Invasion planète Terre

I have been watching EFC since the beginning. For the most part the show is very good (season 1 to 4). During the fourth season the plot began to go down hill and the fifth season is only watchable for laughs (as only one person from the first season remained). Over all the scripts a well written and complex yet understandable. If you like shows about the little guy winning watch EFC.

Year 1: near genius, entertaining, thought provoking.

Years 2-4: Mediocre, some nice short skirts from time-to-time but that's about all.

Year 5: Deus Ex Machina, and not in a good way. This season was a form of insanity. Watching the principles struggle through this silliness was very painful.

There are so many good TV shows today there's no point in watching this.

For older TV that blows away most of today's TV and movies check out:

The Prisoner (1967) The Singing Detective (1986) I, Claudius (1976)

When Kevin Kilner left at the end of the first season, the show lost it's heart. They killed off the principal character and his drive and the show shriveled up for a while. Leeshock and his character eventually adjusted but the story still suffered, with the Taelons having so many twists and turns that they lost all mystique; now Leeshock's character is presumably dead and now there's Heitymeyer and her character with an almost Buffy:the Vampire Slayer storyline. The show has lost it's direction more than once in 5 years-what else would you expect since Rodenberry's notes could only last so long and hack writers take over? and it's time that they brought things to a merciful end.

The pilot episode written by Gene Roddenberry is excellent, but the show goes nowhere, all hugger mugger and no real story. Roddenberry's basic idea, that contact between humans and superior aliens will not be all black and white but will be filled with ambiguities, is a good one. Later writers, however, think in terms of good aliens and bad aliens. The use of female actors to play androgynous aliens was a good idea, but in later seasons everybody except Da'an overdoes it. In the third season, there are a number of scripts by Howard Cheykin, who is an excellent writer, and who wrote some memorable episodes of The Flash TV series, as well as some great graphic novels. However, he is unable to do anything here, because he is locked in to what is really not a workable story line. I have not watched the fifth season, but I have read that it throws out most of what was established in the first four. For scifi completists only.

I really enjoyed this series when it first came out. Although the idea of benevolent-seeming aliens with ulterior motives is not new (see the original Twilight Zone episode "To Serve Man"), EFC gave it a new and fresh approach. Add to that the intrigue between Da'an and Zo'or and the other Taelons, the power struggles within the Resistance, and the Machiavellian Sandoval, and you had a story with some real promise.

Unfortunately, the loss of Kevin Kilner as Boone towards the end of the first season, signaled the beginning of a string of cast changes that disrupted the continuity of the series and the story line (to paraphrase a line from "The Outlaw Josey Wales": when I get to liking a character, they don't stay around very long). Robert Leeshock put in a fine performance as Liam Kincaid; but I felt Liam became less interesting the more "human" he became. As part alien, he straddled both sides of the fence and could bond with Da'an in ways that no human ever could; but as a human, he was just one more resistance fighter.

Another disturbing trend--and maybe it's my own imagination--was the tendency to cast women based on their brassiere sizes. I thought nothing of it with Lisa Howard--I thought her portrayal of Lili Marquette was first-rate--but then with the introduction, shortly after Lili's disappearance, of Jayne Heitmeyer as Renee Palmer, I became more suspicious. The final straw was Lori Alter's well-endowed and scantily-camisoled Ehrengraf wrestling with Liam in the final moments of "Emancipation". All we needed was the Jell-O. Were they TRYING for the adolescent male audience? I'm not criticizing the acting abilities of any of these women; I'm just saying that it was hard to take the series seriously after that.

Finally, would it have been rocket science to choose a less transparent name than Doors International? Jonathan DOORS--Bill GATES??? (Not to mention Microsoft WINDOWS(R)!)

I can't comment at all on the fifth season--once I saw the Atavus appear and started reading some of the story lines, it just became too painful to bear.