Madeline

i hated to give this likable little movie only a seven, it's really very good, only i did'nt think it was about much except to be nice, congenial entertainment. the 'Madeline' books themselves, though lovely children's classics, are not really about much. they're not supposed to be. they are simple, and nice, and don't burden the child reader with too much message. that's good, since not every message suits every person.

i remember reading the 'Madeline' books as a small child in second grade. i have'nt picked up a 'Madeline' book since then, but i seem to vividly remember them for some strange reason because they really are simple stories. but i remember all the characters and they are all here. Pepito, Genevieve the dog, the circus performers, i remember them all very fondly.

it was a very cute little movie but as an adult, the selling point for me was the incredible Frances McDormand. she is such a great actress who never gives a bad performance. even when i think the movie is bad, she is always really good. this might not be one of her more demanding roles, but the performance is strong, smart, and sure. playing a nun is a fairly complicated thing to do, and she brings it off like a regular Debbie Reynolds. her performance is respectful, restraint, and never crass. i mean come'on folks, religious denominations are a touchy subject. but not here in this film.

this film is perfect for all children and contains nothing offensive except for the word 'Damn'. and if you can't handle that, get the heck out of the kitchen dopey. the main thing that should be cautioned is the irresponsible use of fire crackers. sure, i thought the scene was hilarious, but throwing fire crackers under a person's feet can do serious harm, and parents should definitely talk to their kids about that one.

all in all this was not a great film or a deep one. but it was awfully sweet and cute.

This film is simply one of those light-hearted creations that keeps you spellbound from title to credits. "Madeline" is a tour-de-force for the children's film industry ... a true masterpiece that touches the heart. The acting far surpasses what one might expect from young talents such those in the movie -- Hatty Jones and Clare Thomas were absolutely superb -- though the grown-ups didn't do badly, either. In fact, much of the credit should go to the "twelve little girls" and the "bad hat" next door, all of whom shared a magnificent performance that did justice to the original characters. They added the essential touch of "cuteness" without appearing overly innocent (Madeline had a mischievous streak that would rival Kevin McAllister's).

In summary, "Madeline" is a film with just the right ingredients to make even adults squeal with delight. While many other "family films" have a tendency to fall flat, this one rises to the occasion and stares right at the competition with a straightforward "Pooh pooh". Three cheers and two thumbs way up for a job well done! Bravo!

I just loved this version of Madeline, with the inimitable Frances McDormand and Nigel Hawthorne. Funny, attractive movie that is lively enough for adults to enjoy. I highly recommend it. Nothing offensive in it at all. The cinematography, the acting, the costuming was of the highest quality.

As a child I did not really read the Madeline series of books, but I did as an adult, and I found that this screenplay and production bring the book to life. At a time and in a society where there is so much negative entertainment, this was a pleasant offering. It was uplifting. It even had just enough suspense to make it interesting for adults.

Sitting through "Madeline" was like a cool breeze on a hot day. Hatty Jones is talented enough to carry the movie, Frances McDormand makes a hell of a nun, and the supporting cast was fine also. I would rather sit through this movie again than ever see most of the summertime garbage we are 'treated' to. The opening and closing credits were beautiful, too. Being a thirtysomething guy, I was unfamiliar with the "Madeline" books, but I have a feeling the movie captured the spirit of the books. A job well done; I loved every minute of it.

Madeline is a typically troublesome young red-headed girl who is a ward of the church under the care of Miss Clavel. However just as good as she is at getting into trouble she is equally as good at working out a way out of it. When the kindly Lady Covington dies, Madeline's school loses its most ardent sponsor and faces closure when Lord Covington decides that he no longer has to humour his wife by keeping it open. Obviously none of the girls want this to happen, but Madeline must also deal with other problems as well – not least of which is some sort of plot surrounding Pepito, the son of the Spanish Ambassador.

I had not heard of this film or the famous stories from which it had come but I watched it hoping for a strong child character in a strong family comedy drama. Sadly what I got was a very muddled film that has a couple of plots and forgets to do a great deal with any of them. I appreciate that the character is the heart of the film but that doesn't excuse how messy and poorly focused this is for the majority. It does have some good aspects about it and I can see why some older pre-teens might like it but younger than that and older than that might struggle. For me the main thing the muddled delivery did was rob it of a sense of fun and prevent anything flowing.

At times the tone is silly and childish, at others it is serious and intimate – but it never feels like it is all in one movie and again fragments the flow of it. The cast try hard to work with it but understandably they seem unsure of the tone of the film (a fault that must be put at Mayer's door) and it shows. McDormand is solid but unspectacular while Hawthorne clearly felt that turning up for his scenes was enough. The star is of course Jones as Madeline. She is a strong character but not developed beyond what she can do herself. I have no vested interest in the character but I was a little disappointed with what they did. Daniels is poorly used while De La Osa is purely annoying.

This all might just about do the job for the older, pre-teen audience but younger won't care and older will want more than this delivers. A muddled film that never really settles down or decides what it is doing.