Les tigres du désert

The film lasts for 78 minuets on the Dutch DVD, due to its status in cult fandom, this film is regarded as one of the worst ever, here's why: -Has been 1960s stars wide up here, Gordon Mitchell and Mike Monti. -Luigi Batzella is the director, writer, and editor, and no doubt a one man crew, most of his films were garbage, three to four westerns shot on one wooden town built by Gordon Mitchel, three cheap war films and two erotic horror films, shot in crappy locations. -Despite its 78 minuet running time, there are around 15 minuets of stock footage, of things blowing up, and large amounts of soldiers fighting, inter-cut with around a dozen stupid extra's running around. -Poor lighting, most likely done with broken equipment, shot in Spain using locals as Arabs! (no offence intended) -The camp scenes are shot on the same sets as SS Experiment camp. -No ending, just a soldier throwing down a shovel. -Around twenty actors were used for the entire film.

...But despite all that, today's film students, can learn from it, and hopefully make their own.

God bless you Batzella!

I'm actually a big fan of these cult films, I know their shortcomings, but I'd still pick this over any Hollywood blockbuster coming out today, with overflated money grabbing stars and more CGI than actual film!

How does one sum up this film? Perhaps as "Tobruk" meeting "Caged Women"- and failing. It is neither a proper war flick nor a real WIP effort. The war scenes are pointless and excruciating. The WIP element is interesting sexploitation, with whipping, castration and some interesting and gratuitous nudity. However it is really a cinematic dog's dinner- your life will not suffer if you miss this one.

Luigi Batzella, best known under his Eurociné pseudonym Yvan Kathansky, has directed a fine piece of nazi camp sexploitation that mixes not so well with a military drama. The fights are badly choregraphed, the actors are a shame and the storyline seems a bit improvised.

Technically this ain't a reference; at times, the image is so dark you can barely see what's happening. Richard Harrisson, the cheapest mustached hero ever, teams up once again with Gordon Mitchell (they worked together for another of Batzella's fine moments, BLACK GOLD) and with newcomer Lea Landers (the terrified girl we appreciated in Mario Bava's RABID DOGS) as an attempt to create thorn characters that will grip our hearts. They fail miserably and we are stuck with a sometimes funny but overall strange movie. Just give an ear to the music playing in the background during the orgy scenes and you'll get my feeling.

This movie is great for Batzella fans like me, but if you're not familiar with this psycho-trashic director, stay away.

Whipping isn't my thing, and the war part is a good bunch of BS. But I am a sucker for a good Naziexploitation. The best part of this movie is the sex scene with the Nazi that oddly resembles a touch of Powers Boothe. One of the better scenes I've seen in a while.

Kaput Lager - Gli ultimi giorni delle SS is a bizarre, low-budget entry into the Nazi exploitation genre from the notoriously eccentric director Luigi Batzella.

The film follows Richard Harrison, who finds himself part of a ragtag group sent on a mission to destroy Nazi tanks in Africa. This premise, however, quickly takes a backseat to the real meat of the movie: the POW camp. After our 'heroes' are inevitably captured, they are taken to a prison camp run by the sadistic Gordon Mitchell, where the film descends into sleaze and degradation.

The film is undeniably cheap, with a host of technical issues. The plot is paper-thin, and the editing is jarring, with several scenes feeling completely out of place. That being said, there is a certain charm to the film's unabashed embrace of its low-budget nature. The tank models, for example, are comically obvious toys, but this only adds to the B-movie appeal.

One of the most significant issues with "Kaput Lager" is its lack of nuance. The film is unapologetically explicit in its depiction of violence and sexual content, but it never delves beneath the surface to explore the complexities of the human condition. The Nazis are portrayed as one-dimensional villains, while the prisoners are reduced to little more than victims. There is no attempt to understand the motivations or psychology of the characters, which makes it difficult to engage with the story on a deeper level.

The acting is forgettable, with the exception of Harrison, who brings a touch of hammy charm to the proceedings. The real star, however, is the dubbing. The familiar voices of Italian dub artists bring a sense of cohesion to the film, providing a strange sense of comfort amidst the chaos.

In conclusion, Kaput Lager is a mess of a movie. It's poorly made, morally dubious, and often downright silly. Yet, for fans of bizarre, exploitative cinema, there is a certain train-wreck appeal.

So, if you're in the mood for Nazis, nudity, and nonsense, this film may just be the perfect storm of trashy entertainment. Just don't expect a cinematic masterpiece.