all other departments. The scientific explanations are baffling, the suicidal protagonist is rather creepy and the supernatural conclusion seems like an antithesis to the grounded introduction. The movie experiments a lot and not all ideas might end up working out. However, Spiral deserves acclaim and attention as it pushes an already experimental horror franchise even further. The movie is filled with stunning details that justify watching it on multiple occasions. It's certainly the most creative, daring and intellectual entry in the franchise. Ignore the surprisingly negative comments and revist this forgotten gem of the Ring franchise to make up your own mind about this unusual entry.

Although Spiral contradicts many things in the original film ringu it is actually based on the sequel book written by the original author of Ringu. He also worked closely with the director when making Spiral. He actually wrote three books in total but the third hasn't been made into a film probably due to the lack of popularity of spiral. If anything this version/universe of Ringu is more to what the author intended and is not an awful film I thought it had quite a good plot twist at the end, however it isn't wholly satisfying as it does contradict the original to much and takes away most of the horror aspect of Sadako. I think it should be appreciated as it is a well made film and is based on the authors original intentions as a sequel to the Ringu he created in his original novel and not despised as an attempt at a sequel just made up by this director as that isn't the case.

Filmed and released at the same time as it's predecessor "Ringu" (or "Ring", which inspired the hit American remake "The Ring"), "Rasen" (or "Spiral") is an ambitious idea. The theory behind releasing both "Ringu" and this sequel at the same time was that it would increase profits, as "Ringu" was already a successful book series and television series. However, while the 1998 release "Ringu" became an international hit, this sequel didn't sit well with people, as it is of a different tone and altogether different genre, and it wasn't as big a hit. Hence, it became the ignored, "forgotten" sequel, and was overshadowed by another sequel "Ringu 2", which was released a year later, that eliminated "Rasen" from the series continuity. (Basically, "Rasen" is to "Ringu" what "Highlander 2" is to "Highlander"- a forgotten, non-canon sequel that people ignore)

However, as the film was still made, and is easily obtainable (even in the US, where it is included with all three of the other "Ringu" films in a boxed set), I feel I should give my take, as a fan of the original film.

"Rasen" is actually not a "bad" movie, but I will say, as a sequel, it is quite misguided. I hear it follows the original novels more closely, which had more of a Sci-Fi flair to them. But as "Ringu" was changed into more-or-less a standard ghost story, this sequel's focus on the science of it was too awkward for many.

It begins soon after "Ringu"- a pathologist named Ando is called into work to perform an autopsy on Ryugi, whom as you will recall was killed in the first movie. However, during the autopsy, strange things begin to happen, and Ando is haunted by various phenomena. Eventually, he hears about the cursed video tape, and decides to watch it and solve the mystery of the vengeful being Sadako himself, with the help of Ryugi's former assistant Mai.

The film delves deep into science-fiction territory, with constant talk of viruses, cloning, etc. And without spoiling anything, the final act is very much a cautionary tale about science gone out of control. Which is why it conflicts with the ghost-story established in the first film. This is not a horror movie, this is a Sci-Fi film in the vein of "The Matrix" or "Dark City", though the battles are fought with words and not fists.

But I will say to its credit that this is still a fairly interesting film. The acting is halfway decent, the direction is alright, and even though it drags, if you can get into the Sci-Fi tone, it will keep you watching until the end.

I'd say if you're a fan of the series, check it out. It's not really a strong film, but it's worth seeing. I give it an average 6 out of 10. Not as good as "Ringu" or even "Ringu 2", but not awful, either.